ïÇÌÁ×ÌÅÎÉÅ ÆÁÊÌÁ ( /INOOLD/WORDSWORD_W/wordsworth1_1.txt )


  • õÉÌØÑÍ ÷ÏÒÄÓ×ÏÒÔ. éÚÂÒÁÎÎÁÑ ÌÉÒÉËÁ
  • CONTENTS
  • ðå÷åã ïúåòîïçï ëòáñ
  • x x x
  • THE FEMALE VAGRANT
  • óôòáîîéãá
  • GOODY BLAKE AND HARRY GILL
  • çõäé âìåêë é çáòòé äöéìì
  • LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT
  • óôéèé, îáðéóáîîùå îåðïäáìåëõ ïô äïíá é ðåòåäáîîùå íïéí íáìøþéëïí ôïê,
  • SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED
  • óáêíïî ìé
  • ANECDOTE FOR FATHERS, SHEWING HOW THE ART OF LYING MAY BE TAUGHT
  • éóôïòéñ äîñ ïôãï÷, éìé ëáë íïöîï ÷ïóðéôáôø ðòé÷ùþëõ ëï ìöé
  • WE ARE SEVEN
  • îáó óåíåòï
  • LINES WRITTEN IN EARLY SPRING
  • óôòïëé, îáðéóáîîùå òáîîåà ÷åóîïê
  • THE THORN
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • XI
  • XII
  • XIII
  • XIV
  • XV
  • XVI
  • XVII
  • XVIII
  • XIX
  • XX
  • XXI
  • XXII
  • ôðòî
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • XI
  • XII
  • XIII
  • XIV
  • XV
  • XVI
  • XVII
  • XVIII
  • XIX
  • XX
  • XXI
  • XXII
  • THE LAST OF THE FLOCK
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • ðïóìåäîéê éú óôáäá
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • THE MAD MOTHER
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • âåúõíîáñ íáôø
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • THE IDIOT BOY
  • óìáâïõíîùê íáìøþéë
  • LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING
  • óôéèé, îáðéóáîîùå ÷åþåòïí õ ôåíúù ÷âìéúé òéþíïîäá
  • EXPOSTULATION AND REPLY
  • õ÷åýå÷áîøå é ïô÷åô
  • THE TABLES TURNED, AN EVENING SCENE ON THE SAME SUBJECT
  • ÷óð îáïâïòïô
  • OLD MAN TRAVELLING
  • óôòáîóô÷õàýéê óôáòéë
  • THE COMPLAINT OF A FORSAKEN INDIAN WOMAN
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • öáìïâá ðïëéîõôïê éîäéáîëé
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS
  • óôòïëé, îáðéóáîîùå îá òáóóôïñîéé îåóëïìøëéè íéìø ïô ôéîôåòîóëïçï áââáôóô÷á
  • THERE WAS A BOY
  • íáìøþéë
  • LUCY
  • I
  • II
  • III
  • V
  • ìàóé
  • I
  • II
  • III
  • V
  • LUCY GRAY, OR SOLITUDE
  • ìàóé çòåê
  • THE BROTHERS
  • âòáôøñ
  • MICHAEL
  • íáêëì
  • TO JOANNA
  • óëáìá äöïáîîù
  • SONG FOR THE WANDERING JEW
  • áçáóæåò
  • POEMS DEDICATED TO NATIONAL INDEPENDENCE AND LIBERTY
  • x x x
  • óôéèé, ðïó÷ñýåîîùå îáãéïîáìøîïê îåúá÷éóéíïóôé é ó÷ïâïäå
  • x x x
  • CALAIS, AUGUST 15, 1802
  • x x x
  • ON THE EXTINCTION OF THE VENETIAN REPUBLIC
  • ôõóóåîõ ìõ÷åòôàòõ
  • SONNET WRITTEN IN LONDON, SEPTEMBER, 1802
  • áîçìéñ, 1802
  • LONDON, 1802
  • ìïîäïî, 1802
  • x x x
  • x x x
  • COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802
  • óïîåô, îáðéóáîîùê îá ÷åóôíéîóôåòóëïí íïóôõ 3 óåîôñâòñ 1802 çïäá
  • COMPOSED BY THE SEA-SIDE NEAR CALAIS, AUGUST 1802
