ave you met Princess Saxe-Coburg? She's chief of special effects at NLM." "We've met." The Princess frowned at me, then recognition dawned. She got off her stool and came toward me, a little unsteady. She put her nose inches from mine. "Sure. You pulled out on me a few minutes ago. Not a nice thing to do to a lady." At that range, I could see what was odd about her eyes. She was wearing a pair of antique projection contacts, small round flat-TV screens that floated over the cornea. I could make out the ring of solar cells that powered them, and the flyspeck chip that held the memory. They'd been introduced just before the Invasion under a variety of trade names, but the one that stuck was Bedroom Eyes. After all, though they could reflect quite a variety of moods, if you were close enough to see the little pictures the mood you were looking for was probably sexual arousal. The more modest models would show a turned-back bed, a romantic scene from an old movie, or even, god help us, waves crashing on a beach. Others made no pretensions, getting right to the erection or spread thighs. Of course, they could reflect other moods, as well, but people were seldom close enough to make them out. I'd never seen projection contacts worn by someone quite as stoned as the Princess was. What they were projecting was an interesting illusion: it was as if I were looking through two holes into a hollow head. Remnants of an exploded brain were collapsed at the bottom. Cracks in the skull let in light. And swinging from stray synapses like vines in a jungle were a menagerie of cartoon characters, from Mickey Mouse to Baba Yaga. The image disturbed me. I wondered why anyone would want to do that to their brain. From wondering why she would want to, I quickly got to why I would want to, and that was leading me quickly to a place I didn't want to go. So I turned away from her and saw Andrew MacDonald sitting at the other end of the bar like a carrottopped Hibernian albatross. "Did you know she's the Princess of Wales?" Cricket was saying. "She's first in line to the throne of England." "And Scotland, and Wales," said the Princess. "Hell, and Ireland, and Canada and India. I might as well re-claim the whole Empire while I'm at it. If my mother ever dies, it'll all belong to me. Of course, there's the little matter of the Invaders." "Up the British," Cricket said, and they clinked their glasses together. "I met the King once," I said. I drained my drink and slammed it down on the bar. Deep Throat caused it to vanish, and began concocting another. "Did you really?" "He was a friend of my mother. In fact, he's a possible candidate to be my father. Callie has never told me and never will, but they were friendly together at about the right time. So, if you apply modern laws of bastardy, I might have a claim that supersedes yours." I glanced at MacDonald again. Albatross? Hell, the man was more than a bird of evil omen, more than a stormy petrel or a croaking raven. He was Cassandra. He was a tropical depression, bad breath, a black cat across my path. Everywhere I turned, there he was, a dog humping my leg. He was a ladder in the stocking of my life. He was snake eyes. I hated him. I felt like punching him in the nose. "Watch what you say," the Princess cautioned. "Remember what happened to Mary, Queen of Scots." I punched her in the nose. She walked backward a few rubber-legged steps, then sat down on the floor. In the ensuing silence, Cricket whispered in my ear. "I think she was kidding," she said. For a few moments the whole place was quiet. Everyone was watching us expectantly; they love a good brawl at the Blind Pig. I looked at my clenched fist, and the Princess touched her bloody nose with her hand, then looked at her palm. We both looked up at the same time and our eyes met. And she came off the floor and launched herself at me and started breaking all the bones in my body that she could reach. My hitting her had nothing to do with anything she had said or done; at that moment in my life I would have hit anyone standing next to me. But I'd have been a lot better off hitting Cricket. In the Princess of Wales, I'd picked the wrong opponent. She was taller than me and out-massed me. There was probably a ten-centimeter difference in reach between us, and I was on the short end of it. But most importantly, she had spent the last forty years staging cinematic fights, and she knew every trick in the book, and a lot that never got into the book. I'm tempted to say I got in two or three good punches. Cricket says I did, but it might have been just to raise my spirits. The truth is I can't remember much from the time her horrid white teeth first filled my vision to the time I ripped a meter-long gash in the carpet with my face. To get to the carpet I'd first had