:







    1. Kdward                                               22
    1. .  . .                        23

    2. The Twa Corbies                                      26
    2.    .  . . ,         27

    3. King John and the Abbot                              28
    3.   .  . .                 29

    4. Robin Hood Rescuing Three Squires                    36
    4.     .  . .
                                                   37

    5. Queen Eleanor's Confession                           44
    5.  .  . .                45

    6. The Gypsy Laddie                                     50
    6.  .  . .                      51

GEOFFREY CHAUCER
 

    7. From "The Canterbury Tales." The Prologue            54
    7.  .  . (~).
                   . .                      55
                  Depesoi) . .                59

THOMAS WYATT
 

    8. The Lover's Appeal                                   60
    8.    ?..  . .            61

HENRY HOWARD SURRKY
  

    9. Description and Praise of his Love Geraldine           62
    9.  (   ...). 
           . .                                        63
6

Contents

EDMUND SPENSKR .
 

      Amoretti.

           10. XIX. The merry cuckow, messenger of spring                    64
           10. X IX.    ... -
                              . .                             65
           11. XXXVII. What guyle is this, that those her golden
                             tresses                                         64
           11. XXXVII.     ... IIepesoi)
                             . .                                   65

           12. LXII. The weary  his  now having run                 66
           12. LXII.    .... 
                             . .                                   67

WALTER RALEGH
 

           13. Sir Walter Ralegh to his Sonne                                68
           13. .   . .                                69

PHILIP SIDNEY
 

      From "Astrophel and Stella"
        
           14. Come, sleep;  sleep                                          70
           14. ,  ,  ...  . .           71

CHRISTOPHER MARLOWK
 

           15. The Passionate Shepherd to his Love                           72
           15.   -  .              
                 . .                                                73

WILLIAM SHAKESPEARE
 

      Sonnets
      

           16.          XXI. So is it not with me as with that Muse,            74
           16.          XXI.      .. 

                             . .                                         75
                                                               7

                                                      

17.   LIV.  ,  how  much  more  doth   beauty  beauteous
            seem                                                 74
17.   LIV.         ... -
             . . Mapmaxa                                    75

18. LXV. Since brass, nor stone, nor earth, nor

             boundless sea                                         76
18. LXV.   , ,   ...  epe-
              .   77

19.   LXVI. Tired with all these, for restful death 1 cry        76
19.   LXVI.  ,   ... 

            . .                                        77
              ,   -  
             . .                            626

20. LXXIII. That time of  thou mayst in me be-
            hold                                                 78
20. LXXIII.       ... 
             . . ~                                      79

21. LXXVII. Thy glass will show thee how thy beauties
            wear                                                 78
21. LXXVII.    ... 
            . . ~                                         79

22. . Then hate me when thou wilt  80
22. .    ,-  ... -
 . . Mopmaxa  81

23. CXVI. Let me not to the marriage of true minds 82
23. CXVI.    ... 
             . . ~  83

24. .  mistress' eyes are nbthing like the sun             82
24. .      ... 
             . . ~                                        83

From "The Tragical History of Hamlet, Prince of Denmark"
  ,   ()

25. ! that this too too solid esh would melt  84
25. ,      ... 
      . .   85

         ...  . .             627
8

Contents

   26.  be, or not to be: that is the question                          86
   26.     -   ...   .  . -
                                                                  87
            ,    -  !  ... -
             . .                                       628

THOMAS CAMPION
TOMAC 
      From " Booke of Ayres"
       

            27. When thou must home to shades of under ground             88

         27.       ... 
                 . .                                            89

BEN JONSON
 

            28. From "The Sad Shepherd, or  Tale of Robin
                 Hood"                                                    90
            28.   .  . .                      91

JOHN DONNE
 

            29. The Good-Morrow                                           92
            29.   .  . . .               93

            30. Song                                                      92
            30. .  . .                          93
   31.  Valediction: Forbidding Mobrning                                 94
   31. ,  .  . . -
                                                                      95

ROBERT HERRICK
 

            32. The Mad Maid's Song                                       98
            32.   .  . .                99

GEORGE HERBERT
 

            33. Vertue                                                    100
        " 33. .  . .                         101
                                                         9

                                                

EDMUND WALLKR
 

   34. On  Girdle                                        102
   34.   . . ~                          103

JOHN MILTON
 

   35. On Shakespeare                                     104
   35.  .  . .                     105

 36 On his Blindness                                      104
 36. - . .  . .              105
     . Depesoi) . .                   632
 37. From "Paradise Lost." Book III.                      106
 37.   (). ,  
    .  . .                     107

SAMUKL BUTLKR
 

   38 From "Hudibras"                                     110
   38.  (~).  . . .        111

ANDRKW 
 

   39. The Definition of Love                             114
   39.  .  . .            115

JOHN DRYDEN
 

   40. Alexander's Feast; or, The Power of Music          118
   40.  ,   . 
          . .                                 119

JONATHAN SWIFT
 

   41. Fmm "Verses on the Death of Dr. Swift"               128
   41,      (~). 
          . .                                       129
10

Contents

JOHN GAY
 

       42. The  and Many Friends                            134
       42.    .  .              135

ALKXANDER POPE
 

       43. From "Windsor Forest(TM)                                138
       43.   ().  . . -

                                                                139

       44. The Dying Christian to his Soul                      140
        44.  .  . .         141

JAMES THOMSON
 

    From "The Seasons"
     

        45. Summer                                              144
       45.   .  . . ~            145

       46.  Hymn                                               146
       46. .  . .                        147

THOMAS GRAY
 

       47. Elegy Written in  Country Church-Yard                 154
       47.   .   .  .   (1802) 155
 . .  (1839)                                    639

OLIVER GOLDSMITH
 

       48. From "The Hermit.." Kdwin and Angelina                164
       48. . .  . .           165

ERASMUS DARWIN
 

       49. From "The Temple of Nature, or The Origin of
              Society." Canto the First. The Origin of Life      176
                                                              11

                                                        

49.  ,    . 
  .      (). 
  . .                                              177

JAMES MACPHKRSON
 

From "Works of Ossian"
 
  50. The Songs of Selma. Colma                                  178
  50.  .  . .                    179

  51. Colna-Dona:  Poem.                                        180
  51. . .  . .            181

RICHARD BRINSLKY SHKRIDAN
  

  52 Song. From "The School for Scandal"                         190
  52.   ( " ")          
      . .                                            191
         ~                                        643

GKORGK CRABBE
 

  53 From "The Borough." Peter Grimes                            192
 * 53. .   ().               
      . .                                                193

WILLIAM BLAKE
 

From "Songs of Innocence'
 
  54. The Little Black                                        204
  54.  .  . .                         205

From "Songs of Experience"
 
  55. The Tyger                                                  206
    55. Tarp.  . . Mapmaxa                              207

         . .                                   646
       . .                                        646
12

Contents

       56.  Tirzah                                           208
       56.  .  . . Tonoposa                     209

ROBERT BURNS
 liEPHC

      57. John Barleycorn                                      210'
      57.   .   . Mspauoxe,          211
       . .                                   648
      . ...                                650
      58. From "The Jolly Beggars.(TM) Cantata                   214
      ~58.  .  (~).  .  -
      posa                                                     215
      59. Coming through the                                222
      59.   ...  . . ~.       223
      60. 1 hae  wife ' my ain                               224
      60.  .  . . ~                225

      61. John Anderson, my jo, John                           224
      61.  .  . .               225
      62. Macpherson's Farewell                                226
      62.   .  . . Mapsunca       227

      63. Is there, for honest poverty                         228
      63.  .  . . Mapmoxa              229

      64. The Lass That Made the Bed to me                     232
      64.   .  . . Mapmaxa                   233

WILLIAM WORDSWORTH
 
      65.  are Seven                                         238
      65.  .  . .                       239

      66. [Lucy]                                                 242
      66. .  . .                             243

     67. Sonnet (Nuns fret not  at their  convent's narrow
         room...)                                                246
     67.   (       ...)
          . .                                       247

      68. Sonnet Composed upon  Westminster Bridge.  Sept. 3,
                  1803                                           248
     68. ,     3 -
          1803 .  . .                    249
                                                              13

                                                   

69. [The Daffodils]                                          250
69.  .  . .                   251

WALTER SCOTT
 

70. The v of Saint John                                    252
70.  ,   .          
    . .                                         253

71.  From  "Marmion.(TM)  Canto  . The  Court. XII.  Lochin-
var                                                           264
71.  .         .
 . .                                          265

72. Nora's Vow (From the Gaelic)                              268
72.   ( ).          
         . .                                       269

    SAMUEL TAYLOR COLKRIDGE
  

73. From "The Rime of the Ancient Mariner"                    270

73.     (). 
    . .                                              271

74.  Khan: or,  Vision in  Dream.  Fragment            282
74.  ,    . . 
    . .                                           283

ROBERT SOUTHKY
 ~

75. God's Judgement on  Wicked Bishop                        290
75.    .  . .          291

76. The Battle of Blenheim                                    296
76.  .  . .                   297

77. From "Madoc". Part I. Madoc in Wales. I. The Return to
    Wales                                                    300
77.  (  ).  . .              301
14

Contents

CHARLES LAMB
 
         78. The Old Familiar Faces                                                                              304
         78.   .  . . .                                                       305

THOMAS CAMPBKLL
 

                  79. Glenara                                                                                     .306
         79. .  .  . . -
                    60                                                                                            307

THOMAS M0ORE
 

     From "Irish Melodies"
      

         80. As  beam o'er the face of the waters may glow                                                          310
         80.      ... 
. .                                                                                                         311

         81. She is far from the land where her young hero sleeps 310
        " 81.  ,    ... Depeeoi)
. .                                                                                                          311

         82. The Minstrel-Boy                                                                                        312
         82.  .  . .                                                                   313

     From "National Airs"
      

          83. Air.- The Bells of St. Petersburg                                                                  314
          83.  .  . .                                                                315

     84. 1 Air                                                                                              314
     84.  ,  !..  . . -
                                                                                                                  315

          85. Venetian Air                                                                                           316
          85. , !  ...  . . 


