:


---------------------------------------------------------------
     © Copyright  
     Email: LarisaMatros@aol.com
     WWW: http://www.geocities.com/matrosl/
      " " 12  No, 1994  ();
      "  " No 1 1995 ();
      " " 1996 (-)
     Date: 21 Sep 2001
---------------------------------------------------------------



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     -  1994 . Copyright@ Larisa Matros








     "" No 772, 1996 ( )

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     -. 1996 Copyright @ Larisa Matros




      " " No 4 ( 34) 2001. (. )

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     2001  Copyright@ Larisa Matros







     It is obvious that, among environmental factors (with the
     exception of a human relations) the strongest influence on our moods
     is made by the sun and music. Often this influence on our moods is
     made by subconscious, when the sun (coming from clouds), or a
     melody,appear at the most difficult moments, and suddenly they can
     fill us with optimism and the joy of life.
     It happened, that for me these two drugs: the sun and music,
     became unified into one symbol: a wonderful Italian song,O SOLE ?io.
     That song has won my heart since my childhood. In my native
     city Odessa, residents are often compared with Italians,because of
     their appearance, temperament and style of relations.That song, as
     well as other Italian songs, was very popular in Odessa especially
     during post-war years. In spite of a poor life, miserable housing,
     and grief because of losses during the war of near relations and
     friends, those songs turned hearts toward the beauty of the sea, the
     warmth of the sun, the happiness of love and have remained forever
     - as reliable protection from despondency and sadness.
     -The Fate decided nearly few years ago I should find myself
     in St. Louis, USA, where everything was new and very different from
     what I was used to in Russia. Loneliness and nostalgia were typical
     state of my soul during that time. One spring night, my husband and
     I were returning home from some business, and suddenly we discovered
     a place previously unknown to us and unusual for an American city.
     It is like a small piece of Europe, filled with peoples walking,
     - with windows of small shops,and sounds from local restaurants. On
     the top of the tallest gold color building is a sign +ACI-West Port
     . Walking along of the one of the buildings I started to feel
     a state of emotional comfort and bliss, without recognizing  what was -
happening.
     When,in a moment, I did realize Italian music was playing
     somewhere inside, I understood the reason for my feeling. We went
     - into the hall of the cozy piano bar, without reading its name.There
     at the corner furnished by musical instrument on a tall chair,was a
     performer of Italian songs. He sang accompanied by a mandolin and by
     the pianist,who was beside him.The songs continued  one after  another.
And  when I  heard Sole Mio I imagined  that I felt the great and mysterious
Causation
     - of Times, everything of those what was molded me, educating and
     determining the meaning of life. It felt like all the people who
     were with me in my childhood and youth: my parents, teachers and
     friends had come to me in the image of this song, and would never
     let  me  feel  loneliness  and   homesickness  again.Upon  leaving  the
restaurant,we had a feelings in  this city  we  was  acquired friends in the
shape  of  those songs. We learned later that  the  performer of  the songs,
Italian Nino - is a very talented person. He is not only an excellent singer
and  musician, but also an artist,  who has studied art  in Europe.  All the
halls of the restau-
     rant, (which belongs to him and named by his name),are decorated by
     pictures painted by his hand. There is always very warm and comfor-
     table atmosphere, which, I think, is defined by very emotional
     Italian music. Since then, whenever anybody visits us from former
     Soviet Union, or when we just need to improve our mood, we go to
     Nino's to listen O Sole Mio.
     -May be I would never have thought about that-when I'd heard
     that song the first time- if I had not read the remarkable essay by
     my fellow-townsman Alex Borisov, which was published in the almanac
     Panorama (Los Angeles, CA .
     In  the  essay,  the author  describes the  pages  of  life of  one  of
representative  of  the  generation, whose  childhood and  youth  were spent
during the  years w- after the  war. Then in Odessa, as well  as  everywhere
else  war has  passed, there were many  children and  youths who lost  their
parents
     and became homeless. They were trying to make money for survival in
     different  ways: little thefts,  begging, playing  cards, performing on
the streets. Alex Borisov in his essay tells about one such boy, who
     was notable because of his remarkable beauty and excellent voice.
     - He was going along the streets and neighborhoods, performing Italian
     songs  popular  in  Odessa.   Because  of  that,   peoples  called  him
+ACI-Caruso.
     Borisov describes his meetings with "Caruso"+,when he was young,
     - when he became a professional singer performing in different cities
     of the USSR  and when the  fate of immigration brought them together in
Italy.
     - The essay was published shortly after my visit Paris, and
     inspired the exciting memory about one evening there,which by the

