* A CD FULL OF SECRETS
ËÏÍÐÁËÔ, ÐÏÌÎÙÊ ÓÅËÒÅÔÏ× * 

WESTWOOD ONE VOL. À: ×ÙÐÕÝÅÎ: 1992 ç.

Ëïíðïúéãéé: Candy And A Currant Bun; See Emily Play; Flaming (áíåòéëáîóëáñ ÷åòóéñ óéîçìá); Apples And Oranges; Paintbox; It Would Be So Nice; Julia Dream; Point Me At The Sky; Heartbeat, Pigmeat; Crumbling Land; Come In Number 51, Your Time Is Up; Biding My Time; Money (ôáîãå÷áìøîáñ ÷åòóéñ 1981 ç.); When The Tigers Broke Free; Not Now John; Terminal Frost (DYOL-÷åòóéñ (DYOL -- "Do Your Own Lead" -- ÷åòóéñ, ðòé ëïôïòïê ïôóõôóô÷õåô çéôáòîïå óïðòï÷ïöäåîéå, þôïâù çéôáòéóôù íïçìé éóðïìîñôø óïâóô÷åîîùå óïìøîùå ðáòôéé.)); Run Like Hell (ëïîãåòôîáñ ÷åòóéñ).
Üôïô CD-óâïòîéë, ÷ùðõýåîîùê ÷ ÓÛÁ éóëìàþéôåìøîï äìñ ðòïéçòù÷áîéñ îá òáäéïóôáîãéñè, ÷ëìàþáåô âïìøûéîóô÷ï óéîçìï÷, îå ÷ïûåäûéè ÷ áìøâïíù (úá éóëìàþåîéåí "Arnold Lane", äìéîîïê ÷åòóéé "The Hero's Return" é îåëïôïòùè ëïîãåòôîùè úáðéóåê), á ôáëöå åäéîóô÷åîîõà CD-÷åòóéà áíåòéëáîóëïçï óéîçìá "Flaming" é "ðòéìéþîõà" ÷åòóéà óéîçìá "Not Now John". Ëïíðáëôäéóë âùì ôáëöå ðéòáôóëé ÷ùðõýåî îåéú÷åóôîïê ìàëóåíâõòçóëïê æéòíïê. "Ôáîãå÷áìøîáñ" ÷åòóéñ "Money" úáéíóô÷ï÷áîá éú óâïòîéëá "Great Dance Songs", a ëïîãåòôîáñ ëïíðïúéãéñ "Run Like Hell" -- éú óéîçìá "On The Turning Away".  * óïìøîùå úáðéóé * 
Ëáë é éè ëïììåçé éú çòõðð ðïäïâîïçï ëáìéâòá, íõúùëáîôù "Ðéîë Æìïêä" úáðéóùáìé óïâóô÷åîîùå óïìøîùå áìøâïíù. × óìõþáå ó Äá÷éäïí Çéìíïòïí, Îéëïí Íüêóïîïí é Òéëïí Òáêôïí üôï âùìï äåìïí, ëïôïòïå ìéâï ðïú÷ïìñìï úáðïìîéôø ó÷ïâïäîïå ÷òåíñ íåöäõ ðòïåëôáíé çòõððù, ìéâï óäåìáôø þôï-ôï ó÷ïå, îåóï÷íåóôéíïå ó "Ðéîë Æìïêä Óáõîä". Þôï öå ëáóáåôóñ óïìøîùè ðòïåëôï÷ Óéäá Âáòòåôôá é, ðïúäîåå, Òïäöåòá Õïôåòóá, ôï ïîé äáàô îáí ðòåäóôá÷ìåîéå ïâ áìøôåòîáôé÷îïí "Ðéîë Æìïêä", ëïôïòùê, ÷ïúíïöîï âù, óõýåóô÷ï÷áì, åóìé â óõäøâù íõúùëáîôï÷ óìïöéìéóø éîáþå.  * ÓÉÄ ÂÁÒÒÅÔ *   * THE MADCAP LAUGHS
ÓÏÒ×ÁÎÅà ÓÍÅÅÔÓÑ * 

HARVEST 8 28906 2; ÐÅÒ×ÏÎÁÞÁÌØÎÏ: HARVEST SHVL 765; ÄÏ ÜÔÏÇÏ: HARVEST COP 7 46607 2; ×ÙÐÕÝÅÎ: ÑÎ×ÁÒØ 1970 ç.

Ëïíðïúéãéé: Terrapin; No Good Trying; Love You; No Man's Land; Dark Globe; Here I Go; Octopus; Golden Hair; Long Gone; She Took A Long Cold Look; Feel; If It's In You; Late Night. Äïðïìîéôåìøîùå ëïíðïúéãéé: Octopus (×åòóéé 1 é 2); It's No Good Trying (×åòóéñ 5); Love You (×åòóéñ 1); Love You (×åòóéñ 3); She Took A Long Cold Look At Me (×åòóéñ 4); Golden Hair (×åòóéñ 5).
Áìøâïí, çäå ðòïäàóåòáíé ðïïþåòåäîï ÷ùóôõðáìé Äüê÷ Çéìíïò é Òïäöåò Õïôåòó, Íáìëïìí Äöïîó, Äüê÷ Çéìíïò é Óéä Âáòòåôô, á ôáëöå Ðéôåò Äöåîîåò. Äïðïìîéôåìøîùå ëïíðïúéãéé úáðéóáîù ìéûø ÷ ðïóìåäîåí ÷ùðõóëå CD. "Golden Hair" ("Úïìïôùå ÷ïìïóù")-- óôéèïô÷ïòåîéå Äöåêíóá Äöïêóá, ðåòåìïöåîîïå îá íõúùëõ Âáòòåôôïí. Ðåóîñ ÷ùûìá îá ÷ôïòïê óôïòïîå åäéîóô÷åîîïçï óéîçìá Âáòòåôôá, "Octopus" ("Ïóøíéîïç"), Harvest ÎÁÒ 5009.  * BARRETT * 

HARVEST 8 28907 2 ÐÅÒ×ÏÎÁÞÁÌØÎÏ: HARVEST SHSP 4007; ÄÏ ÜÔÏÇÏ: HARVEST COP 7 466606 2; ×ÙÐÕÝÅÎ: ÎÏÑÂÒØ 1970 ç.

Ëïíðïúéãéé: Baby Lemonade; Love Song; Dominoes; It Is Obvious; Rats; Maisie; Gigolo Aunt; Waving My Arms In The Air / I Never Lied To You; Wined And Dined; Woolfpack; Effervescing Elephant. Äïðïìîéôåìøîùå ëïíðïúéãéé: Baby Lemonade (×åòóéñ 1); Waving My Arms In The Air (×åòóéñ 1); / Never Lied To You (×åòóéñ 1); Love Song (×åòóéñ 1); Dominoes (×åòóéñ 1); Dominoes (×åòóéñ 2); ItlsObvious (×åòóéñ 2).
Ðòïäàóåò áìøâïíá -- Äüê÷ Çéìíïò. Îåäá÷îéå ÷ùðõóëé CD ÷ëìàþáàô äïðïìîéôåìøîùå ëïíðïúéãéé, á âïìåå òáîîéå ÷ùðõóëé õëáúù÷áàô éíñ Òéþáòäá Òáêôá ëáë óïðòïäàóåòá. Ðåò÷ùå ä÷á óïìøîùè áìøâïíá Âáòòåôôá ÷ùûìé îá ä÷ïêîïí ÷éîéìï÷ïí äéóëå ðïä îáú÷áîéåí "Syd Barrett" (Harvest SHDW 404).  * THE PEEL SESSION
ÐÅÒÅÄÁÞÁ Ó ÐÉÌÏÍ * 

STRANGE FRUIT SFPSCD 043; ×ÙÐÕÝÅÎ: ÆÅ×ÒÁÌØ 1988 ç.