  • îáðéóáîîïå îá íïòóëïí ðïâåòåöøå âìéú ëáìå, á÷çõóô 1802
  • x x x
  • x x x
  • x x x
  • x x x
  • PERSONAL TALK
  • x x x
  • öéôåêóëéå ôåíù
  • x x x
  • x x x
  • x x x
  • TO SLEEP
  • óïî
  • TO SLEEP
  • x x x
  • x x x
  • x x x
  • TO A BUTTERFLY
  • ë íïôùìøëõ
  • x x x
  • x x x
  • x x x
  • x x x
  • WRITTEN IN MARCH
  • îáðéóáîîïå ÷ íáòôå
  • TO A BUTTERFLY
  • x x x
  • THE GREEN LINNET
  • úåìåîùê òåðïìï÷
  • THE SOLITARY REAPER
  • ïäéîïëáñ öîéãá
  • TO THE CUCKOO
  • ëõëõûëá
  • x x x
  • x x x
  • x x x
  • îáòãéóóù
  • THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE
  • I
  • II
  • III
  • IV
  • V
  • VI
  • úáíïë âéîîïòé
  • TO THE SPADE OF A FRIEND
  • ìïðáôå äòõçá
  • ELEGIAC STANZAS, SUGGESTED BY A PICTURE OF PEEL
  • üìåçéþåóëéå óôòïæù, ÷îõûåîîùå ëáòôéîïê óüòá äöïòäöá
  • A COMPLAINT
  • óïöáìåîéå
  • GIPSIES
  • ãùçáîù
  • x x x
  • x x x
  • A NIGHT-PIECE
  • îïþø
  • INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING
  • ÷ìéñîéå ðòéòïäù îá òáú÷éôéå ÷ïïâòáöåîéñ ÷ äåôóô÷å é òáîîåê àîïóôé
  • LAODAMIA
  • ìáïäáíéñ
  • x x x
  • x x x
  • THE FRENCH AND THE SPANISH GUERILLAS
  • æòáîãõúù é éóðáîóëéå ðáòôéúáîù
  • x x x
  • x x x
  • x x x
  • x x x
  • SEPTEMBER 1815
  • âìéúïóôø ïóåîé
  • x x x
  • x x x
  • x x x
  • x x x
  • THE RIVER DUDDON
  • x x x
  • óïîåôù ë òåëå äáääïî
  • x x x
  • x x x
  • x x x
  • x x x
  • õ éóôïëá
  • THE PLAIN OF DONNERDALE
  • äïîîåòäåìøóëáñ äïìéîá
  • AFTER-THOUGHT
  • ðòïýáìøîùê óïîåô òåëå äáääïî
  • óïî ðéìéçòéíá
  • SEPTEMBER 1819
  • óåîôñâòø
  • ON SEEING A TUFT OF SNOWDROPS IN A STORM
  • x x x
  • SONG FOR THE SPINNING WHEEL
  • ðåóîñ úá ðòñìëïê
  • THE HAUNTED TREE
  • ïëïìäï÷áîîùê äõâ
  • MUTABILITY
  • éúíåîþé÷ïóôø
  • ÷ ëáðåììå ëïòïìå÷óëïçï ëïììåäöá ÷ ëåíâòéäöå
  • LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • öáìïâá íüòé, ëïòïìå÷ù ûïôìáîäãå÷, ÷ ëáîõî îï÷ïçï çïäá
  • I
  • II
  • III
  • IV
  • V
  • VI
  • VII
  • VIII
  • IX
  • X
  • TO --
  • x x x
  • TO A SKY-LARK
  • öá÷ïòïîëõ
  • x x x
  • x x x
  • ÷ïäïðáä
  • THE TROSACHS
  • ôòïóóåëó
  • x x x
  • ÷åþåòîéå éíðòï÷éúáãéé
  • çîåúäï ðåîïþëé
  • x x x
  • x x x
  • x x x
  • ÷îõôòåîîåå úòåîéå
  • x x x
  • x x x
  • COMPOSED ON A MAY MORNING, 1838
  • óïþéîåîï íáêóëéí õôòïí, 1838
  • THE SIMPLON PASS
  • óéíðìïîóëéê ðåòå÷áì
  • x x x
  • x x x
  • çáòòé-çéììø
  • îáó óåíåòï
  • îáó óåíåòï
  • x x x
  • ðåóîñ ÷åþîïçï öéäá
  • ðáäåîéå ÷åîåãéáîóëïê òåóðõâìéëé
  • ë íéìøôïîõ
  • ìïîäïî, 1802
  • ìïîäïî, 1802. íéìøôïî
  • x x x
  • x x x
  • x x x
  • âåóóïîîéãá
  • íïôùìøëõ
  • ë ëõëõûëå
  • ëõëõûëá
  • öåìôùå îáòãéóóù
  • x x x
  • x x x
  • çìñäñ îá ïóôòï÷ïë ã÷åôõýéè ðïäóîåöîéëï÷ ÷ âõòà