  GEORGE GORDON BYRON
    
          86. Fragment Written Shortly after the
                                   Marriage of Miss
                    Chaworth                                                                                        318
                                                                       15

                                                            

86.  ,     

     .  . . .  319

87.  1 would 1 were  careless child  318

87.     ...  3. . Bpwco-
     319

88. Farewell! if ever.fondest prayer  322
88.. ! -   ...  . . -
      ..............................................  323

89.  Lines Written in an Album, at Malta                              322
89.   .  . .                                323
       .  . .  .                        663

From "Hebrew Melodies"
 

90.  The harp the monarch minstrel swept                              324
90.   .  . .                                325

91.   soul is dark - Oh! quickly string  326
91.    ( ).  . . -

     ..  327

92.  Sun of the sleepless! melancholy star! .                         326
92.   !  ! ..                   

       . .                                                  327
        ...  . .                     664

93.  The Destruction of Sennacherib                                   328
93.     .  . .                   329

94.    Fare Thee Well                                                 330
94.    .  . .                                   331

95.    From "The Prisoner of Chillon".  336
95.      ().  . . -

         337

 96. Stanzas to    Augusta (When all around grew drear and
    dark...)                                                          340

96.            (       ...).
        .  .                                           341

97.    Stanzas to  Augusta (Though the day of my destiny's
       over...)                                                       342
16

 Contents

         97.    (   ...).
               . .                                343

         98. Darkness                                                346
         98. .  . .                            347

         99. From "Childe Harold's Pilgrimage". Canto the
              Fourth                                                 350
         99.  -.  
              ().  . .                      351

       100. From "Don Juan." Canto the First                         352
       100. -.   (). 
               . .                                           353
               . .                                   67
       101.  Journal  in Cephalonia                                  356
       101.    .  . .              357

 CHARLES WOLFE .
  

       102. The Burial of Sir John Moore                             358
       102.    '  
              .  . .                             359

 PERCY BYSSHE SHELLEY
          

        103. Ozymandias                                              362
       103. .  . .                        363

       104. The Cloud                                                362
       104. .  . .                              363
                 .                                   670

       105. Ode to the West Wind                                     368
       105.   .  . .             369

       106. The Indian Serenade                                      372
       106.  .  . .              373

   107.                                                            374
   107.                   -
       ...  . .                                375
           ...    .      .         673
                                                            17

                                                     

108.  Song  the Men of England                               376
108.   .  . .                       377
109.  Sonnet: England in 1819                                  378
109.    1819 .  . . Tonoposa               379

JOHN  KEATS
 

110. On the Grasshopper and Cricket                            382
110.    .  . . Mapmaxa                383
      . . ~                                 674

111.  The Devon Maid                                            382
111.   .  . . '              383

112.   Autumn                                                 384
112.    .  . .                      385

113.  Ode on  Grecian Urn                                      386
113.    .  . .                 387

114. La belle dame sansmerci                                    390
114. La belle dame sans merci.  . .              391

115. Ode on Melancholy                                          392
115.  .  . .                      393
116. Ode to Psyche                                              394
116.  .  . . ~                         395

117. Sonnet on the Sea                                          400
117.  .  . .                            401

118.  Sonnet  (The  day  is  gone,  and  all  its  sweets  are
gone...)                                                        400
118.         ...   .  . -
                                                              401

119.   Sonnet (When 1 have fears that 1 may cease to be...)     402
119.    ,     

       . .                                      403

THOMAS HOOD
 

120.   The Death-Bed                                            404
120.     .  . .                 405
18

Contents

        121. The Song of the Shirt                                404
        121.   .  . .              405

ALFRED TENNYSON
          

            122. Godiva                                           412
        122. .  . .                          413

ROBERT BROWNING
 

        123. The Lost Leader                                      418
        123. -.  . .              419

        124. Home-Thoughts, from Abroad                           420
        124.   .  , . .              421

        125. How they Brought the Good News from Ghent to
                 Aix                                              420
        125.        . 
                 . .                                      421

WILLIAM JAMES LINTON
  

        126.  Glee                                               426
        126. .  . .                         427

ERNEST JONES
 

         127. The Royal Bounty ( Legend of Windsor)              428
        127.   ( ). -
                  . .                                  429

  CHARLKS KINGSLEY
   

         128. The Sands of Dee                                     434
         128.   .  . .               435
                                                        19

                                                

MATTHEW ARNOLD
 

   129. Dover Beach                                       436
  " 129.  .  . .            437

BANTE GABRIKL ROSSETTI
       

     From "The House of Life"
 

   130. Love Enthroned                                    440
   130.  .  .                 441
   131. Silent Noon                                       440
   131.  .  . . .   441

GEORGE MEREDITH
 

   132. The Old Chartist                                  444
   132.  .  . .           445

CHRISTINA ROSSETTI
 

   133. Up-hill                                            454
   133. .  . . ~               455

LEWIS CARROLL
 
   134. Jabberwocky (From "Through the Looking-Glass and
          What Alice Found There")                         456
   134.  ( "  "). 
          . . -~                          457
          .  . .                881

ALGERNON CHARLES SWINBURNK
  

   135. In the Orchard (Provenqal Burden)                  458
   135.   ( ).  . . -
                                                       459
20

Contents

        136.  Song in Time of Order                          460
        136.   .  . .       461

        137. The Garden of Proserpine                         464
        137.  .  . .           465

GERARD MANLEY HOPKINS
               

             138. The Leaden Echo                             472
        138.  .  . .             473

ROBERT LOUIS STKVENSON
  

        139. Block City                                       474
        139.   .  . . ~         475

        140. Heather Ale ( Galloway I.egend)                 474
        140.   ().  . .   475

OSCAR WILDK
OCKAP 

        141. Impressions du matin                             482
        141. .  . .                        483

        142. Tmdium vitm                                        482
        142. Tmdium vita.  . . ~                    483

        143. Symphony in Yellow                                 484
        143.   .  . .       485

        144. From "The Ballad of Reading Gaol"                  484
        144.   . (). 
                 . . bpwcosa                                  485

. . .               491
 . . .                                     567



                         1. EDWARD

         Why dois your brand sae drap wi bluid,
                   Edward, Edward,
         Why dois your brand sae drap wi bluid,
             And why sac sad gang yee 0?
         O I hae killed my hauke sae guid,
                   Mither, mither,
         0 I hae killed my hauke sae guid,
             And I had nae mair bot hee O.

         Your haukis bluid was nevir sae reid,
                   Edward, Edward,
          Your haukis bluid was nevir sae reid,
               My deir son I tell thee O.
         O I hae killed my reid-roan steid,
                   Mither, mither,
         0 I hae killed my reid-roan steid,
             That erst was sae fair and' frie O.

         Your steid was auld, and ye hae gat mair,
                   Edward, Edward,
         Your steid was auld, and ye hae gat mair,
             Sum other dule ye drie O.
          0 I hae killed my fadir deir,
                        Mither, mither,
          O I hae killed my fadir deir,
             Alas, and wae is mee 0!

         And whatten penance wul ye drie, for that,
                       Edward, Edward?
         And whatten penance will ye drie for that?
             My deir son, now tell me O.
         Ile set my feit in yonder boat,
                         Mither, mither,
                                        

          1. 

"      ,
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    ?"
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 , ,
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    ! "

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   ,    ,
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-  "      ,
      , !
    ,
    ! "

"      ,
      , ?
      ?
     ?"
- "     ,
       , !
24

Ballads

        Ile set my feit in yonder boat,
               And Ile fare ovir the sea .

        And what wul  doe wi your towirs and your ha,
                          Edward, Edward?
        And what wul  doe wi your towirs and your ha,
               That were sae fair to see ?
        Ile let thame stand tul they doun fa,
                          Mither, mither,
        Ile let thame stand tul they doun fa,
                For here nevir mair maun 1 bee .

        And what wul  leive to your bairns and your wi
                          Kdward, Edward?
        And what wul  leive to your bairns and your wi
                 Whan  gang ovir the sea ?
          The warldis room, late them beg thrae life,
                        Mither, mither,
          The warldis room, late them beg thrae life,
               For thame nevir mair wul 1 see .

         And what wul  leive to your ain mither deir,
                        Edward, Edward?
         And what wul  leive to your ain mither deir?
                 deir son, now tell me .
        The curse of hell frae me sall  beir,
                          Mither, mither,
        The curse of hell frae me sall  beir,
                Sic counseils  gave to me .
                                                   25

                                            

     
    !"

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, ?
        ,
    "
- "      ,
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      ,
     

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, ?
         
  ,  ?"
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       ,.
     !"

     "     ,
             , ?
     ,
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- "    ,
        , !
    ,
T,    !

                                  . . T
26

Ballads

                    2. THE TWA CORBIES

         As 1 was walking all alane,
         1 heard twa corbies making  mane;
         The tane unto the t'other say,
         'Where sall we gang and dine to-day?'

         'In behint yon auld fail dyke,
         1 wot there lies  new slain knight;
         And naebody kens that he lies there,
         But his hawk, his hound, and lady fair.

         'His hound is to the hunting gane,
         His hawk to fetch the wild-fowl hame,
         His lady's ta'en another mate,
         So we may mak our dinner sweet.

         'Ye '11 sit on his white hause-bane,
         And I'll pike out his bonny blue enn;
         Wi  lock  his gowden hair
         We '11 theek our nest when it grows bare.

         'Mony  one for him makes mane,
         But nane sall ken where he is gane;
         r his white banes, when they are bare,
         The wind sall blaw for evermair.'
                                            27

                                         

2.    

         ,
  :
!    ?
     ?

   :
,     ;
    
  .

   ,
   ,
  ,
    .

   ,
   ,
   ,
 ; .

                              . . 

           5. KING JOHN AND THE ABBOT

         I 'll tell you a story, a story anon,
         Of a noble prince, and his name was King John;
         For he was a prince, and a prince
                                         of great might,
                He held up great wrongs, he put down
                                        great right.
         Derry down, down hey, derry down...