Ëïíðïúéãéé: Terrapin; Gigolo Aunt; Effervescing Elephant; Two Of A Kind; Baby Lemonade.
Úáðéóø óäåìáîá äìñ òáäéïûïõ "Top Gear". óïóôïñ÷ûåçïóñ 18 íáñ 1970 ç. îá "Âé-Âé-Óé Òáäéï 1 " ó äéóë-öïëååí Äöïîïí Ðéìïí. Óòåäé íõúùëáîôï÷, òáâïôá÷ûéè ó Âáòòåôôïí, âùì Äöåòòé Ûåòìé îá õäáòîùè é Äü÷éä Çéìíïò îá âáó-çéôáòå; ðòïäàóåòïí óôáì Äöïî Õïìôåòå. Èïôñ ÷ CD õëáúáîï, þôï ëïíðïúéãéà "Two Of A Kind" ("×ïô ôáë ðáòá!") óïþéîéì Âáòòåôô, íîïçéå ðïëìïîîéëé çòõððù õô÷åòöäáàô, þôï á÷ôïòïí âùì Òéë Òáêô. × íáòôå 1971 ç. Âáòòåôô úáðéóáì äìñ Âé-Âé-Óé ôáëöå ëïíðïúéãéé "Baby Lemonade", "Domino" é "Love Song", îï, ë óïöáìåîéà, ïòéçéîáìøîáñ ðìåîëá ó úáðéóøà ÷ áòèé÷áè ïôóõôóô÷õåô.  * OPEL
"ÏÐÅÌØ" * 

HARVEST 8289082; ÄÏ ÜÔÏÇÏ: HARVEST CDP 7 S-1206 2; ×ÙÐÕÝÅÎ: 17 ÏËÔÑÂÒÑ 1988 ç.

Ëïíðïúéãéé: Ïòål; Clowns & Jugglers (Octopus); Rats; Golden Hair; Dolly Rocker; Word Song; Wined And Dined; Swan Lee (Silas Lang); Birdie Hop; Let's Split; Lanky (Part 1); Wouldn't You Miss Me (Dark Globe); Milky Way; Golden Hair (éîóôòõíåîôáì). Äïðïìîéôåìøîùå ëïíðïúéãéé: Gigolo Aunt (×åòóéñ 9); It Is Obvious (×åòóéñ 3); It Is Obvious (×åòóéñ 5); Clowns iS Jugglers (×åòóéñ 1); Late Night (×åòóéñ 2); Effervescing Elephant (×åòóéñ 2).
Óâïòîéë äåíïîóôòáãéïîîùè úáðéóåê, áìøôåòîáôé÷îùè ÷åòóéê é îå÷ùðõóëá÷ûåçïóñ òáîåå íáôåòéáìá éú ðåò÷ùè ä÷õè áìøâïíï÷, ó òáúìéþîùíé ðòïäàóåòáíé. Ôïìøëï óáíùê ðïóìåäîéê ÷ùðõóë CD ÷ëìàþáåô äïðïìîéôåìøîùå ëïíðïúéãéé.  * CRAZY DIAMOND
ÂÅÚÕÍÎÙÊ ÂÒÉÌÌÉÁÎÔ * 

THE COMPLETE SYD BARRETT ÐÏÌÎÏÅ ÓÏÂÒÁÎÉÅ ÒÁÂÏÔ ÓÉÄÁ ÂÁÒÒÅÇÔÁ HARVEST CDS 7 81412 2; ×ÙÐÕÝÅÎÏ: 26 ÁÐÒÅÌÑ 1993 ç.

Üôïô îáâïò éú ôòåè ëïíðáëô-äéóëï÷ ÷ëìàþáåô áìøâïíù: "The Madcap Laughs", "Barrett" é "Ïòål", ëáöäùê CD óïäåòöéô äïðïìîéôåìøîùå ëïíðïúéãéé, ëòïíå üôïçï, ÷ îáâïò ÷ëìáäù÷áåôóñ 24-óôòáîéþîùê âõëìåô. ×óå õäìéîåîîùå ÷åòóéé CD ÷ùðõýåîù ïôäåìøîï.  * ÄÜ×ÉÄ ÇÉÌÍÏÒ *   * UNTITLED
(as Jokers Wild)
ÄÉÓË ÂÅÚ ÎÁÚ×ÁÎÉÑ
(ó çòõððïê "Äöïëåòå Õáêìä") * 

×ÙÐÕÝÅÎ: ÐÒÉÍÅÒÎÏ 1965 ç.

Ëïíðïúéãéé: Why Do Fools Fall In Love; Walk Like A Man; Don't Ask Me (What I Say); Big Girls Don't Cry; Beautiful Delilah.
Äï ôïçï ëáë ðòéóïåäéîéôøóñ ë "Ðéîë Æìïêä", Äü÷éä Çéìíïò óï ó÷ïåê çòõððïê "Äöïëåòå Õáêìä" úáðéóáì ïäîïóôïòïîîéê äéóë, ÷ëìàþá÷ûéê ðñôø ûéòïëï éú÷åóôîùè ëïíðïúéãéê ÷ óôéìå óïõì. ×óåçï âùìï ÷ùðõýåîï 40 éìé 50 ëïðéê ðìáóôéîëé, äìñ äòõúåê é òïäóô÷åîîéëï÷. Ä÷å ðåóîé, "Don't Ask Me" ("He óðòáûé÷áê íåîñ") é "Why Do Fools Fall In Love" ("Ðïþåíõ äõòáëé ÷ìàâìñàôóñ"), ÷ùûìé îá 7-äàêíï÷ïí óéîçìå ðòéíåòîï ôåí öå ôéòáöïí. Ïäéî éú ïòéçéîáìøîùè äéóëï÷ âùì ðòïäáî ÷ 1994 ç. úá 800 æõîôï÷, îï þéôáôåìé íïçõô óüëïîïíéôø óòåäóô÷á, ðïóåôé÷ Îáãéïîáìøîùê áòèé÷ ú÷õëá ÷ Ìïîäïîå é õóìùûá÷ íáçîéôîõà úáðéóø áìøâïíá, åçï îïíåò ðï ëáôáìïçõ -- Ó-625/1.  * DAVID GILMOUR * 

HARVEST SHVL 817 (UK VINYL); COLUMBIA CK 35388 (USA CD); ×ÙÐÕÝÅÎ: 25 ÍÁÑ 1978 ç.

Ëïíðïúéãéé: Mihalis: There's No Way Out Of Here; Cry From The Street; So Far Away; Short And Sweet; Raise My Rent; No Way; Definitely; I Can't Breathe Anymore.
× ôï ÷òåíñ ëáë Õïôåòó ÷ 1978 ç. çïôï÷éì äåíïúáðéóé áìøâïíï÷ "The Wall" é "Pros And Cons Of Hitch Hiking", Çéìíïò òáâïôáì îáä ðåò÷ùí óïâóô÷åîîùí óïìøîùí áìøâïíïí ó Òéëïí Õéìóïí (âáó-çéôáòá) é Õéììé Õéìóïîïí (õäáòîùå) -- íõúùëáîôáíé, ó ëïôïòùíé ïî ðõôåûåóô÷ï÷áì ðï Æòáîãéé, äï ôïçï ëáë ðòéóïåäéîéôøóñ ë "Ðéîë Æìïêä". Ôòéï ÷åòîõìïóø ÷ï Æòáîãéà äìñ úáðéóé áìøâïíá ÷ "Óõðåòâüá Óôõäéïó", åçï ðòïäàóåòïí óôáì Äü÷éä Çéìíïò. Åäéîóô÷åîîùê óéîçì éú áìøâïíá -- ïôòåäáëôéòï÷áîîáñ ÷åòóéñ "There's No Way Out Of Here" ("Ïôóàäá îåô ÷ùèïäá"), ðåò÷ïîáþáìøîï ÷ùûìá ðïä îáú÷áîéåí "No Way Out Of Here" îá áìøâïíå çòõððù "Àîéëïòî" "Too Many Crooks" ("Óìéûëïí íîïçï öõìéëï÷"). Ðåóîñ "Short And Sweet" ("Ëïòïôëéê é óìáäëéê") îáðéóáîá ÷íåóôå ó Òïåí Èáòðåòïí äìñ åçï ðìáóôéîëé "Unknown Soldier" ("Îåéú÷åóôîùê óïìäáô"), çäå éçòáì Çéìíïò.  * ABOUT FACE
Ï ÌÉÃÅ * 

HARVEST COP 7 46031 2; ÐÅÒ×ÏÎÁÞÁÌØÎÏ: HARVEST SHSP 24-0079-1; ×ÙÐÕÝÅÎ: 5 ÍÁÒÔÁ 1984 ç.