to smash through a table full of drinks. I used my face for that, too. Before the table I had been flying, rather cleverly, I thought, and the first real fun I'd had in many long minutes, but how I came to be flying was a point I was never too clear on. It seems safe to say that the Princess hurled me in some manner, holding on to some part of my anatomy and then releasing it; Cricket said it was my ankle, which would account for the room whirling around so quickly just before I flew. Before that I had vague memories of the bar mirror shattering, people scattering, blood spattering. Then I crashed through the table. I rolled over and spit out carpeting. Horses were milling nervously all around me. Actually it was the centaur extras, whose table I'd just ruined. I resolved to buy them all a round of drinks. Before I could do that, though, there was the Princess again, lifting me by the shoulder and drawing back a bloody fist. Then someone took hold of her arm from behind, and the punch never landed. She stood up and turned to face her challenger. I let my head rest against the ruins of a chair and watched as she tried to punch Andrew MacDonald. There was really no point in it. It took her a long time to realize it, as her blood was up and she wasn't thinking straight. So she kept throwing punches, and they kept just missing, or hitting him harmlessly on the elbows or glancing off his shoulders. She tried kicking, and the kicks were always just a little off their target. He never threw a punch. He didn't have to. After a time, she was standing there breathing hard. He wasn't even sweating. She straightened and held up her hands, palms outward. I must have dozed off for a moment. Eventually I became aware of the Princess, Cricket, and MacDonald, three indistinct round faces hanging above me like a pawnbroker's sign. "Can you move your legs?" MacDonald asked. "Of course I can move my legs." What a silly question. I'd been moving my legs for a hundred years. "Then move them." I did, and MacDonald frowned deeper. "His back's probably broken," said Wales. "Must have happened when he landed on the railing." "Can you feel anything?" "Unfortunately, yes." By that time most of the drugs were wearing off, and everything from the waist up was hurting very badly. Deep Throat arrived and lifted my head. He had a painkiller in his hand, a little plastic cube with a wire which he plugged into the socket at the base of my skull. He flicked the switch, and I felt a lot better. I looked down and watched as they removed the splintered chair leg which had pierced my hip. Since that wasn't a particularly diverting sight, I looked around the room. Already cleaning robots were picking up broken glassware and replacing shattered tables; Deep Throat is no stranger to brawls, and he always keeps a supply of furniture. In another few minutes there would be no sign that I had almost destroyed the place five minutes ago. Well, I had almost destroyed the place, in the sense that it was my hurtling body that had done most of the damage. I felt myself being lifted. MacDonald and Wales had made a hammock with their arms. It was like riding in a sedan chair. "Where are we going?" "You're not in any immediate danger," MacDonald said. "Your back is broken, and that should be fixed soon, so we're taking you across the corridor to the NLF Studios. They have a good repair shop there." The Princess got us past the gate guard. We passed about a dozen sound stage doors, and I was brought into the infirmary. Which was jammed like Mainhardt's Department Store on Christmas Eve. It seemed NLF was doing a big scene from some war epic, and most of the available beds were taken by maimed extras patiently waiting their turn, counting up the triple-time salary they drew for injured downtime. The room had been dressed as a field hospital for the picture, apparently doing double duty when not actually treating cinematic casualties. I pegged it as twentieth century--a vintage season for wars--maybe World War Two, or the Vietnam conflict, but it could easily have been the Boer War. We were under a canvas roof and the place was cluttered with hanging IV bottle props. MacDonald returned from a conference with one of the technicians and stood looking down at me. "He says it'll be about half an hour. I could have you taken to your own practitioner if you want to; it might be quicker." "Don't bother. I'm in no hurry. When they patch me up, I'll probably just get up and do something foolish again." He didn't say anything. There was something about his demeanor that bothered me--as if I needed anything else about him to bother me. "Look," I said. "Don't ask me to explain why I did it. I don't even know myself." Still he said nothing. "Either spit it out, or take your long face and park it somewhere