         I 'll tell you  a story,  a story  so merry,
         Concerning the Abbot of Canterbury,
         And of his house-keeping and high renown,
            Which made him resort to fair London town.

         ' 'How now, father abbot? 'T is told unto me
         That thou keepest a far better house than I;
         And for [thy] house-keeping and high renown,
         I fear thou hast treason against my crown.'

         'I hope, my liege, that you owe me no grudge
         For spending of my true-gotten goods."
         'If thou dost not answer me questions three,
         Thy head shall be taken from thy body.

         'When I am set so high on my steed,
         With my crown of gold upon my head,
         Amongst all my nobility, with joy and
                                          much mirth,
         Thou must tell me to one penny what I am worth..
                                         

          3.   

   (  )

    ,
 -    .
   ,  ,   
     .

     ,
     .
      -
         .

  ,       
   ;
     ,
      ,   .

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  ,   ,
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     .-

", ,  !   ,
      :
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  -     !

"-:     
      ,
     ,
    .
30

Ballads

         'And the next question you must not flout,
         How long I shall be riding the world about;
         And the third question thou must not shrink,
         But tell to me truly what I do think.'

         '0 these are hard questions for my shallow wit,
         For I cannot answer your grace as yet;
         But if you will give me but three days space,
         I 'll do my endeavor to answer your grace.'

         '0 three days space I will thee give,
         For that is the longest day thou hast to live.
         And if thou dost not answer these questions right,
         Thy head shall be taken from thy body quite.'

         And  as  the  shepherd was  going to  his fold,
         He spy'd the old abbot come riding along:
         'How now, master abbot? You 'r welcome
                                        home;
               What news have you brought from good
                                        King John?'

         'Sad news, sad news I have thee to give,
         For I have but three days space for to live;
         If I do not answer him questions three,
         My head will be taken from my body.

         'When he is set so high on his steed,
         With his crown of gold upon his head,
         Amongst all his nobility, with joy and
                                        much mirth,
              I must tell him to one penny what he
                                         is worth.



":     ,
      ;
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-  -,   :    
         ,
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- :    ,
          ;
  :       ,
         .

         'And the next question I must not flout,
         How long he shall be riding the world about;
         And the third question I must not shrink,
         But tell him truly what he does think.'

         '0 master, did you never hear it yet,
         That a fool may learn a wiseman wit?
         Lend me but your horse and your apparel,
         I 'll ride to fair London and answer the quarrel.'

         'Now I am set so high on my steed,
         With my crown of gold upon my head,
         Amongst all my nobility, with joy and much mirth,
         Now tell me to one penny what I am worth.'

         'For thirty pence our Saviour was sold,
         Amongst the false Jews, as you have been told,
         And nine and twenty's the worth of thee,
         For I think thou art os penny worser than he.'

         'And the next question thou mayst not flout;
         How long I shall be riding the worId about.'
         'You must rise with the sun, and ride with the same
         Until the next morning he rises again,
         And then I am sure you will make no doubt
         But in twenty-four hours you 'll ride it about.'

         'And the third question you must not shrink,
         But tell me truly what I do think,"
         'All that I can do, and 't will make you merry;
         For you think I'm the Abbot of Canterbury,
         But I 'm his poor shepherd, as you may see,
         And am come to beg pardon for he and for me.'

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34

Ballads

         The king he turned him' about and did smile,
         Saying, Thou shalt be the abbot the other while:
         '0 no, my grace, there is no such need,
         For I can neither write nor read.'

         'Then four pounds a week will I give unto thee
         For this merry jest thou hast told unto me;
         And tell the old abbot, when thou comest home,
         Thou hast brought him a pardon from good King John.'
                                                     35

                                              

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        4. ROBIN HOOD RESCUING THREE SQUIRES

            There are twelve months in all the year,
              As I hear many men say,
            But the merriest month in all the year
              Is the merry month of May.

            Now Robin Hood is to Nottingham gone,
                 With a link a down and a day,
              And there he met a silly old woman,
              Was weeping on the way.

            "What news? What news, thou silly old woman?
              What news hast thou for me?"
            Said she, There's three squires in Nottingham town
              To-day is condemned to die.

            "0 have they parishes burnt?" he said,
              "Or have they ministers slain'
            Or have they robbed any virgin?
              Or with other men's wives have lain?"

            "They have no parishes burnt, good sir,
              Nor yet have ministers slain,
            Nor have they robbed any virgin,
              Nor with other men's wives have lain."

            "0 what have they done?" said bold Robin Hood,
              "I pray thee tell to me:"
            "It 's for slaying of the king's fallow deer,
              Bearing their long bows with thee.*'

            "Dost thou not mind, old woman," he said,
              Since thou made me sup and dine?
                                    37

                               

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Ballads

         By the truth of my body," quoth bold Robin Hood,
          "You could not tell. it in better time."

         Now Robin Hood is to Nottingham gone,
          With a link a down and a day,
         And he met a silly old palmer,
         Was walking along the highway.

         "What news? what news, thou silly old man?
          What news, I do thee pray?"
         Said he, Three squires in Nottingham town
          Are condemned to die this day.

         "Come change thy apparel with me, old man,
          Com change thy apparel for mine;
         Here is forty shillings in good silver,
          Go drink it in beer or wine."

         "0 thine apparel is good," he said,
          "And mine is ragged and torn;
         Wherever you go, wherever you ride,
          Laugh ne'er an old man to scorn."

         "Come change thy apparel with me, old churl,
          Come change thy apparel with mine;
         Here are twenty pieces of good broad gold,
          Go feast thy brethren with wine."

         Then he put on the old man's hat,
          It stood full high on the crown:
         "The first bold bargain that I came at,
          It shall make thee come down."

          Then he put on the .old man's cloak,
            Was patched black, blew, and red;
          He thought no shame all the day long
          To wear the bags of bread.
                                      39

                                 
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Ballads

        Then he put on the old man's breeks,
           Was patched from ballup to side;
        "By the truth of my body," bold Robin can say,
           "This man loved little pride."

        Then he put on the old man's hose,
           Were patched from knee to wrist;
        "By the truth of my body," said bold Robin Hood,
           "I'd laugh if I had any list."

        Then he put on the old man's shoes,
           Were patched both beneath and aboon;
          Then Robin Hood swore a solemn oath,
           It 's good habit that makes a man.

         Now Robin Hood is to Nottingham gone,
           With a link a down and a down,
        And there he met with the proud sheriff,
           Was walking along the town.

        "0 save, 0 save, 0 sheriff," he said,
           "0 save, and you may see!
        And what will you give to a silly old man
           To-day will your hangman be?"

         "Some suits, some suits," the sheriff he said,
           "Some suits I 'll give to thee;
         Some suits, some suits, and pence thirteen
           To-day's a hangman's fee."

         Then Robin he turns him round about,
           And jumps from stock to stone;
         "By the truth of my body," the sheriff he said,
           "That's well jumpt, thou nimble old man."

         "I was ne'er a hangman in all my life,
           Nor yet intends to trade;
         But curst be he," said bold Robin,
           "That first a hangman was made.
                                     41

                                

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Ballads

         "I've a bag for meal, and a bag for malt,
            And a bag for barley and corn;
         A bag for bread, and a bag for beef,
            And a bag for my little small horn.

         "I have a horn in my pocket,
            I got it from Robin Hood,
         And still when I set it to my mouth,
            For thee it blows little good."

         "0 wind thy horn, thou proud fellow,
            Of thee I have no doubt;
         I wish that thou give such a blast
            Till both thy eyes fall out."

         The  first  loud blast  that he  did blow,
            He blew both loud and shrill;
         A hundred and fifty of Robin Hood's men
            Came riding over the hill.

         The next loud blast that he did give,
            He blew both loud and amain,
         And quickly sixty of Robin Hood's men
            Came shining over the plain.

         "0 who are yon," the sheriff he said,
            "Come tripping over the lee?"
         "Th're my attendants," brave Robin did say,
            "They'll pay a visit to thee."

         They took the gallows from the slack,
            They set it in the glen,
         They hanged the proud sheriff on that,
            Released their own three men.
                                             43

                                          

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Ballads

                 5. QUEEN ELEANOR'S CONFESSION

          The Queen's faen sick, and very, very sick,
           Sick, and going to die,
         And she's sent for twa friars of France,
           To speak with her speedilie.

         The King he said to the Karl Marischal,
           To the Earl Marischal said he,
         The Queen she wants twa friars frae France,
           To speak with her presentlie.

          Will ye,put on a friar's coat,
             And I 'll put on another,
         And we 'll go in before the Queen,
           Like friars. both together.

         'But 0 forbid,' said the Earl Marischal,
           'That I this deed should dee1
         For it I beguile Eleanor our Queen,
           She will gar hang me hie.'

         The King he turned him round about,
           An angry man was he;
         He 's sworn by his sceptre and his sword
            Earl Marischal should not die. '

          The King has put on a friar's coat,
           Earl Marischal on another,
         And they went in before the Queen,
              Like friars both together.

         '0, if ye be twa friars of France,
           Ye 're dearly welcome to me;
         But if ye be twa London friars,
           I will gar hang you hie.'
                                          45

                                    

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        'Twa friars of France, twa friars of France,
           Twa friars of France are::e,
        And we vow we never spoke to a man
           Till we spake to Your Majesty.'

        ' fhe first great sin that eer i did,
           And I 'll tell you it presentlie,
        Earl Marischal got my maidenhead,
           When coming oer the sea.'

        'That was a sin, and a very great sin,
           But pardoned it may be,"
        'All that with amendment,' said Earl Marischal,
           'But a quacking heart had he.

         'The next great sin that eer I did,
           I 'll tell you it presentlie;
         I carried a box seven years in my breast,
           To poison King Henrie.'

         '0 that was a sin, and a very great sin,
           But pardoned it may be,"
         'All that with amendment,' said Earl Marischal,
           But a quacking heart had he.

         'The next great sin that eer I did,
           I 'll tell you it presentlie;
         I poisoned the Lady Rosamond,
           And a very good woman was she.