Ëïíðïúéãéé: Until We Sleep; Murder; Love On The Air; Blue Light; Out Of The Blue; All Lovers Are Deranged; You Know I'm Right; Cruise; Let's get Methaphysical; Near The End.
Áìøâïí âùì úáðéóáî Çéìíïòïí ÷ï ÷òåíñ ô÷ïòþåóëïê ðáõúù "Ðéîë Æìïêä", ïâòáúï÷á÷ûåêóñ ðïóìå ÷ùèïäá "The Final Cut"; ðòïäàóåòïí óôáì Âïâ Üúòéî. Ðéô Ôáõîûåîä ñ÷ìñåôóñ á÷ôïòïí ôåëóôá ä÷õè ðåóåî -- "Love On The Air" ("Ìàâï÷ø ÷ üæéòå") é "All Lovers Are Deranged" ("×óå ÷ìàâìåîîùå îåíîïçï îå ÷ óåâå"), á Çéìíïò óïþéîéì ïóôáìøîùå. ×óå åçï ðåóîé îáðéóáîù îá äï÷ïìøîï ÷ùóïëïí õòï÷îå, é óôáîï÷éôóñ îåðïîñôîùí, úáþåí ïî îõöäáìóñ ÷ ðïíïýé ÷ ðïóìåäõàýéè áìøâïíáè. Çéìíïò ôáëöå ïòçáîéúï÷áì çòõððõ íõúùëáîôï÷ ÷ ôõòîå ðï Áíåòéëå é Å÷òïðå; ÷ ïâýåê óìïöîïóôé âùìï óùçòáîï âïìåå 70 ëïîãåòôï÷, ðòé÷ìåëûéè úîáþéôåìøîïå ëïìéþåóô÷ï ðïëìïîîéëï÷, èïôñ é îå ÷ íáóûôáâáè "Ðéîë Æìïêä". Ëïíðïúéãéñ "Blue Light" ("Çïìõâïê ó÷åô") ÷ùûìá îá 7- é 12-äàêíï÷ùè óéîçìáè (Harvest HAR 5226); îá ÷ôïòïê óôïòïîå ÷ ïâïéè æïòíáôáè úáðéóáîá ëïíðïúéãéñ "Cruise" ("Ëòõéú"). × ÓÛÁ ÷ùûåì åýå ïäéî ÷áòéáîô 12-äàêíï÷ïçï óéîçìá, ÷ëìàþáàýéê ÷ïëáìøîùê é éîóôòõíåîôáìøîùê òåíéëóù, úáðéóáîîùå Æòáîóõá Ëå÷ïòëñîïí é Æòüîëïí Æéìéðåôôé (Columbia 44-04983). × ×åìéëïâòéôáîéé üôïô öå ÷áòéáîô âùì ÷ùðõýåî ÷ ÷éäå ðòïíïõûî-äéóëá äìñ äéóë-öïëåå÷ (DG1). Åýå ä÷å ëïíðïúéãéé éú áìøâïíá "Love In The Air"/"Let's Get Methaphysical" ("Äá÷áêôå úáêíåíóñ íåôáæéúéëïê") ÷ùûìé îá 7-äàêíï÷ïí óéîçìå é äéóëå ó éúïâòáöåîéåí ìáíðï÷ïçï òáäéïðòéåíîéëá îá ïäîïê óôïòïîå é Äá÷éäá Çéìíïòá -- îá äòõçïê (ÎÁR 5229).  * ÎÉË ÍÜÊÓÏÎ *   * FICTITIOUS SPORTS
×ÙÍÙÛÌÅÎÎÙÅ ×ÉÄÙ ÓÐÏÒÔÁ * 

HARVEST SHSP 4116 (UK VINYL) SONY WK75070 (USA CD): ×ÙÐÕÝÅÎ: ÍÁÊ 1981 ç.

Ëïíðïúéãéé:Óán't Get My Motor To Start; I Was Wrong; Siam; Hot River; Boo To You Too; Do Ya?; Wervin'; I'm A Mineralist.
Ðåò÷áñ ðïðùôëá Íüêóïîá úáðéóáôø óïìøîùê áìøâïí âùìá óäåìáîá ÷ 1981 ç., ðòé óïäåêóô÷éé äöáúï÷ïçï íõúùëáîôá Ëáòìù Âìåê. ×óå ëïíðïúéãéé ÷ áìøâïíå îáðéóáîù Âìåê, ëïôïòáñ ôáëöå óôáìá óïðòïäàóåòïí, ðòé üôïí éóðïìøúï÷áìéóø íõúùëáîôù åå çòõððù é åå óôõäéñ "Çòïç Ëéì" ÷ Îøà Êïòëå. Áìøâïí úîáþéôåìøîï âìéöå ðï äõèõ òáâïôå Âìåê, îåöåìé "Ðéîë Æìïêä", îåóíïôòñ îá ôï þôï ëïíðïúéãéñ "Hot River" ("Çïòñþáñ òåëá") ó Ëòéóïí Óðåììéîçïí, éçòáàýéí îá çéôáòå ðïä Çéìíïòá, é Òïâåòôïí Õéüôôïí, éóðïìîñàýéí ÷ïëáìù, ñ÷ìñåôóñ ïôìéþîùí ðïäòáöáîéåí "Ðéîë Æìïêä".  * PROFILES
ËÒÁÔËÉÅ ÂÉÏÇÒÁÆÉÉ(ó Òéëïí Æåîîïí) * 

HARVEST MAF 1 (UK VINYL); ×ÙÐÕÝÅÎ: 19 Á×ÇÕÓÔÁ 1985 ç.

Ëïíðïúéãéé: Malta; Lie For A Lie; Rhoda; Profiles Parts 1&2; Israel; And The Address; Mumbo Jumbo; Zip Code; Black Ice; At The End Of The Day; Profiles Part 3.
Áìøâïí ñ÷ìñåôóñ óï÷íåóôîùí ðòïåëôïí ó Òéëïí Æåîîïí, çéôáòéóôïí, éçòá÷ûéí ó Íáêëïí Ïìäæéìäïí é ó çòõððïê "10 ÓÓ". Íüêóïî é Æåîî ÷íåóôå óïþéîñìé íõúùëõ é úáðéóù÷áìé áìøâïí ÷ óôõäéñè "Âòéôáîîéá Òïõ" é "Âüêóíåîô". Óìï÷á ë ä÷õí ðåóîñí éú áìøâïíá -- "Lie For A Ue" ("Ìïöø úá ìïöø") é "Israel" îáðéóáì Äüîîé Ðåêòïîåì, ïî öå éóðïìîéì é ÷ïëáìù ÷ ðïóìåäîåê. Ëòïíå üôïçï, ÷ úáðéóé ðòéîéíáìé õþáóôéå: Íåì Ëïììéîú (óáëóïæïî), Ëòåêç Ðòõüóó (üíõìñôïò âáó-çéôáòù ÷ ëïíðïúéãéé "Malta") é ðñôéìåôîññ äïþø Æåîîá Áêá (÷óôõðìåîéå îá ïòçáîå ÷ ëïíðïúéãéé "Malta"). Ðåóîñ "A Lie For A Lie" âùìá ÷ùðõýåîá îá óéîçìå (Harvest HAR 5238), ÷ïëáìù ÷ îåê éóðïìîéìé Íüççé Òáêìé é Äü÷éä Çéìíïò. Îá ÷ôïòïê óôïòïîå óéîçìá úáðéóáîá ëïíðïúéãéñ "And The Address" ("É áäòåó"). Îáú÷áîéå áìøâïíá ÷úñôï éú ú÷õëï÷ïê äïòïöëé ë âéïçòáæéþåóëïíõ æéìøíõ ï Íüêóïîå "Life Could Be A Dream" ("Öéúîø íïçìá âùôø íåþôïê"), ÷ùðõýåîîïçï ïþåîø îåâïìøûéí ôéòáöïí.  * ÒÏÄÖÅÒ ÕÏÔÅÒÓ *   * MUSIC FROM THE BODY
ÍÕÚÙËÁ ÉÚ ÆÉÌØÍÁ "ÔÅÌÏ" (ó Òïîïí Çéóéîïí) * 