else." He shrugged. "I just have a problem with a man attacking a woman, that's all." "What?" I was sure I had misunderstood him. He wasn't making any sense. But when he didn't repeat his astonishing statement, I had to assume I'd heard him correctly. "What does that have to do with anything?" I asked. "Nothing, of course. But when I was young, it was something you simply didn't do. I know it no longer makes sense, but it still bothers me to see it." "I'll be sure to tell the Mean Bitch you feel that way. If they've put her back together after your last bout, that is." He looked embarrassed. "You know, that was a problem for me, early in my career. I wouldn't fight female opponents. I was getting a bad reputation and missing a lot of important match-ups because of it. When some competitors started getting sex changes simply so they could have a go at me, I realized how ridiculous I was being. But to this day I have to psych myself something terrible to get into the ring with someone who's currently female." "That's why you never hit . . . does the Princess have a first name?" "I don't know. But you're wrong. I wanted to stop her, but I didn't want to hurt her. Frankly, you had it coming." I looked away, feeling terrible. He was right. "She's feeling bad about it, though. She said she just couldn't seem to stop, once she got going." "I'll send her the repair bill. That should cheer her up." Cricket arrived from somewhere. She had a lighted cigarette which she placed in my mouth, grinning. "Got it from the prop department," she said. "They always used to give these to wounded soldiers. I can't imagine why." I puffed on it. It wasn't tobacco, thank god. "Cheer up," Cricket said. "You tore up her fists pretty good." "I'm clever that way; I pounded them to hamburger with my chin." I suddenly felt an alarming urge to cry. Holding it back, I asked both of them to leave me alone for a while. They did, and I lay there smoking, studying the canvas ceiling. There were no answers written there. Why had the taste of life turned so bitter for me in the last weeks? # I had sort of drifted away. When I came back, Brenda was bending over me. Considering her height, she had a long way to bend. "How'd you find me?" I asked her. "I'm a reporter, remember? It's my business to find things out." I thought of several cutting replies, but something about the look on her face made me hold them back. Puppy love. I had vague memories of how badly that could hurt, when it wasn't returned. And to give her her due, she was improving. Maybe she would be a reporter, some day. "You needn't have bothered. It's not like I'm badly hurt. The head injuries were minimal." "I'm not surprised. It would take a lot to hurt your head." "The brain wasn't injured at . . ." I stopped, realizing she had just taken a jab at me. It had been pretty feeble, it hardly qualified as a joke -- -- she might never master that skill--but it was something. I grinned at her. "I was going to stop by Texas and bring that doctor . . . what was it you called him?" "Sawbones. Pillroller. Quack. Caulker. Nepenthe. Leech. Lazarmonger." Her smile grew a little glassy; I could see her filing the terms away for later research. I was smiling, but the truth is, even with current medical practices, being paralyzed from the waist down is a frightening thing. We have an entirely different attitude toward our bodies than most humans down the ages, we don't fear injury and we can turn off pain and we generally treat flesh and bone as just items to be fixed, but when things are badly wrong something in the most primitive level of our brain stands up on its hind legs and howls at the Earth. I was having a galloping anxiety attack that the painkiller plugged into my medulla wasn't dealing with at all. I have no idea if Brenda realized this, but her presence at my bedside was strangely comforting. I was glad she was there. I took her hand. "Thanks for coming," I said. She squeezed my hand, then looked away. # Eventually the planned casualties stopped streaming in, and a team of medicos assembled around me. They plugged me in to a dozen machines, studied the results, huddled, and murmured, just as if what they thought really mattered, as if the medical computer was not entirely in control of my diagnosis and treatment. They came to a decision, which was to turn me onto my stomach. I surmised they had concluded it would be easier to reach my broken spine that way. I'd better not ever hear medicos called overpaid blood-monkeys again. They began to carve. I couldn't feel it, but I could hear some really disgusting sounds. You know those wet-muck special-effect sounds they use in the movies when someone's being disemboweled? They could have recorded them right over my broken back. At one point something thumped to the