        'See ye not yon twa bonny boys,
           As they play at the ba?
        The eldest of them is Marischal's son,
           And I love him best of a';
        The youngest of them is Henrie's son,
           And I love him none at a'.

        'For he is headed like a bull, a bull,
           He is backed like a boar,"
                                           47

                                      

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Ballads

         'Then by my sooth,' King Henrie said,.
          'I love him the better therefor.'

         The King has cast off his friar's coat,
          Put on a coat of gold;
         The Queen she's turned her face about,
            She could not 's face behold.

         The King then said to Earl Marischal,
              To the Earl Marischal said he,
         Were it not for my sceptre and sword,
               Earl Marischal, ye should die.
                                            49



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Ballads

                       6. THE GYPSY LADDIE

            The gypsies came to our good lord's gate,
          And vow but thev sang sweetly!
         They sang sae sweet and sae very compleat
          That down came the fair lady.

         And she came tripping down the stair,
          And a' her maids before her;
         As soon as they saw her well-far'd face,
          They coost the glamer ocr her.

         'Gae tak frae me this gay mantile,
          A'nd bring to me a plaidie;
         For if kith and kin and a' had sworn,
          I 'll follow the gypsie laddie.

         'Yestreen I lay in a well-made bed,
          And my good lord beside me;
         This night I 'll ly in a tenant's barn,
          Whatever shall betide me.'

         'Come to your bed,' says Johny Faa,
          'Oh come to your bed, my deary;
         For I vow and I swear, by the hilt of my sword,
          That your lord shall nae mair come near ye.'

         'I 'll go to bed to my Johny Faa,
          I 'll go to bed to my deary;
         For I vow and I swear, by what past yestreen,
          That my lord shall nae mair come near me.

          'I 'll mak a hap to my Johny Faa,
              And I 'll mak a hap to my deary;
            And he 's get a' the coat gaes round,
          And my lord shall nae mair come near me.'
                             51

                         

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Ballads

         And when our lord came hame at een,
            And speir'd for his fair lady,
         The tane she cry'd, and the other reply'd,
            'She's away with the gypsie laddie.'

         'Gae saddle to me the black, black steed,
            Gae saddle and make him ready;
         Before that I either eat or sleep,
            I 'll gae seek my fair lady.'

         And we were fifteen well-made men,
            Altho we were nae bonny;
         And we were a' put down for ane,
               A fair young wanton lady.
                                           53

                                       

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                          . . 
GeoHrey Chaucer

                  7. FROM THE CANTERBURY TALES"

                           The Prologue

     Whanne that April with his shoures sote
     The droughte of March hath perced to the rote,
     And  bathed  every  veine  in  swiche licour,
     Of  whiche  vertue  engendred  is  the flour;
     Whan Zephirus eke with his sote brethe
     Enspired hath in every holt and hethe
     The tendre croppes, and the yonge sonne
     Hath in the Ram his halfe cours yronne,
     And smale foules maken melodic,
     That  slepen  alle  night  with  open eye,
     So priketh hem nature in hir cortes;
     Than longen folk to gon on pilgrimages,
     And palmeres for to seken strange strondes,
     To serve halwes couthe in sondry londes;
     And specially, from every shires ende
     Of Englelond, to Canterbury they wende,
     The holy blisful martyr for to seke,
     That hem hath hdlpen, whan that they were seke.
       Befelle, that, in that seson on a day,
     In Southwerk at the Tabard as I lay,
     Redy to wenden on my pilgrimage
     To Canterbury with devoute corage,
     At  night was  come into  that hostelrie
     Wel nine and twenty in a compagnie
     Of sondry folk, by aventure yfalle
     In felawship, and pilgrimes were they alle,
     That toward Canterbury wolden ride.
     The chambres and the stables weren wide,
     And we1 we weren esed atte beste.
     And shortly, whan the sonne was gon to reste,
     So hadde I spoken w.ith hem everich on,
     That I was of hir felawship anon,

                           

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         And made forword erly for to rise,
         To take oure way ther as I you devise.
             But natheles, while I have time and space,
         Or that I forther in this tale pace,
         Me thinketh it accordant to reson,
         To tellen you alle the condition
         Of eche of hem, so as it semed me,
         And whiche they weren, and of  what degre:
         And  eke  in  what araie  that they  were inne:
         And at a knight than wol I firste beginne.

                                   

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 58

 Geoffrey Chaucer

               A good wif was ther of beside Bathe,
            But she was som del defe, and that was scathe
            Of cloth making she hadde swiche an haunt,
            She passed hem of Iprcs, and of Gaunt.
            In all the parish wif ne was ther non,
            That to the offring before hire shulde gon,
            And if ther did, cert.ain so wroth was she,
            That she was out of alle charitee.
            Hire coverchiefs weren ful fine of ground;
            I dorste swere, they weyeden a pound;
            That on the Sonday were upon hire hede.
            Hire hosen weren of fine scarlet rede,
            Ful streite yteyed, and shoon ful moist and newe
            Bold was hire f.ace, and fayre and rede of hew.
            She was a worthy woman all hire live,
            Housbondes at the chirche dore had she had five,
            Withouten other compagnie in youthe.
            But therof nedeth not to speke as nouthe.
            And thries hadde she ben at Jerusaleme.
            She haddie passed many a strange streme.
            At Rome she hadde. ben, and at Boloine,
            In Galice at Seint ]ames, and at Coloine.
            She. coude moche of wandring by the way.
            Gat-r.othed was she, sothly for to say.
            Upon an ambler esily she sat,
            Ywimpled wel, and on hire hede an hat.
            As brode as is a bokeler, or a targe.
            A fote-mantel about hire hippes large,
            And on hire fete a pair of sporres sharpe.
            In felawship we) coude she laughe and carpe
            Of remedies o( love she knew parchance,
            For of that arte she coude the olde dance.
                                        ~ 

     
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               S. THE LOVER'S APPEAL

          And wilt thou leave me thus?
           Say nap! say nay! for camel
           To save thee from the blame
         Of all my grief and frame.
         And wilt thou leave me thus'?
           Say nay! say nap!

       And wilt thou leave me thus,
         That hath loved thee so long
         ln wealth and woe among?
         And is thy heart so strong
       As for to leave me thus?
         Say nay! say nap!

         And wilt thou leave me thus.
           That hath given thee my heart
           Never for to depart
           Neither  for pain  nor smart:
          And wilt thou leave me thus?
           Sap nay.! say nay!

         And wilt thou leave me thus,
             And.have no more pity
           Of him that  loveth chee?
           Alas! thy crueltyl
         And wilt thou leave me thus?
           Say nay! say nayl
                             



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Henry Howard Surrey

            DESCRIPTION AND PRAISE OF
                HIS LOVE GERALDINE

     From Tuscane came my Lady's worthy race;
     Fair Florence was sometimes her ancient seat:
     The western isle, whjse pleasant shore doth face
   -  Wild Camber's cliffs, did give her lively heat.
      Foster'd she was with milk of Irish breast:
     Her sire an Earl; her dame of Prince's blood.
     From tender years, in Britain she doth rest,
     With Kinges child; where she taster.h costly food.
     Hunsdon did first present her to mine eyen:
     Bright is her hue, and Geraldine she hight.
     Hampton me taught to wish her first to mine;
     And  Windsor, alas!  doth chase  me from  her sight.
         Her  beauty  of  kind;  her virtues  from above;
         Happy is he that can obtain her love.
              

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                             . . 
Edmund Spenser

                                AMORETTI

                                10. XIX

    The merry cuckow, messenger of spring,
     His trumpet shrill hath thrice already sounded,
    That warns all lovers wait upon their king,
    Who now is coming forth with girland crowned;
    With  noise  whereof  the  quire of  birds resounded
     Their anthems sweet, devized of love's praise,
     That all the woods their echoes back rebounded,
     As if they knew the meaning of their lays:
     But 'mongst them all, which did Love's honour raise,
     No word was heard of her that most it ought,
     But she his precept proudly disobeys,
     And doth his idle message set at nought;
     Therefore, 0 Love! unless she turn to thee
     E'er cuckow end, let her a rebel be.

                             .11. XXXVII

    What guyle is this, that those her golden tresses
     She doth attyre under a net .of gold;
     And with sly skill so cunningly them dresses,
     That which is gold, or heare, may scarse be told?
     Is it that mens frayle eyes, which gaze too bold,
     She may entangle in that 'golden snare;
     And, being caught, may craftily enfold
     Theyr weaker haris, which are not wel aware?
     Take heed, therefore, myne eyes, how ye doe stare
     Henceforth too rashly on that guilefull net,
     In which, if ever ye entrapped are,
     Out of her hands ye by no meanes shall get.
     Fondnesse it were for any, being free,
     To covet fetters, though they golden bee!
                                        

                      RI

                       10. 1

           
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66

 Edmund Spenser

                             12. LXII

         The weary yeare his race now having run,
         The new begins his compast course anew:
         With shew of morning mylde he hath begun,
         Betokening peace and plenty to ensew.
         So let us, which this chaunge of weather vew,
         Chaunge eke our mynds, and former lives amend;
         The old yeares sinnes  forepast let  us eschew,
         And fly  the,faults with  which we  did offend.
         Then shall the new yeares joy forth freshly send,
         Into the glooming world, his gladsome ray:
         And all these stormes, which now his b'eauty blend,
         Shall turne to caulmes, and tymely cleare away.
         So, likewise, Love! cheare you your heavy spright,
         And chaunge old yeares annoy to new delight.
                                              67

                              

       12. LII

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                           . . 
Walter Ralegh

      13. SIR WALTER RALEGH TO HIS SONNE

      Three  thinges  there  bee  that  prosper  up apace
      And flourish, whilest they growe a sunder farr,
      But on a day, they meet all in one place,
      And when they meet, they one an other marr;
      And they bee theise, the wood, the weede, the wagg.
      The wood is that, which makes the Gallow tree,
      The weed is that, which stringes the Hangmans bagg,
      The wagg my pritty knave betokeneth thee.
      Marke well deare boy whilest theise assemble not"
      Green springs the tree, hempe growes, the wagg is wilde,
      But when they meet, it makes the timber rott,
      It fretts the halter, and it choakes the childe.
           Then bless thee, and beware, and lett us praye,
           Wee part not with thee at this meeting day.
                                