HARVEST COP 7 92548 2; ÐÅÒ×ÏÎÁÞÁÌØÎÏ: HARVEST SHSP 4008; ×ÙÐÕÝÅÎ: ÐÒÉÍÅÒÎÏ 1970 ç. ×ÉÄÅÏ - WARNER BROTHERS PES 38)96

Ëïíðïúéãéé: Our Song (Waters/Geesin); Sea Shell And Stone (Waters); Red Stuff Writhe; A Gentle Breeze Blew Through Life; Lick You Partners; Bridge Passage For Three Plastic Teeth; Chain Of Life (Waters); The Womb Bit (Waters/Geesin); Embryo Thought; March Past Of The Embryos; More Than Seven Dwarfs in Penis-Land; Dance Of The Red Corpuscles; Body Transport (Waters/Geesin); Hand Dance - Full Evening Dress; Breathe (Waters); Old Folks Ascension; Bedtime-Dream Clime; Piddle In Perspex; Embryonic Womb-Walk; Mrs. Throat Goes Walking; Sea Shell And Soft Stone (Waters/Geesin); Give Birth To A Smile (Waters).
"The Body" óôáì äï÷ïìøîï îï÷áôïòóëéí (äìñ ó÷ïåçï ÷òåíåîé) íåäéãéîóëéí äïëõíåîôáìøîùí æéìøíïí, ðïóôá÷ìåîîùí Òïåí Âáôôåòóâé, çäå ÷ ïäîïê éú óãåî Õïôåòó þéôáåô ôåëóô. Íõúùëá éú æéìøíá, ÷ ïóîï÷îïí óïþéîåîîáñ Çéóéîïí, âùìá ðï÷ôïòîï é õöå óï÷íåóôîï ó Õïôåòóïí úáðéóáîá äìñ áìøâïíá. Ëïíðïúéãéà "Gwe Birth To A Smile" ÷íåóôå ó Õïôåòóïí éóðïìîñàô Çéìíïò, Òáêô é Íüêóïî. Èïôñ Õïôåòó é Çéóéî ðïòï÷îõ ðïäåìéìé á÷ôïòóëéå ðòá÷á îá áìøâïí, ÷ âïìøûéîóô÷å íõúùëáìøîùè íáçáúéîï÷ ÷ù ÷òñä ìé îáêäåôå åçï ÷ òáúäåìå îá âõë÷õ "G"( Ðåò÷áñ âõë÷á æáíéìéé Geesin.).  * THE PROS AND CONS OF HITCH HIKING
ÚÁ É ÐÒÏÔÉ× ÅÚÄÙ Á×ÔÏÓÔÏÐÏÍ * 

HAWEST CDP 7 4602S 2; ÐÅÒ×ÏÎÁÞÁÌØÎÏ: HARVEST SHVL 24 Of 05 >; ×ÙÐÕÝÅÎ: 8 ÍÁÑ 1984 ç.

Ëïíðïúéãéé: 4.30am (Apparently They Were Travelling Abroad); 4.33am (Running Shoes); 4.37am (Arabs With Knives And West German Skies); 4.39am (For The First Time Today Part 2); 4.41am (Sexual Revolution); 4.47am (The Remains Of Our Love); 4.30am (Go Fishing); 4.56am (For The First Time Today Part 1); 4.58am (Dunroamin, Duncarin, Dunlivin); 5.01 am (The Pros And Cons Of Hitch Hiking); 5.06am (Every Strangers Eyes); 5.11am (The Moment Of Clarity).
Ðåò÷ùê óïìøîùê áìøâïí Õïôåòóá óôáì ÷ïðìïýåîéåí éäåé, ðòåäìïöåîîïê çòõððå "Ðéîë Æìïêä" ïäîï÷òåíåîîï ó "Ôhå Wall", îï ïô÷åòçîõôïê ôïçäá éú-úá åå "óìéûëïí ìéþîïçï" èáòáëôåòá. Îá ÷óåè ëïíðïúéãéñè áìøâïíá ðòïóôá÷ìåîï ÷òåíñ, ïôòáöáàýåå èïä òáú÷éôéñ óïâùôéê, ðòéóîé÷ûéèóñ îïþøà îáûåíõ òáóóëáúþéëõ. Ðòéëìàþåîéñ îáþéîáàôóñ ó ôïçï, ëáë îáû çåòïê ðïä÷ïúéô ðïðõôþéãõ, úáôåí ÷óôòåþáåô Êïëï Ïîï, ðåòåöé÷áåô òïíáîôéþåóëõà éóôïòéà ÷ çåòíáîóëïí ïôåìå, ðïä÷åòçáåôóñ áôáëå ôåòòïòéóôï÷, ðåòååúöáåô öéôø ÷ óåìøóëõà íåóôîïóôø, ïô îåçï õèïäéô öåîá, ðïóìå þåçï ïî ðòïóùðáåôóñ é ïâîáòõöé÷áåô, þôï öåîá òñäïí é ÷óå âùìï óîïí. Äéúáêî ïâìïöëé áìøâïíá, ÷ùðïìîåîîùê Äöåòáìøäïí Óëáòæïí, éúïâòáöáì éú÷åóôîõà ðïòîïíïäåìø, þåí îá÷ìåë îá óåâñ õðòåëé ÷ "öåîóëïê äéóëòéíéîáãéé".
× úáðéóé ðòéîéíáìé õþáóôéå: Üîäé Âïõî (ëìá÷éûîùå é çéôáòù), Òüê Ëõðåò (õäáòîùå éîóôòõíåîôù), Íáêëì Ëáíåî (æïòôåðéáîï, ïòëåóôòï÷ëá, óïðòïäàóåò ÷íåóôå ó Õïôåòóïí), Üîäé Îøàíáòë (õäáòîùå), Äü÷éä Óüîâïòî (óáëóïæïî), á ôáëöå Íáäåìéî Âåìì, Ëüôé Ëéóóïî é Äïòéî Þáîôåò, ëáë ÷ïëáìéóôëé ÷ôïòïçï ðìáîá. Îåóëïìøëï áëôåòï÷ âùìé úáäåêóô÷ï÷áîù ÷ ïú÷õþé÷áîéé òïìåê. Îï óáíùí ÷ùäáàýéíóñ íõúùëáîôïí-õþáóôîéëïí óôáì Üòéë Ëìüðôïî. Ëïçäá ïäéî éú äéóë-öïëåå÷ óðòïóéì ï åçï ÷ëìáäå, Õïôåòó óáòëáóôéþåóëé úáíåôéì: "Ïî éçòáì îá çéôáòå". Çéôáòîáñ éçòá Ëìüðôïîá ÷ áìøâïíå òáóóíáôòé÷áåôóñ íîïçéíé ëáë ìõþûáñ îá ðòïôñöåîéé òñäá ìåô é ó÷ñúù÷áåôóñ ó ôåí, þôï ïî îáëïîåã-ôï ïó÷ïâïäéìóñ ïô âòåíåîé ìéäåòóô÷á ÷ óïâóô÷åîîïê çòõððå.
× óïìøîïí ôõòîå ÷íåóôå ó Õïôåòóïí õþáóô÷ï÷áìé Ëìüðôïî, Ëáíåî, Îøàíáòë, Ëéóóïî, Þáîôåò, Ôéí Òåî÷éë (ðïúöå ïî ÷ùóôõðáì ÷íåóôå ó "Ðéîë Æìïêä") é Íåì Ëïììéîú. Ðïóìå ä÷áäãáôé ëïîãåòôï÷ Ëìüðôïîá óíåîéìé Üîäé Æüòõüúåò-Ìïõ é Äöåê Óôüðìé. "Öé÷ïå" éóðïìîåîéå áìøâïíá ðòïèïäéìï ó äåíïîóôòáãéåê æéìøíï÷ îá üëòáîå óãåîù (÷ëìàþáñ îï÷ùå áîéíáãéé Óëáòæá), ó ëõëìáíé é ïäåôùíé ðï óìõþáà ÷ïëáìéóôëáíé çòõððù. Óìõûáôåìé ðïìõþéìé òåäëéê ûáîó ïãåîéôø éçòõ Ëìüðôïîá, éóðïìîñàýåçï ëìáóóéþåóëéå ëïíðïúéãéé "Ðéîë Æìïêä", ÷ëìàþáñ "Money", ôòé ðåóîé éú áìøâïíá "Wish You Were Here", á ôáëöå ëïíðïúéãéé "In The Flesh", "Hey You" é "Brain Damage/Eclipse". Îá ðåò÷ïí óéîçìå éú áìøâïíá (HarvestHAR 5228) ÷ùûìé ëïíðïúéãéé "The Pros And Cons..." (óôïòïîá Á) é "Apparently They Were Travelling Abroad" ("Ïþå÷éäîï, ïîé åèáìé úá çòáîéãõ", óôïòïîá ×). × 12-äàêíï÷õà ÷åòóéà (Harvest 12HAR 5228) ôáëöå ÷ïûìé "Running Shoes" ("Ëòïóóï÷ëé") é õäìéîåîîùê ÷áòéáîô "The ProsAnd Cons..." ó ïôìéþáàýéíóñ çéôáòîùí óïìï Üòéëá Ëìüðôïîá é äïâá÷ìåîîïê óáëóïæïîîïê ðáòôéåê.
×ôïòïê óéîçì, ÷ëìàþé÷ûéê "Every Strangers Eyes" ("Çìáúá ëáöäïçï îåúîáëïíãá", óôïòïîá Á) é "For The First Time Today, P. 1" ("×ðåò÷ùå óåçïäîñ, Þ. 1", óôïòïîá ×), âùìï äï÷ïìøîï ôòõäîï ëõðéôø, ïî óôáì ó÷ïåçï òïäá òáòéôåôïí.  * WHEN THE WIND BLOWS
ËÏÇÄÁ ÄÕÅÔ ×ÅÔÅÒ * 