floor. I peered over the edge of the bed: it looked like a raw soup bone. It was hard to believe it had once belonged to me. They pow-wowed again, cut some more, brought in more machines. They made sacrifices to the gods of Aesculapius, Mithradates, Lethe, and Pfizer. They studied the entrails of a goat. They tore off their clothes, joined hands, and danced in a healing circle around my prone carcass. Actually, I wished they had done any of those things. It would have been a lot more interesting than what they did do, which was mostly stand around and watch the automatic machines mend me. All there was to look at was an antique machine against the wall, a few feet from my face. It had a glass screen and a lot of knobs on it. Blue lines were crawling across the screen, blipping into encouraging peaks now and then. "Can I get you anything?" the machine asked. "Flowers? Candy? Toys?" "A new head might do the trick." It was the CC talking, of course. It can throw its voice pretty much where it pleases, since it was talking directly to the hearing center of my brain. "How much will this cost me?" "There's no final cost-estimate yet. But Wales has already requested the bill be sent to her." "Maybe what I meant was--" "How badly are you hurt? How shall I put it. There are three bones in the middle ear, called the Malleus, the Incus, and the Stapes. You'll be happy to hear that not one of these six bones was broken." "So I'll still be able to play the piano." "Just as badly as ever. In addition, several minor organs emerged unscathed. Almost half a square meter of epidermis can be salvaged." "Tell me. If I'd come to this place . . . I mean, a hospital like this one is pretending to be-- " "I know what you mean." "--with only primitive surgical techniques . . . would I have survived?" "It's unlikely. Your heart is intact, your brain is not badly damaged, but the rest of your injuries are comparable to stepping on a land mine. You'd never walk again, and you'd be in great pain. You would come to wish you had not survived." "How can you tell that?" The CC said nothing, and I was left to ponder. That usually doesn't do much good, where the CC is concerned. We all deal with the CC a thousand times a day, but almost all of that is with one of its subprograms, on a completely impersonal level. But apart from the routine transactions of living, it also generates a distinct personality for every citizen of Luna, and is always there ready to offer advice, counsel, or a shoulder to cry on. When I was young I spoke to the CC extensively. He is every child's ideal imaginary playmate. But as we grow older and make more real, less tractable and entirely more willful and frustrating relationships, contacts with the CC tend to fall off. With adolescence and the discovery that, in spite of their shortcomings, other people have a lot more to offer than the CC ever will, we cut our ties even further until the CC is just a very intelligent, unobtrusive servant, there to ease us through the practical difficulties of life. But the CC had now intruded, twice. I found myself wondering, as I seldom had in the past, what was on its mind. "I guess I've been pretty foolish," I ventured. "Perhaps I should call Walter, tell him to tear up the front page." "All right. So it isn't news. So I've had things on my mind." "I was hoping you'd like to talk about that." "Maybe we ought to talk about what you said before." "Concerning your hypothetical suffering had you incurred these injuries in, say, 1950?" "Concerning your statement that I might prefer being dead." "It was merely an hypothesis. I observe how little anyone today is equipped to tolerate pain, having never experienced an appreciable amount of it. I note that even the people on Old Earth, who were no strangers to it, often preferred death to pain. I conclude that many people today would not hold life so dear as to endure constant, unrelenting agony." "So it was just a general observation." "Naturally." I didn't believe that, but there was no point in saying so. The CC would get to the point in its own way, in its own time. I watched the crawling lines on the machine and waited. "I notice you're not taking notes concerning this experience. In fact, you've taken very few notes lately about anything." "Watching me, are you?" "When I've nothing better to do." "As you certainly know, I'm not taking notes because my handwriter is broken. I haven't had it repaired because the only guy who still works on them is so swamped that he said he might get around to mine this coming August. Unless he leaves the business to start a career in buggywhip repair." "There actually is a woman who does that," the CC said. "In Pennsylvania." "No kidding? Nice to see such a vital skill won't vanish completely." "We try to foster any skill, no