              13. 

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                        . . 
Philip Sidney

                   FROM "ASTRPOPHEL AND STELLA

       14. Come, sleep; 0 sleep, the certain knot of peace,
                 The baiting-place of wit, the balm of woe,
             The poor man's wealth, the prisoner's release,
                Th' indifferent judge between the high and low!

            With shield of proof, shield me from out the prease
                Of those fierce darts Despair at me doth throw;
         O make in me those civil wars to cease!
               I will good tribute pay, if thou do so.

             Take thou of me smooth pillow, sweetest bed,
               A chamber deaf to noise, and blind to light,
         A rosy garland and a weary head;
               And if these  things, as  being thine  by right,

                Move  not thy  heavy grace,  thou shalt  in me,
                Livelier than elsewhere, Stella's image see.
                                    

           "  "

14. ,  ,  ,
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          .

                                   . . 
Christopher Marlowe

           15. THE PASSIONATE SHEPHERD
                       TO HIS LOVE

       Come live with me and be my Love,
       And we will all the pleasures prove
       That hills and valleys, dale and field,
       And all the craggy mountains yield.

       There will we sit upon the rocks
       And see the shepherds feed their flocks,
       By  shallow  rivers,  to  whose falls
       Melodious  birds   sing  madriga1s.

       There will I make thee beds of roses
       And a thousand fragrant posies,
       A cap of flowers, and a kirtle
       Embroider'd all with leaves of myrtle.

       A gown made of the finest wool,
       Which from our pretty lambs we pull,
       Fair lined slippers for the cold,
       With buckles of the purest gold.

       A belt of straw and ivy buds
       With coral clasps and amber studs:
       And if these pleasures may thee move,
       Come live with me and be my Love.

       The shepherd swains shall dance and sing
       For thy delight each May-morning:
       If these delights thy mind may move,
       Then live with me and be my Love.
                     a

    15.   -
       

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                          . . 
William Shakespeare

                                 SONNETS

                                 16. XXI

      So is it not with me as with that Muse,.
      Stirr'd by a painted beauty to his verse,
      Who heaven itself for ornament doth use,
      And every fair with his fair doth rehearse,
      Making a couplement of proud compare,
      With sun and moon, with earth and sea's rich gems,
      With April's first-born flowers, and all things rare
      That heaven's air in this huge rondure hems.
      0, let me, true in love, but truly write,
      And then believe me, my love is as fair
      As any mother's child, though not,so-bright
      As those gold candles fixt in heaven*s air:
            Let them say more that like of hearsay well;
            I will not praise that purpose not to sell.

                            17. LIV

          O, how much more doth beauty beauteous seem
     By that sweet ornament which truth doth give!
     The rose looks fair, but fairer it we deem
     For that sweet odour which doth in it live.
     The canker-blooms have full as deep a dye
     As the perfumed tincture of the roses,
     Hang on such thorns, and play as wantonly
     When summer's breath their masked buds discloses:
                              

                 

                16. I

      ,
   
    
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               17. IU

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William Shakespeare

       But, for their virtue only is their show,
       They live unwoo'd, and unrespected fade;
       Die to themselves. Sweet roses do not so;
       Of their sweet deaths are sweetest odours made.
               And so of you, beauteous and lovely youth,
               When that shall fade, my verse distills your truth.

                                       18. LXV

       Since brass, nor stone, nor earth, nor boundless sea,
       But sad mortality o'ersways their power,
       How with this rage shall beauty hold a plea,
       Whose action is no stronger than a flower?
       0, how shall summer's honey breath hold out
       Against the wrackful siege of battering days,
       When rocks impregnable are not so stout,
       Nor gates of steel so strong, but Time decays?
       0 fearful meditation! where, alack,
       Shall Time's best  jewel from  Time's chest  lie hid?
       Or what strong hand  can hold  .his swift  foot back?
       Or who his spoil of beauty can forbid?
               0, none, unless this miracle have might,
               That in black ink my love may still shine bright.

                               19. LXVI

            Tired with all these, for restful death I cry,-
       As, to behold Desert a beggar born,
       And needy Nothing trimm'd in jollity,
                                                              77

                                                   

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                                             . . 


                         18. LU

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                                             . . 

                         19. LUI

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78

William Shakespeare

        And purest Faith unhappily forsworn,
        -And gilded Honour shamefully misplaced,
        And maiden Virtue rudely strumpeted,
        And right Perfection wrongfully disgraced,
        And Strength by limping' Sway disabled,
        And Art made tongue-tied by Authority,
        And Folly, doctor-like, controlling Skill,
        And simple Truth miscall'd Simplicity,
        And captive Good attending captain Ill:
              Tired with all these, from these would I be gone,
              Save that, to die, I leave my love alone.

                                 20. LXXIII

        That time of year thou mayst in me behold
        When yellow leaves, or none, or few, do hang
        Upon those boughs which shake against the cold,
        Bare ruin'd choirs, where late the sweet birds sang.
         In me thou see'st the twilight of such day
        As after sunset fadeth in the west;
        Which by and by black n'ight doth take away,
        Death's second self, that seals up all in rest.
         In me thou see'st the glowing of such fire,
        That on the ashes of his youth doth -lie,
         As the death-bed whereon it must expire,
         Consumed with that which it was nourisht by.
            This thou perceivest, which makes thy love more strong
            To love that well which thod must leave ere long.

                               21. LXXVII

             Thy glass will show thee how thy beauties wear,
         Thy dial how thy precious minutes waste;
         The vacant leaves thy mind's imprint will bear,
                                              79

                                    

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                             . . 

              20. LIII

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            21. LUII

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80

William Shakespeare

         And of this book this learning mayst thou taste.
         The wrinkles which thy glass will truly show,
         Of mouthed graves will give thee memory;
         Thou by thy dial's shady stealth mayst know
         Time's thievish progress to eternity.
         Look, what thy memory cannot contain,
         Commit to these waste blanks, and thou shalt find
         Those children nursed, deliver'd from thy brain,
         To take a new acquaintance of thy mind.
         These offices, so oft as thou wilt look,
         Shall profit thee, and much enrich thy book.

                               22. XC

         Then hate me when thou wilt; if ever, now;
         Now, while the world is bent my deeds to cross,
         Join with the spite of fortune, make me bow,
         And do not drop in for an after-loss:
         Ah, do not, when my heart hath 'scaped this sorrow,
         Come in the rearward of a conquer'd woe;
         Give not a windy night a rainy morrow,
         To linger out a purposed overthrow.
         If thou wilt leave me, do not leave me last,
         When other petty griefs have done their spite,
         But in the onset come: so shall I taste
         At first the very worst of fortune's might;
         And other strains of woe, which now seem woe,
         Compared with loss of thee will not seem so.
                                                81

                                     

     
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82

 William Shakespeare

                                 23. CXVI

          Let me not to the marriage of true minds
          Admit impediments. Love is not love
          Which alters when it alteration finds,
          Or bends with the remover to remove:
          O, nol it is an ever-fixed mark,
          That looks on tempests, and is never shaken,
          It is the star to every wandering bark,
          Whose worth's unknown, although his height be taken.
          Love's not Time's fool, though rosy lips and cheeks
          Within his bending sickle's compass come;
          Love alters not with his brief hours and weeks,
          But bears it out even to the edge of doom.
                 If this be error, and upon me proved,
                 I never writ, nor no man ever loved.

                                 24. C XXX

                My mistress' eyes are nothing like the sun;
          Coral.is. far more red than her lips' red;
          If  snow  be white,  why then  her breasts  are dun;
          If hairs  be wires,  black wires  grow on  her head.
          I have seen roses damaskt, red and white,
          But no such roses see I in her cheeks;
          And in some perfumes is there more delight
          Than in the breath that from my mistress reeks.
          I love to hear her speak, yet well I know
          That music hath a far more. pleasing sound:
          I'grant I never saw a goddess go;
              My mistress, when she walks, treads on the ground.
                  And yet, by heaven, I think my love as rare
                 As any she belied with false compare.
                                                83

                                 

         23. UI

       
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       24. 

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                            . . 
84

William Shakespeare

                     FROM THE TRAGICAL HISTORY OF HAMLET,
                              PRINCE OF DENMARK"

            0! that this too too solid flesh would melt

            Thaw and resolve itself into a dew;
            Or that the Everlasting had not fix'd
            His canon 'gainst self-slaughter! O God! O God!
            How weary, stale, flat, and unprofitable
            Seem to me all the uses of this world!
            Fie on't! ah fie! 'tis an unweeded garden,
            That grows to seed! things rank and gross in nature
            Possess it merely. That it should come to this!
            But two months dead! nay, not so much, not two:
            So excellent a king; that was, to this,
            Hyperion to a satyr; so loving to my mother
            That he might not beteem the winds of heaven
            Visit her face too roughly. Heaven and earth!
            Must I remember? why, she would hang on him
            As if increase of appetite had grown
            By what it fed on; and yet, within a month -
            Let me not think on't.- Frailty, thy name is woman!
            A little month! or ere those shoes were old
            With which she follow'd my poor father's body,
            Like Niobe, all tears; why she, even she,-
            0 God! a beast, that wants discourse of reason,
            Would have mourn'd longer,- married with my uncle,
            My father's brother, but no more like my father
            Than I to Hercules. Within a month?
            Ere yet the salt of most unrighteous tears
            Had left the flushing in her galled eyes,
            She married. 0, most wicked speed, to post
            With such dexterity to incestuous sheets!
            It is not nor it cannot come to good;
            But break my heart, for I must hold my tongue!
                                                           85

                                                

   ,  



25. ,  6    
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                                       . . 