VIRGIN CW24W (CD); ×ÙÐÕÝÅÎ: ÏËÔÑÂÒØ 1986 ç. CBS FOX 5156 (VIDEO)

Ëïíðïúéãéé: Ôìå Russian Missile; Towers Of Faith. Hilda's Dream; The American Bomber; The Anderson Shelter; The British Submarine; The Attack; The Fall Out; Hilda's Hair; Folded Flags.
Õïôåòó îáðéóáì ðáòôéôõòõ é óäåìáì ïòëåóôòï÷ëõ äìñ íõìøôéðìéëáãéïîîïçï æéìøíá ðï îï÷åììå Òüêíïîäá Âòéççóá, ðïóôá÷ìåîîïçï Äöéííé Ô. Íõòáëáíé. × ðåò÷ïê þáóôé üôïçï áìøâïíá úáðéóáîù ëïíðïúéãéé, éóðïìîåîîùå äòõçéíé íõúùëáîôáíé. Éîóôòõíåîôáìøîáñ þáóôø óïþéîåîéñ Õïôåòóá éîäåëóéòï÷áîá îá äéóëå ëáë ïäîá ëïíðïúéãéñ, á äõüôù "Towers Of Faith" ("Âáûîé ÷åòù") é "Folded Flags" ("Óìïöåîîùå æìáçé") -- ïôäåìøîï. Ðåò÷ùê äõüô, ó Ëìüò Ôïòòé, ÷ æéìøí îå ÷ïûåì é âùì ðòåäîáúîáþåî äìñ ðòïéçòù÷áîéñ ÷ úáìå, ÷ ôï ÷òåíñ ëáë ÷ùëìàþáåôóñ ó÷åô. ×ôïòïê äõüô íåöäõ Õïôåòóïí é Ðïìïí Ëüòòáëïí. Îáäðéóø îá áìøâïíå éîæïòíéòõåô, þôï ïî úáðéóáî "Òïäöåòïí Õïôåòóïí é çòõððïê "Ëòï÷ïôïþáýåå Óåòäãå" (Roger Waters And The Bleeding Heart Band.), ëïôïòáñ ÷ëìàþáìá Äöåê Óôüðìé é Íåìá Ëïììéîúá, á ôáëöå Íüôá Éò÷éîçá é Îéëá Çìåîîé Óíéôá (ïâá îá ëìá÷éûîùè), Äöïîá Ìéî÷õäá (ðòïçòáííéòï÷áîéå) é Äöïîá Çïòäïîá (âáó-çéôáòá).  * RADIO KAOS
ÒÁÄÉÏ ËÜÏÓ * 

ÅÍ ÓÏÒ 7 46865 2 ÐÅÒ×ÏÎÁÞÁÌØÎÏ: HARVEST KAOS: ×ÙÐÕÝÅÎ: 15 ÉÀÎÑ 1987 ç.

Ëïíðïúéãéé: Radio Waves; Who Needs Information; Me Or Him; The Powers That Be; Sunset Strip; Home; Four Minutes: The Tide Is Turning (After Live Aid).
Üôïô áìøâïí úáðéóáî ó âïìåå óï÷òåíåîîùí ú÷õþáîéåí, þåí åçï ðòåäûåóô÷åîîéëé, ï þåí Õïôåòó ðïúöå öáìåì. Îá ÷ëìáäùûå äáåôóñ ïâßñóîåîéå äï÷ïìøîï óìïöîïçï óàöåôá, ëïôïòùê ÷ëòáôãå íïöîï ïðéóáôø ëáë îå÷åòïñôîõà éóôïòéà Âéììé, óôòáäáàýåçï ðáòáðìåçéåê é ïâìáäáàýåçï óðïóïâîïóôñíé ôåìåðáôéþåóëïçï ïâýåîéñ ó ðïíïýøà ôåìåæïîá ó ìàäøíé é ëïíðøàôåòáíé. × òåúõìøôáôå Âéììé óéíõìéòõåô ñäåòîõà ÷ïêîõ, þôïâù îáðõçáôø ÷åóø íéò é ðïäôïìëîõôø åçï ë éäåå òáúïòõöåîéñ. Ðï èïäõ óàöåôá Õïôåòó ðïëáúù÷áåô ó÷ïå îåðòéñôéå "òùîïþîùè óéì" é ôïçï, þôï ðòéîãéð "éîæïòíáãéñ -- óéìá" æáëôéþåóëé ìéûáåô íîïçéè ìàäåê çòáöäáîóëéè ðòá÷. Ëáë âù ôï îé âùìï, áìøâïí úáëáîþé÷áåôóñ îá ðïúéôé÷îïê îïôå -- ðåóîåê, îáðéóáîîïê äåîø óðõóôñ ðïóìå ëïîãåòôï÷ "Ìáê÷ Üêä" é ðåòåäáàýåê õ÷åòåîîïóôø Õïôåòóá ÷ ó÷åôìïí âõäõýåí. Óïðòïäàóåòáíé áìøâïíá óôáìé Òïäöåò Õïôåòó, ëìá÷éûîéë Ñî Òéþé é Îéë Çòéææéôó, ÷ ä÷õè ëïíðïúéãéñè. Ïî âùì úáðéóáî ÷ âáúï÷ïí óïóôá÷å: Æüòõüúåò-Ìïõ (üìåëôòïçéôáòá), Ëïììéîú (óáëóïæïî), Äöåê Óôüðìé (çéôáòá) é Çòüí Âòïä (õäáòîùå), á ôáëöå ó õþáóôéåí ãåìïçï òñäá íõúùëáîôï÷, ÷ëìàþáñ ÷ïëáìéóôï÷ Ðïìá Ëüòòáëá, Ëìüò Ôïòòé, ×éëé Âòáõî é íõöóëïê èïò Ðïîôáòääõìáéó. Ðåóîñ "Ôhå Powers That Be" ("Òåáìøîáñ ÷ìáóôø") éóðïìîñåôóñ ðïþôé ôåí öå óïóôá÷ïí, þôï é ÷ áìøâïíå "When The Wind Blows", ÷ùäá÷áñ ó÷ñúø óôéìåê üôéè óïþéîåîéê. ×óå ëïíðïúéãéé ó÷ñúáîù äéáìïçáíé íåöäõ íéëòïëïíðøàôåòïí, çï÷ïòñýéí çïìïóïí Âéììé, é òáäéï äé-äöååí Äöéíïí Ìüääïí. × ëïðéñè áìøâïíá, òáóðòïóôòáîåîîùè ÷ ãåìñè ðòïíïõûî îá áíåòéëáîóëéè òáäéïóôáîãéñè, úîáþéôåìøîáñ þáóôø âåóåä Âéììé é Äöéíá Ìüääá ïôóõôóô÷ï÷áìá.
× 7-äàêíï÷ùê óéîçì "Radio Waves" ("Òáäéï ÷ïìîù" - EMI ÅÍ 6) ÷ëìàþåîá ôáëöå äåíï÷åòóéñ ëïíðïúéãéñ "Going To Live In LA" ("Óïâéòáåíóñ öéôø ÷ Ìïó-Áîäöåìåóå"), îå ÷ïûåäûáñ ÷ áìøâïí. Óéîçì ÷ æïòíáôáè 12 äàêíï÷ é CD äïðïìîéôåìøîï ÷ëìàþéì òåíéëó ëïíðïúéãéé "Radio Waves". Îá ÷ôïòïê óôïòïîå óéîçìá "Ôìå Tide Is Turning" ("×òåíåîá íåîñàôóñ" - EMI ÅÍ 37) ÷ùûìá ñëïâù "ëïîãåòôîáñ" ÷åòóéñ ëïíðïúéãéé "Money", á îá óáíïí äåìå óôõäéêîáñ, ó äïðïìîéôåìøîï úáðéóáîîùí ûõíïí úáìá. Ôáëéí ïâòáúïí, Õïôåòó çïòøëï õóíåèîõìóñ ðï ðï÷ïäõ ðòïäïìöá÷ûåçïóñ õóðåèá ó÷ïåê âù÷ûåê çòõððù, 12-äàêíï÷áñ é ÓÏ-÷åòóéñ üôïçï óéîçìá ÷ëìàþéìé ôáëöå "Get Back To Radio" ("×ïú÷òáýáêóñ ë òáäéï") - åýå ïäîõ óôõäéêîõà äåíïúáðéóø, îå ÷ïûåäûõà ÷ áìøâïí. É îáëïîåã, ôòåôøñ, îå ðïðá÷ûáñ ÷ áìøâïí, îï éóðïìîñ÷ûáñóñ îá ëïîãåòôáè "Radio KAOS", ëïíðïúéãéñ "Molly's Song" ÷ùûìá îá ÷ôïòïê óôïòïîå áíåòéëáîóëïçï óéîçìá "Who Needs Information" ("Ëïíõ îõöîá éîæïòíáãéñ" -- Columbia 38-07617).
Úá áìøâïíïí ðïóìåäï÷áìï ÷éäåï (òåöéóóåò Õéììé Óíáëå), ÷ëìàþé÷ûåå òåëìáíîùå ëìéðù ëïíðïúéãéê "Radio Waves", "Sunset Strip", Four Minutes" é "The Tide Is Turning". × ðïóìåäîàà òåäáëãéà ÷éäåïæéìøíá (Music Club MC 2128) îå ÷ïûìé ëïííåîôáòéé, îáèïäé÷ûéåóñ ÷ ïòéçéîáìøîïê ÷åòóéé. ×ï ÷òåíñ ôõòîå ë âáúï÷ïíõ óïóôá÷õ çòõððù ðòéíëîõìé Ëüòòáë (ëìá÷éûîùå, ÷ïëáìù), Ìüää,Þáîôåò é Ëéóóïî. Ëïîãåòôù, ÷ëìàþá÷ûéå ëáë óïâóô÷åîîùê íáôåòéáì áìøâïíá "Radio KAOS", ôáë é óïþéîåîéñ "Ðéîë Æìïêä", ðòïèïäéìé ÷ æïòíå òáäéïûïõ--íõúùëáîôù éóðïìîñìé ëïíðïúéãéé, ëïôïòùå ïâßñ÷ìñìéóø äé-äöååí. × ðáõúáè úòéôåìé íïçìé "ðïú÷ïîéôø" éú óðåãéáìøîïê âõäëé, õóôáîï÷ìåîîïê ÷ úáìå, é úáäáôø Õïôåòóõ ÷ïðòïóù. Çòõððá "Ðéîë Æìïêä", îáèïäé÷ûáñóñ ÷ üôï öå ÷òåíñ ÷ óïâóô÷åîîïí ôõòîå ÷ Áíåòéëå, ðïòïê éóðïìîñìá ôå öå ëïíðïúéãéé, þôï é Õïôåòó, îï ÷ äòõçïí çïòïäå. Ïâåýáîîùê ëïîãåòôîùê áìøâïí Õïôåòóá ôáë é îå âùì ÷ùðõýåî.  * THE WALL LIVE IN BERLIN
ËÏÎÃÅÒÔ "ÓÔÅÎÁ" × ÂÅÒÌÉÎÅ * 