matter how impractical or useless." "I'm sure our grandchildren will thank us for it." "What are you using to write your stories?" "Two methods, actually. You get this soft clay brick, see, and you use a pointed stick to impress little triangles in it in different combinations. Then you put it on the oven to bake, and in four or five hours there you are. The original hard copy. I've been trying to think of a name for the process." "How about cuneiform?" "You mean it's been done? Oh, well. When I get tired of that, I get out the old hammer and chisel and engrave my deathless prose on rocks. It saves me carrying those ridiculous paper sheets into Walter's office; I just lob them across the newsroom and through his window." "I don't suppose you'd consider Direct Interface again." Was that what this was all about? "Tried it," I said. "Didn't like it." "That was over thirty years ago," the CC pointed out. "There have been some advances since then." "Look," I said, feeling irritable and impatient. "You've got something on your mind. I wish you'd just come out with it instead of weaseling around like this." It said nothing for a moment. That moment stretched into a while, and threatened to become a spell. "You want me to direct interface for some reason," I suggested. "I think it might be helpful." "For you or me?" "Both of us, possibly. There can be a certain therapeutic value in what I intend to show you." "You think I need that?" "Judge for yourself. How happy have you been lately?" "Not very." "You could try this, then. It can't hurt, and it might help." So what was I doing at the moment so important that I couldn't take a few minutes off to chin with the CC? "All right," I said. "I'll interface with you, though I think you really ought to buy me dinner and some flowers first." "I'll be gentle," the CC promised. "What do I have to do? You need to plug me in somewhere?" "Not for years now. I can use my regular connections into your brain. All you need to do is relax a little. Stare into the oscilloscope screen; that could be helpful." I did, watching the blue lines peak and trough, peak and trough. The screen started to expand, as if I were moving into it. Soon all I could see was one crawling line, which slowed, stopped, became a single bright dot. The dot got brighter. It grew and grew. I felt the heat of it on my face, it was blazing down from a blue tropical sky. There was a moment of vertigo as the world seemed to spin around me--my body staying firmly in place--until I was lying not on my stomach but on my back, and not on the snowy white sheets of the repair shop at North Lunar Filmwerks but on cool wet beach sand, hearing not the soft mutterings of the medicos but the calls of seagulls and the nearby hiss and roar of surf. A wave spent its last energy tickling my feet and washing around my hips. It sucked a little sand out from under me. I lifted my head and saw an endless blue ocean trimmed with white breakers. I got to my feet and turned around, and saw white sandy beach. Beyond it were palm trees, jungle rising away from me to a rocky volcanic peak spouting steam. The realism of the place was astonishing. I knelt and scooped up a handful of sand. No two grains looked alike. No matter how close I brought the sand grains to my eyes, the illusion never broke down and the endless detail extended to deeper and deeper realms. Some sort of fractal magic, I supposed. I walked down the beach for a bit, sometimes turning to watch the cunning way water flowed into my footprints, erasing the edges, swirling, bubbling. I breathed deeply of the saline air. I like this place already. I wondered why the CC had brought me here. I decided it would tell me in its own time, so I walked up the beach and sat under a palm tree to wait for the CC to present itself. I waited for several hours, watching the surf, having to move twice as the sun crept across the sky. I noticed that my skin had reddened in my brief time in the sunlight. I think I drifted off to sleep from time to time, but when you're alone it's hard to be sure. In any event, the CC didn't show. Eventually I got thirsty. I walked down the beach for several kilometers before discovering the outlet of a small stream of fresh water. I noticed the beach kept curving off to the right; probably an island. In time it got dark--very quickly, and one part of my mind concluded this simulacrum that really existed only as a set of equations in the data banks of the CC was intended to be somewhere in the Earthly tropics, near the equator. Not that the information did me any good. It didn't get cold, but I soon found that when you haven't any clothes or bedding, sleep can be a sandy, chilly, thoroughly uncomfortable project. I woke up again and again to note the stars had moved only a little. Each time