86

 William Shakespeare

 26. To be, or not to be: that is the question:
         Whether 'tis nobler in the mind- to suffer
         The slings and arrows of outrageous fortune,
         Or to take arms against a sea of troubles,
         And by opposing end them? - To die; - To sleep; -
         No more; and by a sleep to say we end
         The heart-ache and the thousand natural shocks
         That  flesh  'is  heir  to,-  'tis  a consummation
         Devoutly  to  be  wish'd.  To die;  - to  sleep; -
         To sleep! perchance to dream: - ay, there's the rub;
         For in that sleep of death what dreams may come,
         When we have shuffled off this mortal coil,
         Must give us pause: there's the respect
         That makes calamity of so long life;
         For who  would bear  the whips  and scorns  of time,
         The  oppressor's wrong,  the proud  man's contumely,
         The pangs of dispised love; the law's delay,
         The insolence of office, and the spurns
         That patient merit of the unworthy takes,
         When he himself might his quietus make
         With a bare bodkin? who would these fardels bear,
         To grunt and sweat under a weary life,
         But that the dread of something after death,
         The undiscover'd country from whose bourn
         No traveller returns, puzzles the will,
         And makes us rather bear those ills we have
         Than fly to others that we know not of?
         Thus conscience does make cowards of us all,
         And thus the native hue of resolution
         Is sicklied o'er with the pale cast of thought,
         And enterprises of great pitch and moment
         With this regard their currents turn awry,
         And lose the name of action.
                                                              87

                                             

                        *  *  *

26.     -  ;
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      .
                                      . . 


Thomas Campion

                  FROM "A BOOKE OF AYRES"

 27. When thou must home to shades of under ground,
     .And there ariu'd, a newe admired guest,
     The beauteous spirits do ingirt thee round,
     White lope, blith Helen, and the rest,
     To heare the stories of thy finisht loue
     From that smoothe,toong whose musicke hell can moue;

      Then wilt thou speake of banqueting delights-,
       Of masks and reuels which sweete youth did make,
       Of Turnies and great challenges of knights,
       And all these triumphes for thy beauties sake:
       When thou hast told these honours done to thee,
       Then tell, 0 tell, how thou didst murther me.
                           

            

27.       ,
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                           . . 
Ben Jonson

             28. FROM "THE SAD SHEPHERD, OR A TALE
                        OF ROBIN HOOD"

            Though I am young, and cannot tell,
            Either what Death or Love is, well,
            Yet I have heard they both bear darts
            And both do aim at human hearts:
            And then again, I have been told,
            Love wounds with heat, as Death with cold;
            So that I fear they do but bring
            Extremes to touch, and mean one thing.

              As in a ruin we it call
            One  thing  to be  blown up,  or fall;
            Or to our end, like way may have,
              By flash of lightning, or a wave:
              So Love's infamed shaft, or brand,
              May kill as soon as Death's cold hand;
              Except Love's fires the virtue have
            To fright the frost out of the grave.
                            

      28.   

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                            . . 
John Donne

                        29. THE GOOD-MORROW

     I wonder by my troth, what thou, and I
     Did, till we lov'd? were we not wean'd till then?
     But suck'd on countrey pleasures, childishly?
     Or snorted we in the seaven sleepers den?
     'Twas so; But this, all pleasures fancies bee.
     If ever any beauty I did see,
     Which I desir'd, and got, 'twas but a dreame of thee.

     And now good morrow to our waking soules,
     Which watch not. one another out of feare;
     For love,  all love  of other  sights controules,
     And makes one little roome, an every where.
     Let  sea-discoverers  to  new  worlds  have gone,
     Let Maps to others, worlds on worlds have showne,
     Let us possesse one world, each hath one, and is orre.

     My face in thine eye, thine in mine appeares,
     And  true plaine  hearts doe  in the  faces rest,
     Where can we finde two better hemispheares
     Without sharpe North, without declining. West?
     What ever dyes, was not mixt equally;
     If our two loves be one, or thou and I
     Love so alike, that none doe slacken, none can die.

                           30. SONG

          Goe, and catch a falling starre,
                  Get with child a mandrake roote,
               Tell me, where all past yeares are,
                                     

   29.   

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                        . . 

            30. 

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94

John Donne

           Or who cleft the Divels foot,
           Teach me to heare Mermaides singing,
               Or to keep off envies stinging,
                          And finde
                         What winde
             Serves to advance an honest minde.

           If thou beest borne to strange sights,
           Things invisible to see,
           Ride ten thousand daies and nights,
               Till age snow white haires on thee,
            Thou, when thou retorn'st, wilt tell mee
             All strange wonders that befell thee,
                          And sweare
                         No where
               Lives a woman true, and faire.

             If thou findst one, let mee know,
               Such a Pilgrimage were sweet;
           Yet doe not, I would not goe,
               Though at next doore wee might meet,
             Though shee were true, when you met her,
           And last, till you write your letter,
                         Yet shee
                         Will bee
           False, ere I come, to two, or three.



           As virtuous men passe mildly away,
           And whisper to their soules, to goe,
           Whilst some of their sad friends doe say,
           The breath goes now, and some say, no:

           So let us melt, and make no noise,
           No teare-floods, nor sigh-tempests move,
           T'were prophanation of our joyes
           To tell the layetie our love.

                                   

   ?
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                      . . 

31. ,  

      
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     .

John Donne

           Moving of th'earth brings harmes and feares,
            Men reckon what it did and meant,
           But trepidation of the spheares,
               Though greater farre, is innocent.

           Dull sublunary lovers love
            (Whose soule is sense) cannot admit
           Absence, because it doth remove
            Those things which elemented it.

           But we by a love, so much refin'd,
            That our selves know not what it is,
           Inter-assured of the mind,
            Care lesse, eyes, lips and hands to misse.

             Our two soules therefore, which are one,
                Though I must goe, endure not yet
           A breach, but an expansion,
            Like gold to ayery thinnesse beate.

           If they be two, they are two so
              As stiffe twin compasses are two,
             Thy soule the fixt foot, makes no show
              To move, but doth, if th'other doe.

           And though it in the center sit,
              Yet when the other far doth rome,
           It leanes, and hearkens af'ter it,
              And growes erect, as that comes home.

                Such wilt thou be to mee, who must
              Like th'other foot, obliquely runne;
           Thy firmnes makes my circle just,
              And makes me end, where I begunne.
                                                         97

                                                

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                                        . . 


Robert Herrick

             52. THE MAD MAID'S SONG

           Good-morrow to the day so fair,
              Good-morning, sir, to you;
           Good-morrow to mine own torn hair
            Bedabbled with the dew.
           Good-morning to this primrose too,
            Good-morrow to each maid
           That will with flowers the tomb bestrew
               Wherein my love is laid.

          . Ah! woe is me, woe, woe is me!
            Alack and well-a-day!
           For pity, sir, find out that bee
            Which bore my love away.

           I'll seek him in your bonnet brave,
            I'll seek him in your eyes;
           Nay, now I think they've made his grave
            I' th' bed of strawberries.

           I'll seek him there; I know ere this
            The cold, cold earth doth shake him;
           But I will go, or send a kiss
              By you, sir, to awake him.

           Pray hurt him not; though he be dead,
            He knows well who do love him,
           And who with green turfs rear his head,
            And who do rudely move him.

            He's soft and tender (pray take heed);
               With bands of cowslips bind him,
            And bring him home - but 'tis decreed
            That I shall never find him!
                                    

         32.   

       , ,  
           ,
         ,
             ;

          ,
             ,
           
              ;

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        , ,
             .

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           :

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              .

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              ;
           
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          ;
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       ...   ,
              .

                                . . a

George Herbert

                        33. VERTUE

          Sweet day, so cool, so calm, so bright,
        The bridall of the earth and skie:
        The dew shall weep thy fall to night;
                     For thou must die.

           Sweet rose, whose hue angrie and brave
        Bids the rash gazer wipe his eye:
        Thy root is ever in its grave,
                          And thou must die.

        Sweet spring, full of sweet dayes and roses,
        A box where sweets compacted lie;
            My musick shows ye have your closes,
                      And all must die.

        Onely a sweet and vertuous soul,
        Like season'd timber, never gives;
        But though the whole world turn to coal,
        Then chiefly lives.
                         .

          . 

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                                    . 
Edmund Waller

                      54. ON A GIRDLE

           That which her slender waist confined
        Shall now my joyful temples bind;
        No monarch but would give his crown
        His arms might do what this has done.

        It was my Heaven's extremest sphere,
        The  pale  which  held  that  lovely dear:
        My joy, my grief, my hope, my love
        Did all within this circle move.

        A narrow compass! and yet there
        Dwelt all that's good, and all that's fair:
        Give me but what this ribbon bound,
        Take all the rest the Sun goes round!
                          

   34. 

  
   .
 -   ,
     .

       
      .
 ,  
    .

  ,    
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 ,       ,
    .

                        . . 
John Milton

                       55. ON SHAKESPEARE

     What needs my Shakespeare for his honour'd Bones,
     The 1abour of an age in piled Stones,
     Or that his hafiow'd reliques should be hid
     Under a Stary-pointing Pyramid?
     Dear son of memory, great heir of Fame,
     What need'st thou such weak witness of thy name?
     Thou in our wonder and astonishment
     Hast built thy self a live-long Monument.
     For whilst to th' shame of slow-endeavouring art,
     Thy  easy  numbers  flow,  and  that  each heart
     Hath  from  the  leaves  of  thy  unvalu'd Boot,
     Those Delphick lines with deer impression took,
     Then thou our fancy of it self bereaviag,
     Dost make us Marble with too much conceaving;
     And so Sepukher'd in such pomp dost lie,
          That Kings for such a Tomb would wish to die.

                       36 ON HIS BLINDNNESS

     When I consider how my light is spent
           Ere half my days, in this dark world and wide,
           And that one talent which is death to hide
        Lodged with me useless, though my Soul more bent

     To serve therewith my Maker, and present
           My true account, lest He returning chide,-
           Doth God exact day-labour, lihght denied?
     I fondly ask: - But Patience to prevent
                                               

                      35.  

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                                              . . 

                      36.  
                           