MERCURY S46611 2; ×ÙÐÕÝÅÎ: 17 ÓÅÎÔÑÂÒÑ 1990 ç. ×ÉÄÅÏ - POLYGRAM MUSIC VIDEO 082 648-3

Ëïíðïúéãéé: In The Flesh?; The Thin Ice; Another Brick In The Wall (Part 1); The Happiest Days Of Our Lives; Another Brick In The Wall (Part 2); Goodbye Blue Sky; Empty Spaces; Young Lust; One Of My Turns; Don't Leave Me Now; Another Brick In The Wall (Part 3); Goodbye Cruel World; Hey You; Is There Anybody Out There?; Nobody Home; Vera; Bring The Boys Back Home; Comfortably Numb; In The Flesh; Run Like Hell; Waiting For The Worms; Stop; The Trial; The Tide Is Turning.
21 éàìñ 1990 ç. Õïôåòó äáì ëïîãåòô "Óôåîá" ÷ Âåòìéîå, óäåòöá÷ ôåí óáíùí ó÷ïå ïâåýáîéå ïóõýåóô÷éôø üôï, åóìé õðáäåô îáóôïñýáñ âåòìéîóëáñ óôåîá. Óéå ïúîáþáìï, þôï ïî äïìöåî âùì ðòåò÷áôø òáâïôõ îáä îï÷ïê ïðåòïê "Úá Ira", çïôï÷é÷ûåêóñ ë 200-ìåôéà ÷úñôéñ Âáóôéìéé. Ðï ðòåäìïöåîéà æòáîãõúóëïçï á÷ôïòá Üôøåîá Òïäá-Öéìñ, îáðéóá÷ûåçï ìéâòåôôï, Õïôåòó óïþéîéì íõúùëõ äìñ ïòëåóôòá é ÷ïëáìéóôï÷. Üôïô ðòïåëô ôáë é ïóôáåôóñ îåúá÷åòûåîîùí. Ëïîãåòôîïê ðìïýáäëïê óôáìá Ðïôóäáíóëáñ ðìïýáäø, ÷ âùìùå ÷òåíåîá ñ÷ìñ÷ûáñóñ óåòäãåí óôáòïçï çïòïäá. Ëïîãåòô âùì úáäõíáî äìñ óâïòá óòåäóô÷ ÷ Íåíïòéáìøîùê æïîäöåòô÷ óôéèéêîùè âåäóô÷éê--âìáçïô÷ïòéôåìøîõà ïòçáîéúáãéà, ïóîï÷áîîõà ÷åôåòáîïí ÷ïêîù Ìåïîáòäïí Þåûéòïí. × úáäáþé æïîäá ÷èïäéìï óâïò 5 æõîôï÷ óôåòìéîçï÷ úá ëáöäõà öéúîø, ðïôåòñîîõà ÷ ÷ïêîáè îáûåçï óôïìåôéñ, é éóðïìøúï÷áîéå üôéè óòåäóô÷ äìñ æéîáîóéòï÷áîéñ þòåú÷ùþáêîùè ðòïçòáíí ðïíïýé. ×íåóôå ó Õïôåòóïí ÷ ëïîãåòôå õþáóô÷ï÷áì ãåìùê òñä úîáíåîéôïóôåê: Âòáêáî Üäáíó, "Âüîä"(Ìå÷ïîÈåìí, ÒéëÄáîëï é Çáòô Èáäóïî), Ðïì Ëüòòáë, Ôéí Ëáòòé, Ôïíáó Äïìâé, Íáòéáî æüêôæõì, Áìøâåòô Æéîîåê, Äöåêíó Çïì÷üê, Äöåòòé Èïìì, "Èõôåòó", Óéîäé Ìïðåò, Õôå Ìåíðåò, Äöïîé Íéôþåì, Ðüääé Íïìïîé, ×áî Íïòòéóïî, Ûéîåä 0'Ëïîîïò, "Óëïòðéïîú", ×ïåîîùê ïòëåóôò Óï÷åôóëïê Áòíéé, á ôáëöå ïòëåóôò é èïò Òáäéï ×ïóôïþîïçï Âåòìéîá. Á÷ôïòïí ïòëåóôòï÷ïë é äéòéöåòïí óôáì Íáêëì Ëáíåî.
×íåóôï ëïíðïúéãéé "Empty Spaces", õëáúáîîïê îá ïâìïöëå, Õïôåòó òåûéì éóðïìîéôø "What Shall We Do Now" -- ëáë ïî õöå îå òáú äï üôïçï äåìáì îá ëïîãåòôáè "The Wall". Þôïâù éíåôø ðïúéôé÷îùê æéîáì, Õïôåòó úáíåîéì "The Tide Is Turning" îá "Outside The Wall". Éú áìøâïíá âùìï ÷ùðõýåîï ä÷á óéîçìá: "Another Brick In The Wall (Part 2)" (Mercury MER 332) é "The Tide Is Turning" (MER 336), ðòéþåí ïâå ëïíðïúéãéé âùìé ïôòåäáëôéòï÷áîù, á éè ïòéçéîáìøîùå áìøâïíîùå ÷åòóéé äïâá÷ìåîù ÷ 12-äàêíï÷ïí é CD-æïòíáôå óéîçìá. Îá óôïòïîå 8 7-äàêíï÷ïçï äéóëá "Another Brick" ÷ùûìá ëïîãåòôîáñ ÷åòóéñ "Run Like Hell", á ÷ äòõçéè æïòíáôáè -- ïîá öå, îï ðåòåäåìáîîáñ ÷ óôõäéé é úáðéóáîîáñ ðïä îáú÷áîéåí "PodstamerMix". ×ôïòáñ óôïòïîá óéîçìá "The Tide Is Turning" ðòåäóôá÷ìñìá óïâïê ëïíðïúéãéà "Nobody Home". Óõýåóô÷õåô ôáëöå ÷éäåïúáðéóø ëïîãåòôá, ÷ùðõýåîîáñ îá ïäîïê ëáóóåôå ó æéìøíïí "Ðéîë Æìïêä" "The Wall" (Polygram Video 087 730 3). Ëïîãåòô ðïìõþéìóñ çòáîäéïúîùí úòåìéýåí, ÷óñ ðòéâùìø ïô ëïôïòïçï ðïûìá ÷ âìáçïô÷ïòéôåìøîùê æïîä. Áìøâïí öå, úáðéóáîîùê ÷ óïôòõäîéþåóô÷å óï ú÷õëïúáðéóù÷áàýåê æéòíïê "Íåòëøàòé", îåóëïìøëï òáúïþáòï÷ù÷áåô, ëáë, ÷ðòïþåí, é ÷éäåï. Ìõþûéí óï÷åôïí âõäåô ëõðéôø úáðéóø, åóìé èïôéôå ðïääåòöáôø âìáçïô÷ïòéôåìøîùê æïîä, á ðïôïí ðòéêôé äïíïê é ðïóìõûáôø ïòéçéîáì.  * AMUSED TO DEATH
ÐÏÚÁÂÁ×ÉÌÉ ÄÏ ÓÍÅÒÔÉ * 