I would shout for CC to show itself, and each time only the surf answered back. Then I awoke with the sun already high above the horizon. My left side had the beginnings of a painful radiation burn. My right side was chilled. My hair was full of sand. Little crabs scuttled away as I sat up, and I was appalled to realize I'd been thinking about catching and eating one. I was that hungry. But there was something of interest down by the water. In the night, a large, steel-banded wooden trunk had washed ashore, along with a lot of splintered wood and some tattered pieces of canvas. I concluded there had been a shipwreck. Perhaps that was the justification for my presence here in the first place. I dragged the chest across the sand to a place where it would be in no danger of washing back to sea, thought about it, and salvaged all the wood and canvas, as well. I smashed the lock on the trunk and upon opening it, found it was waterproof and contained a wide variety of things useful to the computer castaway: books, tools, bolts of cloth, packages of staple foods like sugar and flour, even some bottles of a good Scotch whiskey. The tools were better than the things I had been using in Texas. At a guess, they might have been made with the technology of the late nineteenth century. The books were mostly of the how-to variety--and there was the man himself, Robinson Crusoe, by DeFoe. All the books were bound in leather; none had a copyright date later than 1880. I used the machete to lop the ends off a cocoanut and munched thoughtfully at the delicious white meat while paging through books that told me how to tan hides, where to obtain salt, how to treat wounds (I didn't like the sound of that one very much), and other vigorous pioneer skills. If I wanted to make boots, I'd be able to do it. If I wanted to build an outrigger canoe and seek my fortune on the blue Pacific (I was assuming this was the south seas), the information was at my fingertips. If I wanted to chip flint arrowheads, construct an earthen dam, make gunpowder, fricassee a monkey, or battle savages, the books would show me how, complete with cunning lithographed illustrations. If I wanted to stroll the Clarkestrasse in King City, or even Easter parade down Fifth Avenue in Little Old New York, I was shit out of luck. There seemed little point in lamenting this fact, and the CC wasn't returning my calls, so I set to work. I explored the area for a likely spot to use as a campsite. That night I slept under a canvas awning, wrapped loosely in a length of flannel from the chest. It was a good thing, too. It rained off and on most of the night. I felt oddly at peace, lying in the moonlit darkness (there was a charming notion: Luna looked tiny and dim compared to a full Earth) listening to the rain falling on the canvas. Perhaps the simple pleasures are the best. For the next several weeks I worked very hard. (I didn't seem bothered by the gravity, which was six times what I had endured for a century. Even the fact that things fell much faster and harder than I'd been used to all my life never bothered me. My reflexes had been adjusted by the Almighty Landlord of this semi-conducting realm.) I spent part of each day working on a shelter. The rest of the time I foraged. I found good sources of bananas and breadfruit to add to my all-cocoanut diet. I found mangos and guavas, many varieties of edible roots, tubers, leaves, seeds. There were spices available to one equipped with the right book to use in their identification. The little scuttling crabs proved easy enough to catch, and were delicious boiled. I wove a net from vines and soon added several varieties of fish to my bouillabaisse. I dug for clams. When the shelter was completed I cleared a sunny spot for a vegetable garden and planted some of the seeds I'd found in the trunk. I set snares, which promptly trapped inedible small rodents, fearsome-looking reptiles, and an unidentified bird I came to call a wild turkey. I made a bow and arrow, and a spear, and managed to miss every animal I aimed at. Somewhere in there, after about a month, I started my calendar: notches on a tree. I estimated the time before that. Infrequently I wondered when the CC was going to check up on me, or if I was in fact stranded here for the rest of my life. In the spirit of exploration, one day I prepared a backpack and a straw hat (most of me was burned dark brown by then, but the noonday sun was still nothing to trifle with) and set out along the beach to determine the size of my cage. In two weeks I circum-ambulated what did indeed prove to be an island. Along the way I saw the remains of a ship washed up on a rocky part of the shore, a week-old beached whale, and many other wondrous things. But there had been no sign of human habitation. It seemed I