     essay has afforded a special meaning.That evening in Paris happened  at
the beginning of May,when the World was  celebrating the 50 years of Victory
over fascism.  Huge crowds of people  and a touching ceremony  dedicated  to
that date,
     were held by the Triumph Arch, recalling a lot of sharp nostalgic
     memories related to my post-war childhood. My husband and I were
     - going back to our hotel when evening began, and we wanted to switch
     on the TV to watch the news from Russia ,which certainly would have
     an  information about  Victory  Celebration. But on the corner  of  the
building  which  was located across the  street from our  hotel,we  saw  the
bright  red neon  sign-RASPOUTINE.  At  any  other time,  I  would  not  pay
attention  to  that,  but now in Paris, when all  my soul  was filled by the
anguish for something that was
     - lost forever, it was almost mystification  to  see  +ACI-our- Russian
word.
     - We crossed the doorstep and behind the door we found the luxurious
     interior of the restaurant, decorated  with various Russian traditional
symbols. The handsome, aristocratic-looking senior man in a black suit and a
snow-white shirt welcomed us in excellent Russian and invited  us  into  the
dining hall, where the musicians  in traditional Russian clothes were  ready
for the coming performance.
     Just a few tables were occupied and we chose the most convenient
     table for observation show. Since we already had dinner before,we were

     looking forward to having a light dessert with coffee, just to have
     an excuse to sit in the hall.
     The musicians started to play  and soon the  singers and dancers showed
up.  Almost  of  them  had beautiful  faces,  but one singer  attracted  our
attention at once. Thick hair touched with grey and a  languorous tired look
brought  special  emotionalism  to  the  beauty  man's image.  It  seemed he
collected  the best  features of  the  representatives  of all the  Southern
nations.
     I know this man, but I didn't remember from where,- my husband suddenly
said,  attentively looking at the face of the singer.-It also seemed to me I
saw him once, and his image suddenly was connected  in my mind  with a white
ship,blue sea, but I could not - remember anything concrete.
     -Are you Odessian? asked my husband with care, when the
     musicians was close to the by our table, during a pause in the
     music.
     The singer already started to sing and playfully smiled
     with his eyes,  expressing by  this his positive answer.We stayed until
the end  of the  long  concert,and going  up  the street we  bumped into the
singer,  who  was  walking  along  the outside of  the  restaurant, possibly
waiting for us. His eyes lit by a  dim lamp in the dark street,  looked even
more beautiful.
     -Where do I know you from?-, my husband asked the singer.
     -Many  people known me in Odessa. I am that same - Caruso...-- answered
he.
     We were walking  on Parisian  street for  a long time together with our
new-old  friend, talking  about  nothing, because  for  us  it  was  not  so
important the content of conversation. More important was the filling we are
children  from one mother  Odessa, which  gives us  energy  - from the  Sea,
openness  from Prairie, warmth  from Sun,  emotionalism from  it's  street's
music. At some moment it  seemed  to  me I lost the  feeling of space and it
looked like  the cobblestone  pavement of  the Parisian street merged with a
similar odessian street, where the sound  of the beautiful song +ACI-O, Sole
Mio- was playing.
     Letter,reading  the  essay by Alex Borisov,  I tried to remember, where
and by whom I heard that  song first  time.  Maybe  by Caruso, recorded on a
disk- the real Great Caruso+ACI-,or, by as - Alex Borisov  described  him, a
thin boy, with black curly hair, and - huge,  like- an- olives,eyes.Boys who
was  looking  like  a Gypsy or an - Italian from  an Odessian street,  where
nobody did not known his real
     - name, since everybody called him Caruso because of his voice, which
     - face so evidently looked from the face of the grey haired handsome
     man, with whom the May night brought us together.
     Maybe it is not so important as that fact that song came
     into my life and always helps me. And I am very thankful to the
     Great Caruso, to the black-eyed boy, to Nino and to all, who, in
     spite of all fashions, keep allegiance to the tradition's wonderful
     songs, being born in wonderful Italy, washed by the sea and warmed
     - my the sun like my native city  Odessa. Those wonderful melodies warm
the soul, save  the memory,  and in spite  of all that disconnect our World,
make it unified and understandable in all languages.





    (  
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     "" NoNo 22, 23, 24 .1993


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Last-modified: Sun, 05 Oct 2003 10:04:18 GMT
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