COLUMBIA COL 4 ×8761 2; ×ÙÐÕÝÅÎ: 7 ÓÅÎÔÑÂÒÑ 1992 ç.

Ëïíðïúéãéé: The Ballad Of Bill Hubbard; What God Wants, Part I; Perfect Sense, Part I; Perfect Sense, Part II; The Bravery Of Being Out Of Range; Late Home Tonight, Part I; Late Home Tonight, Part II; Too Much Rope; What God Wants, Part II; What God Wants, Part III; Watching TV; Three Wishes; It's A Miracle; Amused To Death.
Õïôåòó òáâïôáì îáä áìøâïíïí õòù÷ëáíé, ÷ ôåþåîéå ðñôé ìåô, úáäõíá÷ åçï ëáë ðòïäïìöåîéå éóôïòéé, îáþáôïê ÷ "Radfo KAOS". × îáþáìå 1989 ç. É-Üí-Áê ïâßñ÷éìá, þôï ðìáîéòï÷á÷ûéêóñ ÷ùèïä áìøâïíá ïôëìáäù÷áåôóñ îá çïä éú-úá ôïçï, þôï Õïôåòó îå óï÷óåí äï÷ïìåî ó÷ïéí ðòïéú÷åäåîéåí. × òåúõìøôáôå áìøâïí âùì ÷ùðõýåî ú÷õëïúáðéóù÷áàýåê æéòíïê "Ëïìáíâéá", ôåðåòø ñ÷ìñàýåêóñ þáóôøà ëïîçìïíåòáôá "Óïîé", á îå ëïíðáîéé É-Üí-Áê, ëáë âùìï òáîøûå.
Óàöåô üôïçï áìøâïíá åýå âïìåå óìïöîùê, þåí "Radio KAOS", é åíõ íïçìá âù âùôø ïôäåìøîï ðïó÷ñýåîá ëîéçá ïâßåíïí ó üôõ, ïäîáëï ÷ï ÷ëìáäùûå îå âùìï äáîï îéëáëéè ðïñóîåîéê. Ïôóõôóô÷éå ëáëéè-ìéâï éîôåò÷øà á÷ôïòá îá üôõ ôåíõ ôáëöå îå ðòïìéìï ó÷åô îá óàöåô. Óáíï îáú÷áîéå ðòïéóèïäéô ïô ëîéçé Îåêìá Ðïóôíüîá "Amusing Ourselves To Death" ("Úáâá÷ìñåí óáíéè óåâñ äï óíåòôé"), á éóôïòéñ Õïôåòóá ÷òáýáåôóñ ÷ïëòõç "óôòáîù íùìøîïê ïðåòù", çäå îáéâïìøûåå ÷îéíáîéå õäåìñåôóñ ðòéþåóëáí, ëïóôàíáí, éîôéíîïê öéúîé é íáîåòáí çïóõäáòóô÷åîîùè äåñôåìåê, îåöåìé ôïê ðïìéôéëå, ëïôïòõà ïîé ðòï÷ïäñô. × áìøâïíå õðïíéîáåôóñ âïíâåöëá Ìé÷éé áíåòéëáîóëéíé óáíïìåôáíé ó âáú ÷ Áîçìéé, ðïâïéýå îá ðìïýáäé Ôñîø Áîø Íùîø, ú÷åòóô÷á ôåòòïòéóôï÷ é ïâîáòõöåîéå éîïðìáîåôñîáíé-áîôòïðïìïçáíé ïóôáîëï÷ ÷ùíåòûåê þåìï÷åþåóëïê òáóù. Áìøâïí ðïó÷ñýåî òñäï÷ïíõ Õéìøñíõ Èáââáòäõ, é ÷ ðåò÷ïê ëïíðïúéãéé íù óìùûéí, ëáë çïìïó åçï ôï÷áòéýá Áìøæá Òáúúåìá éú ôåìå÷éúéïîîïçï äïëõíåîôáìøîïçï æéìøíá ïðéóù÷áåô çéâåìø Èáââáòäá ÷ ðåò÷ïê íéòï÷ïê ÷ïêîå. Õïôåòó ÷îï÷ø ûéòïëï éóðïìøúõåô íåôïä "óðéóëá" ÷ ôåëóôå ðåóåî áìøâïíá.
× îåóëïìøëéè ëïíðïúéãéñè áìøâïíá îá çéôáòå éçòáåô Äöåæ Âüë. ×åòïñôîï, ôáëïê ðï÷ïòïô óïâùôéê úáóôá÷éì ðïëìïîîéëï÷ çòõððù "Ñòäâåòäó" òáúíùûìñôø îáä ôåí, ëáë óëïòï Õïôåòó úáðéûåô þôï-îéâõäø ó Äöéííé Ðåêäöåí. Óòåäé éú÷åóôîùè éíåî, ðòéîéíá÷ûéè õþáóôéå ÷ úáðéóé, -- Ð. Ð. Áòîïìøä, Äöïî "Ëòïìéë" Âáîäòéë, Òéôá Ëõìéäö, Î'Äé Äüê÷åîðïòô, Äïî Èüîìé, Óôé÷ Ìõëáôåò é Äöåæ Ðïòëáòï. Âùì ðòéçìáûåî é òñä "óôáòùè úîáëïíùè", ÷ëìàþáñ Íáêëìá Ëáíåîá, Üîäé Æüòõüúåò-Ìïõ, Çòüíá Âòïäá, Òéëá Äé Æïîúï, Â. Äö. Ëïõì, Ëüôé Ëéóóïî é Äïòéî Þáîôåò, èïôñ Çáê Ðòáôô ðï ðïìéôéþåóëéí óïïâòáöåîéñí óþåì îõöîùí ïôëìïîéôø ðòåäìïöåîéå óùçòáôø îá âáó-çéôáòå. Õäé÷éôåìøîï, îï óáí Õïôåòó éóðïìîñåô ÷ áìøâïíå ìéûø ÷ïëáìù äá éçòáåô åýå ÷ îåóëïìøëéè íåóôáè îá âáó-çéôáòå, áëõóôéþåóëïê çéôáòå éìé óéîôåúáôïòå. Õïôåòó ðïòñäëïí òáúïúìéìóñ, ëïçäá Âïâ Üúòéî îå óôáì ðïíïçáôø åíõ ó "Radio KAOS", ÷íåóôï üôïçï úáðéóá÷ ó Çéìíïòïí "Momentary Lapse...", é ÷ëìàþéì ÷ ó÷ïê áìøâïí äáöå ôáëéå óôòïþëé: "Õ ëáöäïçï åóôø ãåîá, õ ôåâñ é õ Âïâá ïîá ïþåîø îéúëáñ". Íåóôï Âïâá úáîñì Ðáôòéë Ìåïîáòä, óôá÷ûéê óïðòïäàóåòïí Õïôåòóá é óùçòá÷ûéê îá ëìá÷éûîùè. Úáðéóø ðòïéóèïäéìá ÷ ãåìïê óåòéé óôõäéê, ÷ëìàþáñ âéìøñòäîõà ëïíîáôõ ìïîäïîóëïê òåúéäåîãéé Õïôåòóá, óôõäéé "Ëïíðáóó Ðïêîô" ÷ Îáóóáõ, "Üââé Òïõä" é åýå ÷ïóåíø äòõçéè ÷ Ìïîäïîå é ÓÛÁ. Ðïóìå éóðïìîåîéñ ëïíðïúéãéé "What God Wante" ("Þôï Âïçõ õçïäîï") îá æåóôé÷áìå "Çéôáòîùè ìåçåîä" ÷ Óå÷éìøå é âìáçïô÷ïòéôåìøîïçï ëïîãåòôá ÷ ÓÛÁ, Õïôåòó ïâßñ÷éì ï ÷ïúíïöîïóôé íéòï÷ïçï ôõòîå, åóìé âõäõô ðòïäáîù 2 íéììéïîá ëïðéê áìøâïíá. Óðõóôñ çïä ðïóìå ÷ùèïäá âùìá ðòïäáîá ìéûø ðïìï÷éîá üôïçï ëïìéþåóô÷á, é ôõòîå îå óïóôïñìïóø. É éú üôïçï áìøâïíá ÷ùûìï ä÷á óéîçìá. "What God Wants, Part /" (Columbia 658139) úáðéóáî îá 7-äàêíï÷ïí äéóëå, ëáóóåôå é ÷ ä÷õè CD-æïòíáôáè (÷ôïòïê ðòåäóôá÷ìñì óïâïê õðáëï÷ëõ, ÷ëìàþá÷ûõà ã÷åôîùå óîéíëé éú òåëìáíîïçï ÷éäåïëìéðá). ×ôïòùí óéîçìïí óôáìá ëïíðïúéãéñ, "Ôìå Bravery Of Being Out Of Range" ("Èòáâòïóôø, úáëìàþáàýáñóñ ÷ îáèïöäåîéé ÷îå ðòåäåìï÷ äïóñçáåíïóôé" -- Columbia 658 819). Ïâá óéîçìá óïäåòöáô äïðïìîéôåìøîùå ëïíðïúéãéé -- ÷óå ó ïòéçéîáìøîïçï áìøâïíá.  * ÒÉÞÁÒÄ ÒÁÊÔ * 
 * WET DREAM ÜÒÏÔÉÞÅÓËÉÊ ÓÏÎ * 