was not to have my Friday to discuss philosophy with. Not too upset by this discovery, I set about repairing the depredations wild animals had worked on my shelter and garden. After another few weeks I determined to scale the volcano that sat in the center of the island, which I had named Mount Endew, for reasons that must have seemed excellent at the time. I mean, a Jules Verne hero would have climbed it, am I right? This proved to be a lot harder than walking on the beach, and involved much swinging of the machete at thatches of tropical vines, wading of swamps infested with flying insects and leeches, and barking of shins on rocky outcroppings. But one day I came to stand on the highest point in my domain and saw what I could not have seen from sea level: that my island was shaped something like a boot. (It took some imagination, I'll admit. One could just as well have seen the letter Y, or a champagne class, or a squashed pair of copulating snakes. But Callie would have been pleased at the boot, so I named the island Scarpa.) When I returned to my camp I decided my traveling days were at an end. I had seen other places I might have explored from my volcanic vantage point, but there seemed no reason to do anything about them. I had spied no curls of smoke, no roads, no airports or stone monuments or casinos or Italian restaurants. Scarpa Island ran to swamps, rivers, jungles, and bogs. I'd had quite enough of all of those; you couldn't get a decent drink in any of them. I decided to devote my life to making life as easy and as comfortable as possible, at least until the CC showed up. I felt no urge to write, either journalism or my long-delayed novel, which seemed in memory at least as awful as I had always feared it was. I felt very little urge for sex. My only real drive seemed to be hunger, and it was easy enough to satisfy that. I discovered two things about myself. First, I could get totally involved in and wonderfully satisfied by the simplest of activities. Few of us today know the pleasure of working in the soil with our own hands, of nurturing, harvesting, and eating our own crops. I myself would have rejected the notion not long before. But nothing tastes quite like a tomato you have just picked from your own garden. Even rarer is the satisfaction of the hunt. I got rather better with my bow and arrow (I never got good), and could lie in wait for hours beside a watering hole, every sense tuned to the cautious approach of one of the island's wild pigs. There was even satisfaction in pursuing a wounded creature; the pigs could be dangerous when cornered, enraged by a poorly-aimed arrow in the hams. I hesitate to say it in these peaceable times, but even the killing thrust of the knife was something to take pride and pleasure in. The second thing I learned was that, if there was nothing that badly needed doing, I was capable of lying all day in my hammock tied between two palm trees, watching the waves crash onto the reef, sipping pineapple juice and home-distilled rum from a hollowed cocoanut shell. At such times you could take your soul out into the fresh air, hang it out on the line--so to speak--and examine it for tears and thin spots. I found quite a few. I mended a couple, set the rest aside to talk over with the CC. Which I even began to doubt was going to come at all. It got harder and harder to remember a time before the island, a time when I had lived in a strange place called Luna, where the air was metered and gravity was weak and troglodytes hid under rocks, frightened of the vacuum and the sunlight. There were times when I'd have given anything just for somebody to talk to. Other times I had cravings for this or that item of food that Scarpa was unable to provide me. If Satan had come along with a brontoburger, he could have had my freshly-patched soul in trade cheap, and hold the onions. But most of the time I didn't want people around. Most of the time I was content with a wild turkey sizzling on the spit and a slice of mango for dessert. The only real crab in my codpiece were the dreams that started to plague my sleep about six months into my sojourn. At first I had them infrequently and was able to shrug them off easily enough in the morning. But soon I was having them every week, then every other day. Finally I was being awakened every night, sometimes more than once. There were three of them. Details varied, and many things about them were indistinct, but each always ended in a horribly vivid scene, more real than reality--assuming that word had any meaning for me anymore, dreaming my dreams within a dream. In the first, blood was pouring from deep gashes in both my wrists. I tried to stop the flow. It was no use. In the second, I was consumed in flames. The fire didn't hurt, but in some ways this was the