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  106

John Milton

That murmur, soon replies; God doth not need
          Either man's work or His own gifts: who best
                     Bear His mild yoke, they serve Him best: His state

Is kingly; thousands at His bidding speed
          And post o're land and ocean without rest: -
                     They also serve who only stand and wait.

                              37. FROM  PARADISE LOST

                                       BOOK III

                   Hail, holy light, offspring of heav'n first-born
                 Or of th' Eternal co-eternal beam
                 May I express thee unblamed? since God is light,
                 And never but in unapproached light
                 Dwelt from eternity, dwelt then in thee,
                 Bright effluence of bright essence increate.
                 Or hear'st thou rather pure ethereal stream,
                 Whose  fountain  who  shall  tell?  before  the sun,
                 Before  the  heavens  thou wert,  and at.  the voice
                 Of God, as with a mantle, didst invest
                 The rising world of waters dark and deep,
                 Won from the void and formless infinite.
                 Thee I revisit now with bolder wing,
                 Escaped the Stygian pool, though long detain'd
                 In that obscure sojourn; while in mv flight
                 Through utter and through middle darkness borne,
                 With other notes, than to th' Orphean lyre,
                 I sung of Chaos and eternal Night,
                 Taught by the heav'nly Muse to venture down
                 The dark descent, and up to reascend,
                 Though hard and rare: thee I revisit safe,
                 And feel thy sov'reign vital lamp; but thou
                 Revisit'st not these eyes, that roll in vain
                 To find thy piercing ray, and find no dawn;
                                          107

                                    

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             37.  


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108

John Milton

         So thick a drop serene hath quench'd their orbs,
         Or  dim  suffusion  veil'd.  Yet not  the more
         Cease I to wander where 'the Muses haunt
         Clear  spring,  or  shady  grove, or  sunny hill,
         Smit  with  the  love of  sacred song;  but chief
         Thee  Sion,  and  the  flowery  brooks  beneath,
         That wash thy hallow'd feet, and warbling flow,
         Nightly I visit; nor sometimes forget
         Those other two equall'd with me in fate,
         So were I equall'd with them in renown,
         Blind Thamyris and blind Maeonides,
         And Tiresias and Phineus prophets old.
         Then feed on thoughts, that voluntary move
         Harmonious numbers; as the wakeful bird
         Sings  darkling, and  in shadiest  covert hid
         Tunes her nocturnal note: thus with the year
         Seasons return, but not to me returns
         Day, or the sweet approach of even or morn,
         Or sight of vernal bloom, or summer's rose,
         Or flocks, or herds, or human face divine;
         But cloud instead, and ever-during dark
         Surrounds me, from the cheerful ways of men
         Cut off, and for the book of knowledge fair
         Presented with a universal blank
         Of nature's works to me expunged and rased,
         And wisdom at one entrance quite shut out.
         So much the rather thou celestial Light
         Shine inward, and the mind through all her powers
         Irradiate, there plant eyes, all mist from thence
         Purge and disperse, that I may see and tell
         Of things invisible to mortal sight.
                                               109

                                       

     
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                                 . . 
Samuel Butler

                    38. FROM HUDIBRAS"

          For his Religion it was fit
          To match his Learning and his Wit:
          'Twas Presbyterian true blew,
          For he was of that stubborn Crew
          Of Errant Saints, whom all men grant
          To be the true Church Militant:
          Such as do build their Faith upon
          The holy Text of Pike and Gun;
          Decide all Controversies by
          Infallible Artillery;
          And prove their Doctrine Orthodox
          By Apostolic Blows and Knoclrs;
          Call Fire and Sword and Desolation,
          A godly-thorough-Reformation,
          Which always must be carry'd on,
          And still be doing; never done:
          As if Religion were intended
          For nothing else but to be mended.
          A Sect, whose chief Devotion lies
          In odd perverse Antipathies;
          In falling out with that or this,
          And finding somewhat still amiss:
          More peevish, cross, and spleenatick,
          Than Dog distract, or Monky sick.
          That with more care keep Holy-day
                           

        38. 
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112

Samuel Butler

              The wrong, than others the right way:
              Compound for Sins, they are inclin'd to,
              By damning those they  have no  mind to;
              Still so perverse and opposite,
              As if they worshipp'd God for spight.
              The self-same thing they will abhor
              One way, and long another for.
              Free-will they one way disavow,
              Another, nothing else allow.
              All Piety consists therein
                In them, in other Men all Sin.


                                        113.

                              

     :
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   ,
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                        . . 
Andrew Marvell

                39. THE DEFINITION OF LOVE

        My Love is of a birth as rare
        As 'tis for object strange and high:
        It was begotten by Despair
        Upon Impossibility.

        Magnanimous Despair alone
        Could show me so divine a thing,
        Where feeble Hope could ne'r have flown
        But vainly flapt its Tinsel Wing.

        And yet I quickly might arrive
        Where my extended Soul is fixt,
        But Fate does Iron wedges drive,
        And  alwais  crouds it  self betwixt.

        For Fate with jealous Eye does see
        Two perfect Loves; nor lets them close:
        Their union would her ruine be,
        And her Tyrannick pow'r depose.

        And therefore her Decrees of Steel
        Us as the distant Poles have plac'd,
        (Though Loves whole World on us doth wheel)
        Not by themselves to be embrac'd.

        Unless the giddy- Heaven fall,
        And Earth some new Convulsion tear;
        And,  us  to  joyn,  the World  should all
        Be cramp'd into a Planisphere.


                                 

          39.  

     
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116

Andrew Marvell

             As Lines so Loves oblique may well
             Themselves in every Angle greet:
             But ours so truly Paralel,
             Though infinite can never meet.

             Therefore the Love which us doth bind,
             But Fate so enviously debarrs,
             Is the Conjunction of the Mind,
             And Opposition of the Stars.
                                         117

                               

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                           .  
John Dryden

                 40. ALEXANDER'S FEAST; OR, THE POWER
                               OF MUSIC

        'Twas at the royal feast, for Persia won
                     By Philip's warlike son:
               Aloft in awful state
               The godlike hero sate
                     On his imperial throne:
                     His valiant peers were plac'd around,
        Their brows with roses and with myrtle bound:
        So should desert in arms be crown'd.
        The lovely Thais by his side
        Sat, -like a blooming Eastern bride,
        In flow'r of youth and beauty's pride.
                     Happy, happy, happy pair!
                     None but the brave,
                     None but the brave,
                     None but the brave deserves the fair.

        Timotheus, plac'd on high
                     Amid the tuneful quire,
                     With flying fingers touch'd the lyre:
        The trembling notes ascend the sky,
                     And heavenly joys inspire.
        The song began from Jove;
        Who left his blissful seats above.
        (Such is the power of mighty Love!)
        A dragon's fiery form belied the god,
        Sublime on radiant spheres he rode,
                     When he to fair Olympia press'd,
        And stamp'd an image of himself, a sovereign of the
                                              world.
        The listening crowd admire the lofty sound,
        A present deity! they shout around:
        A present deity, the vaulted roofs rebound.
                        

40.  ,
     

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120

John Dryden

                With ravish'd ears,
                The monarch hears,
                Assumes the god,
                     Affects to nod,
             And seems to shake the spheres.

        The praise of Bacchus then the sweet musician
                                                   sung,
                Of Bacchus ever fair, and ever young:
                The jolly god in triumph comes;
                Sound the trumpets, beat the drums;
                Flush'd with a purple grace
                He shows his honest face.
              Now give the hautboys breath; he comes,
                                                   he comes!
                Bacchus, ever, fair and young,
                Drinking joys did first ordain:
                Bacchus' blessings are a treasure,
                Drinking is the soldier's pleasure;
                       Rich the treasure,
                         Sweet the pleasure;
                    Sweet is pleasure after pain.

                Sooth'd with the sound, the king grew vain,
                     Fought all his battles o'er again,
              And thrice he routed all his foes, and thrice he
                                                     slew the slain.
                The master saw the madness rise;
                His glowing cheeks, his ardent eyes;
                And, while he heav'n and earth defied,
                Chang'd his hand, and check'd his pride.
                He chose a mournful Muse,
                Soft pity to infuse:
                He sung Darius great and good,
                By too severe a fate,
                Fallen, fallen, fallen, fallen,
                Fallen from his high estate,
                And welt'ring in his blood;
                                                 121

                                         

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122

John Dryden

             Deserted, at his utmost need,
             By those his former bounty fed,
          On the bare earth expos'd he lies,
          With not a friend to close his eyes.
             With downcast look the joyless victor sate,
             Revolving in his alter'd soul
             The various turns of chance below;
             And now and then a sigh he stole,
             And tears began to, flow.

          The mighty master smil'd to see
          That love was in the next degree:
          'Twas but a kindred sound to move';
          For pity melts the mind to love.
             Softly sweet, in Lydian measures,
             Soon he soothed his soul to pleasures,
             War, he sung, is toil and trouble;
             Honour but an empty bubble;
             Never ending, still beginning,
             Fighting still, and still destroying:
             If the world be worth thy winning,
             Think, oh think it worth enjoying!
             -Lovely Thais sits beside thee,
             Take the good the gods provide thee.
          The  many  rend the  skies with  loud applause;
             So love was crown'd, but Music won the cause.
                The prince, unable to conceal his pain,
             Gaz'd on the fair
             Who caused his care,-
             And sigh'd and look'd, sigh'd and look'd,
             Sigh'd and look'd, and sigh'd again,
             At length, with love and wine at once oppress'd
          The vanquish'd victor sunk upon her breast.

          Now strike the golden lyre again:
          And louder yet, and yet a louder strain.-
          Break his bands of sleep asunder,
          And rouse him, like a rattling peal
                                                of thunder,
                                         

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124 -

John Dryden

               Hark, hark, the horrid sound
               Has rais'd up his head;
               As awak'd from the dead,
               And amaz'd, he stares around.
           Revenge, revenge, Timotheus cries,
                 See the Furies arise,
               See the snakes that they rear,
                     How they hiss in their hair,
             And the sparkles that flash from their eyes!
               Behold a ghastly band,
               Each a torch in his hand!
         Those are Grecian ghosts, that in battle were
                                                 slain,
               And unburied remain,
                Inglorious on the plain;
               Give the vengeance due
               To the valiant crew.
              Behold how they toss their torches on high,
                    How they point to the Persian abodes,
           And  glitt'ring temples  of their  hostile gods!
           The princes applaud with a furious joy;
           And the King seiz'd a flambeau, with zeal to
                                                 destroy;
                Thais led the way,
                To light him to his prey,
          And, like another Helen, fir'd another Troy.