HARVEST SHVL 818 (UK Vltf/Ã; SONYA24090 (USA CD): ×ÙÐÕÝÅÎ: 22 ÓÅÎÔÑÂÒÑ 1978 ç.

Ëïíðïúéãéé: Mediterranean Ó; Against The Odds; Cat Cruise; Summer Elegy; Waves; Holiday; Mad Yannis Dance; Drop In From The Top; Pink's Song; Funky Deux.
×ï ÷òåíñ úáðéóé ó÷ïåçï ðåò÷ïçï óïìøîïçï áìøâïíá Òéþáòä Òáêô ðïóìåäï÷áì óï÷åôõ Çéìíïòá é ïâòáôéìóñ ÷ óôõäéà "Óõðåòâüáò". Ôáí é âùì ÷ùðõýåî üôïô äéóë, ïóôá÷ûéêóñ äìñ íîïçéè îåúáíåþåîîùí, îåóíïôòñ îá õþáóôéå ÷ åçï óïúäáîéé íõúùëáîôï÷ ÷ùóïëïçï ëìáóóá -- Íåì Ëïììéîú (óáëóïæïî), Óîïõé Õáêô (çéôáòá), Ìüòòé Óôéì (âáó-çéôáòá) é Per Éóáäïò (õäáòîùå). Äéúáêî ïâìïöëé ÷ùðïìîåî "Èéðîïúéó". Éú áìøâïíá îå ÷ùðõýåîï óéîçìï÷, é Òáêô îå ÷ùóôõðáì ó ëïîãåòôáíé. Óìï÷á "Ðåóîé Ðéîëá" {"Pink's Song") îáðéóáîù âù÷ûåê öåîïê Òáêôá Äöõìøåôïê, ÷ âùôîïóôé Äöõìøåôïê Çüêì, ðå÷éãåê ÷ çòõððå "Üâäáâó", ðïúöå ðåòåéíåîï÷áîîïê ÷ "Ðéîë Æìïêä". Ðåóîñ îáú÷áîá ÷ þåóôø òåðåôéôïòá äåôåê þåôù Òáêô é îéëáë îå ó÷ñúáîá ó éíåîåí çåòïñ "Óôåîù".  * IDENTITY
(as Zee)
ÉÄÅÎÔÉÞÎÏÓÔØ
(ðïä éíåîåí "Úé") * 

HARVEST SHSP 24 0101 1 (ëòïíå CD); ×ÙÐÕÝÅÎ: 9 ÁÐÒÅÌÑ 1984 ç.

Ëïíðïúéãéé: Confusion; Voices; Private Person; Strange Rhythm; Cuts Like A Diamond; By Touching; How Do You Do It; Seems We Were Dreaming; Eyes Of A Gypsy (ôïìøëï îá ëáóóåôå).
Ðïëéîõ÷ "Ðéîë Æìïêä", Òáêô ïâßåäéîéì ó÷ïé õóéìéñ ó Äüê÷ïí Èáòòéóïí, âù÷ûéí ìéäåòïí çòõððù "Îï÷ùè Òïíáîôéëï÷ Æüûî". ×íåóôå ïîé óæïòíéòï÷áìé ëïíáîäõ ðïä îáú÷áîéåí "Úé", ÷ ëïôïòïí Òáêô óïþéîñì íõúùëõ îá óìï÷á Èáòòéóá. Åäéîóô÷åîîùê áìøâïí, ÷ùðõýåîîùê éíé, ðï óôéìà âïìåå îáðïíéîáåô íõúùëõ "Æüûî", îåöåìé "Ðéîë Æìïêä". Ëáë é ÷ óìõþáå ó ðåò÷ùí áìøâïíïí Òáêôá, ëïíðïúéãéé éú "Identity" ôáëöå îé òáúõ îå éóðïìîñìéóø îá ëïîãåòôáè. Áìøâïí ñ÷ìñåôóñ åäéîóô÷åîîïê óïìøîïê òáâïôïê ëïçï-ìéâï éú ðéîëæìïêäï÷ãå÷, îéçäå îå ÷ùðõýåîîïê ÷ æïòíáôå CD. Ëïíðïúéãéñ "Confusion" ("Ðõôáîéãá") âùìá ÷ùðõýåîá ÷ ÷éäå óéîçìá (Harvest HAR 5227), ó ðåóîåê "Eyes of A Gypsy" ("Ãùçáîóëéå ïþé") îá ÷ôïòïê óôïòïîå. × 12-äàêíï÷ïí æïòíáôå äéóëá (12 HAR 5227) ÷ùûìé åýå ä÷å, ðï-òáúîïíõ óíéëûéòï÷áîîùå, ÷åòóéé "Confusion". 
Âõíáöîïå éúäáîéå:
        	© 1995, Omnibus Press (A Division of Book Sales Limited)
        	© 1997, Ëïíðáîéñ "Å÷òáúéêóëéê òåçéïî"
		© 1997, Éúäáôåìøóô÷ï "Ìïëéä"
		ISBN 5-86217-026-X
		ÂÂË 85
		Í12
		Íïóë÷á, 1997
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