most frightening of the three. In the last, I was falling. I fell for a long time, looking up into the face of Andrew MacDonald. He was trying to tell me something, and I strained to understand him, but before I could make any sense of it I was always pulled up short--to wake up, bathed in sweat, lying in my hammock. In the manner of dreams, I always had the sense there had been much more to it that I could no longer remember, but there was that last image right there in the front of my mind, obscuring everything else, occupying my mind for most of my early morning hours. Then one day I noticed by my rude calendar that I had been on the island for one year. I suddenly knew the CC would appear to me that day. I had a lot of things to talk to it about. I was seized by excitement and spent most of the day tidying up, preparing for my first visitor. I looked on my works with satisfaction; I'd done a pretty decent job of creating something out of the wilderness. The CC would be proud of me. I climbed to the top of my treehouse, where I had built a look-out tower (having an odd thought on the way up: how and when had I built it, and why?), and sure enough, a boat was approaching the island. I ran down the path to the beach. The day was as close to dead calm as those waters ever got. Waves eased toward the shore to slump onto the sand as if exhausted by their long trip from the orient. A flock of gulls was sitting on the water, briefly disturbed by the passage of the boat I had seen. It was made of wood. It looked like the kind of boat whalers used to use, or the launch from a larger ship. Sitting in the boat, back toward me, rowing at a strong steady pace, was an apparition. It took me a moment to realize the strange shape of his head was actually a rather unusual hat. It made a bell curve above his head. I watched him row ashore. When he hit the beach he almost toppled from his seat, then stowed the oars and stood, turning around to face me. It was an old gentleman in the full uniform of an Admiral of the British Navy. He had a bull chest, long, spindly legs, a craggy face and a shaggy head of white hair. He drew himself up to his full height, looked at me, and said: "Well? Are you going to help me beach this thing?" And at that moment everything changed. I still am unable to fully describe just how it changed. The beach was the same. The sunlight streamed down just as it had before. The waves never missed a beat. My heart continued to meter out the seconds of my life. But I knew something fundamental and important was no longer as it had been before. There are hundreds of words describing paranormal phenomena. I've examined and considered most of them, and none fits what happened when the Admiral spoke. There are many words for odd states of mind, for moods, for emotions and things seen and not-seen, things glimpsed, things incompletely understood or remembered, for degrees of memory. Things that go bump in the night. None of them were adequate. We're going to have to come up with some new words-- which was precisely the CC's point in letting me experience this. I went into the water up to my knees and helped the old man pull the boat onto the shore. It was quite heavy; we didn't get it far. He produced a rope and tied the boat to a palm tree. "I could use a drink," he said. "The whole point of this was so I could have a drink with you. Like a human being." I nodded, not trusting myself to speak yet. He followed me up the path to my Robinson Family tree house, stood admiring it for a moment, and then followed me up the stairs and onto the lower veranda. He paused to admire the workmanship of my wheel-and-pulley waterworks, which used the power of the nearby stream to provide me with drinking and washing water high up in the tree. I showed him to my best rattan chair and went to the sideboard, where I poured us both glasses of the very last of my best whiskey. I paused to wind up the Victrola and put on one of my three scratchy cylinders: The Blue Danube. Then I handed him his drink, took mine, and sat down facing him. "To indolence," he said, raising his glass. "I'm too lazy to drink to that. To industry." We drank, and he looked around again. I must have glowed with pride. It was quite a place, though I say it myself. A lot of work and ingenuity had gone into it, from the dense-woven mats on the floor, to the slate fireplace, to the tallow candles in sconces arrayed around the walls. Stairs led off in two directions, to the bedroom, and the crow's nest. My desk was open and cluttered with the pages of the novel I'd recently resumed. I was bursting to tell him of the difficulties I'd had producing usable paper and ink. Try it sometime, when you've got a few spare months. "It must have taken a lot of industry to produce all this," he said.