                         Thus, long ago
                     Ere heaving bellows learn'd to blow,
                         While organs yet were mute,
                    Timotheus to his breathing flute
                            And sounding lyre
           Could swell the soul to rage, or kindle soft
                                                 desire.
                At last divine Cecilia came,
                Inventress of the vocal frame;
              The sweet enthusiast, from her sacred store,
                Knlarg'd the former narrow bounds,
                And added length to solemn sounds.
                                                         125

                                        

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126

John Dryden

          With nature's mother-wit, and arts unknown
                                           before.
                   Let old Timotheus yield the price,
                         Or both divide the crown;
                 He rais'd a mortal to the skies:
                          She drew an angel down.
                                            

   
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   . ,   ,
       ...
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       ;
      
     !

                                 . . 
Jonathan Swift

          41. FROM "VERSES ON THE DEATH OF DR. SWIFT *

        Occasioned by reading a Maxim in Rochefoulcault:

"Dans 1'adversite de nos meilleurs amis, nous trouvons toujours
quelque chose, qui ne nous deplait pas."

                As Rochefoulcault his Maxims drew
              From Nature, I believe 'em true:
              They argue no corrupted Mind
              In him; the Fault is in.Mankind.

              This Maxim more than all the rest
              Is thought too base for human Breast;
              "In all Distresses of our Friends
              We first consult. our private Ends,
              While Nature kindly bent to ease us,
              Points out some Circumstance to please us."

                     If this perhaps your Patience move
              Let Reason and Experience prove.

                     We all behold with envious Eyes,
              Our Equal rais'd above our Size;
              Who wou'd not at a crowded Show,
              Stand  high  himself,  keep  others low?
              I love my Friend as well as you,
              But would not have him stop my View;
              Then let him have the higher Post;
              I ask but for an Inch at most.

                  If in a Battle you should find,
                 One, whom you love of all Mankind,
              Had some heroick Action done,
              A Champion kill'd, or Trophy won;
                              

             41.     ,

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130

Jonathan Swift

             Rather than thus be over-topt,
                Would you not wish his Lawrels cropt?

                   Dear honest Ned is in the Gout,
             Lies rackt with Pain, and you without:
             How patiently you hear him groan!
             How glad the Case is not your own!

                   What Poet would not grieve to see,
              His Brethren write as well as he?
              But rather than they should excel,
              He'd wish his Rivals all in Hell.

                     Her End when Emulation misses,
              She  turns  to  Envy, Stings  and Hisses;
              The strongest Friendship yields to Pride,
              Unless the Odds be on our Side.

                   Vain human Kind! Fantastick Race!
              Thy various Follies, who can trace?
              Self-love, Ambition, Envy, Pride,
              Their Empire in our Hearts divide:
              Give others  Riches, Power,  and Station,
              'Tis all on me an Usur.pation.
              I have no Title to aspire;
              Yet,  when you  sink, I'seem  the higher.
              In POPE, I cannot read a Line,
              But with a Sigh, I wish it mine:
              When  he  can  in  one  Couplet  fix
              afore Sense  than I  can do  in Six:
              It gives me such a jealous Fit,
              I cry,  Pox take  him, and  his Wit.

              Why must I be outdone by GAY,
              In my own hum'rous biting Way?

                   ARBUTHNOT is no more my Friend,
              Who dares to Irony pretend;
                                   131

                         

   
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132

Jonathan Swift

              Which I was born to introduce,
              Refin'd it first, and shew'd its Use.

                    St.JOHN, as well as PULTNEY knows,
              That I had some Repute for Prose;
              And till they drove me out of Date,
              Could maul a Minister of State:
              If they have mortify'd my Pride,
              And made me throw my Pen, aside;
              If with such Talents Heav'n hath blest 'em
              Have I not Reason to detest 'em?

                    To all my Foes, dear Fortune, send
              Thy Gifts, but never to my Friend;
              I tamely can endure the first,
              But, this with Envy makes me burst.

              Thus much may serve by way of Proem,
              Proceed we therefore to our Poem.
                                         133

                                

    
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                            . . 


John Gay

               42. THE HARE AND MANY FRIENDS
                         (A Fable)
             Friendship, like love, is but a name,
         Unless to one you stint the flame.
         The  child,  whom  many   fathers  share,
         Hath seldom known a father's care.
         'Tis  thus  in  friendships;  who  depend
         On many, rarely find a friend.
                A Hare who, in a civil way,
           Comply'd with every thing, like Gay,
         Was known by all the bestial train
         Who haunt the wood, or graze the plain;
         Her care was never to offend;
         And every creature was her friend.
              As forth she went at early dawn,
         To taste the dew-besprinkled lawn,
         Behind she hears the hunter's cries,
         And  from  the  deep-mouth'd  thunder flies.
         She starts, she stops, she pants for breath;
         She hears the near advance of death;
         She doubles, to mislead the hound,
         And measures back her mazy round;
         Till, fainting in the public way,
         Half-dead with fear she gasping lay.
               What transport in her bosom grew,
         When first the Horse appear'd in view!
              "Let me,". says she, "your back ascend,
         And owe my safety to a friend.
         You know my feet betray my flight:
         To  friendship  every  burthen's  light."
              The Horse reply'd, "Poor honest Puss,
         It grieves my heart to see thee thus:
         -Be comforted, relief is near,
         For all your friends are in the rear."
              She next the stately Bull implor'd;
                                         

          42.    
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136

John Gay

         And thus reply'd the mighty lord:
         "Since every beast alive can tell
         That I sincerely wish you well,
         I may, without offence, pretend
         To take the freedom of a friend.
         Love calls me hemrce; a favourite cow
         Expects me near yon barley-mow;
         And, when a lady's in the case,
         You  know,  all  other things  give place.
         To leave you thus might seem unkind"-
         But, see, the Goat is just behind"
             The Goat remark'd, her pulse was high,
         Her languid head"her heavy eye:
         "My back," says he, "may do you harm;
         The Sheep's at hand, and wool is warm."
             The Sheep was feeble, and complain'd,
         His sides a load of wool sustain'd;
         Said he was slow, confess'd his fears;
         For Hounds eat Sheep as well as Hares.
             She  now  the  trotting  CaN address'',
         To save from death a friend distress'd.
             "Shall  I,"  says  he, "of  tender age,
         In this important care engage?
         Older and abler pass'd you by;
         How strong are those! how weak am I!
         Should I presume to bear you hence,
         Those  friends  of  mine may  take offence.
         Excuse me, then; you know my heart;
         But dearest friends, alas! must part.
         How shall we all lament! Adieu;
         For, see, the Hounds are just in view."
                                              137

                                          

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                                . 
Alexander Pope

                  49. FROM WINDSOR FOREST

           Above the rest a rural nymph was famed,
    Thy offspring, Thames! the fair Lodona named;
    (Lodona's fate, in long oblivion cast,
    The Muse shall sing, and what she sings shall last.)
    Scarce could the goddess from her nymph be known,
    But by the crescent, and the golden zone.
    She scorned the praise of beauty, and the care;
    A belt her waist, a fillet binds her hair;
    A painted quiver on her shoulder sounds,
    And with her dart the flying deer she wounds.
    It chanced, as eager of the chase, the maid
    Beyond the forest's verdant limits strayed,
    Pan saw and loved, and, burning with desire,
    Pursued her flight, her flight increased his fire.
    Not half so swift the trembling doves can fly,
    When the fierce eagle cleaves the liquid sky;
    Not half so swiftly the fierce eagle moves,
    When through the clouds he drives the trembling doves;
    As from the god she flew with furious pace,
    Or as the god, more furious, urged the chase.
    Now fainting, sinking, pale, the nymph appears;
    Now close behind, his sounding steps she hears;
    And now his shadow reached her as she run,
    His shadow lengthened by the setting sun;
    And now his shorter breath, with sultry air,
    Pants on her neck, and fans her parting hair.
    In vain on father Thames she calls for aid,
    Nor could Diana help her. injured maid.
    Faint, breathless, thus she prayed, nor prayed
                                                       in vain:
    "Ah Cynthial ah - though banished from thy train,
    Let me, 0 let me, to the shades repair,
    My  native  shades  - there  weep, and  murmur there."
                            

          43.  
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140

Alexander Pope

          She said, and melting as in tears she lay,
            In a soft silver stream dissolved away.
          The silver stream her virgin coldness keeps,
            For ever murmurs, and for ever weeps;
          Still bears the name the hapless virgin bore,
          And bathes the forest where she ranged before.
            In her chaste current oft the goddess laves,
            And with celestial tears augments the waves.
            Oft in her glass the musing shepherd spies
          The headlong mountains and the downward skies,
          The watery landscape of the pendant woods,
          And absent trees that tremble in the floods;
            In the clear azure gleam the flocks are seen,
            And floating forests paint the waves with green,
            Through the fair scene roll slow the  lingering streams,
            Then  foaming  pour  along,  and  rush into  the Thames.

                         44. THE DYING CHRISTIAN TO HIS SOUL

                                         Ode

                   Vital spark of heavenly flame!
                   Quit, oh quit this mortal frame:
                   Trembling, hoping, lingering, flying,
                       Oh the pain, the bliss of dying!
                     Cease, fond Nature, cease thy strife,
                 And let me languish into life!

                                        II

                      Hark! they whisper; Angels say,
                      "Sister Spirit, come away."
                      What is this absorbs me quite?
                      Steals my senses, shuts my sight,
                       Drowns my spirits, draws my breath?
                 Tell me, my Soul, can this be Death?
                                                 141

                                       

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Last-modified: Tue, 11 Mar 1997 05:14:45 GMT
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