  • äáìåëïíõ äòõçõ
  • óôòïëé, ïóôá÷ìåîîùå îá ëáíîå ÷ òáú÷åô÷ìåîéé ôéóï÷ïçï äåòå÷á, óôïñýåçï
  • THE FEMALE VAGRANT
  • LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT BY MY LITTLE BOY
  • SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED
  • ANECDOTE FOR FATHERS
  • WE ARE SEVEN
  • LINES WRITTEN IN EARLY SPRING
  • THE THORN
  • THE LAST OF THE FLOCK
  • THE MAD MOTHER
  • THE IDIOT BOY
  • LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING
  • THE COMPLAINT OF A FORSAKEN INDIAN WOMAN
  • LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS
  • THERE WAS A BOY
  • "STRANGE FITS OF PASSION HAVE I KNOWN...", "SHE DWELT AMONG THE UNTRODDEN
  • LUCY GRAY, OR SOLITUDE
  • THE BROTHERS
  • ôï JOANNA
  • SONG FOR THE WANDERING JEW
  • "I GRIEVED FOR BUONAPARTE, WITH A VAIN..."
  • "CALAIS, AUGUST 15, 1802"
  • ON THE EXTINCTION OF THE VENETIAN REPUBLIC
  • SONNET WRITTEN IN LONDON, SEPTEMBER, 1802
  • LONDON, 1802
  • "NUNS FRET NOT AT THEIR CONVENTS NARROW ROOM..."
  • COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802
  • "IT IS A BEAUTEOUS EVENING, CALM AND FREE..."
  • "I AM NOT ONE WHO MUCH OR OFT DELIGHT..."
  • ""BELOVED VALE!, I SAID, "WHEN I SHALL CON...""
  • "WITH SHIPS THE SEA WAS SPRINKLED FAR AND NIGH..."
  • ôï A BUTTERFLY
  • "MY HEART LEAPS UP WHEN I BEHOLD..."
  • "AMONG ALL LOVELY THINGS MY LOVE HAD BEEN..."
  • WRITTEN IN MARCH
  • TO A BUTTERFLY
  • THE GREEN LINNET
  • THE SOLITARY REAPER
  • TO THE CUCKOO
  • "SHE WAS A PHANTOM OF DELIGHT..."
  • "I WANDERED LONELY AS A CLOUD..."
  • THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE
  • ôï THE SPADE OF A FRIEND.
  • A COMPLAINT
  • A NIGHT-PIECE îïþø
  • INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING THE
  • LAODAMIA
  • THE FRENCH AND THE SPANISH GUERILLAS
  • "WEAK IS THE WILL OF MAN, HIS JUDGEMENT BUND..."
  • "SURPRISED BY JOY-IMPATIENT AS THE WIND..."
  • SEPTEMBER 1815
  • "HAIL, TWILIGHT, SOVEREIGN OF ONE PEACEFUL HOUR!.."
  • "HOW SHALL I PAINT THEE..."
  • AFTER-THOUGHT
  • ON SEEING A TUFT OF SNOWDROPS IN A STORM
  • SONG FOR THE SPINNING WHEEL
  • THE HAUNTED TREE
  • MUTABILITY
  • LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR
  • THE TROSACHS
  • "CALM IS THE FRAGRANT AIR, AND LOTH TO LOSE..."
  • "IF THIS GREAT WORLD OF JOY AND PAIN..."
  • "MOST SWEET IT IS WITH UNUPLIFTED EYES..."
  • "WHY ART THOU SILENT! IS THY LOVE A PLANT..."
  • COMPOSED ON A MAY MORNING, 1838
  • THE SIMPLON PASS
  • "THOUGH THE BOLD WINGS OF POESY AFFECT..."

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    Last-modified: Wed, 09 Nov 2005 18:16:31 GMT

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