of daily life? Many of the largest roads were tollways. Oxygen was un-metered, but paid for by a monthly fee to the only real civic agency the Heinleiners tolerated: the Oxygen Board. Electricity was so cheap it was free. Just hook a line into the main. And here's the real secret of Mr. Smith's success, the reason a fairly unlikable man like him was held in such high esteem in the community. He didn't charge for the null-field jig-saw network that hermetically sealed Heinlein Town off from the rest of Luna--that had made their way of life possible. If you wanted to homestead a new area of Delambre, you first rented a tunneling machine from the people who found, repaired, and maintained them. When you had your tunnel, you installed the tanks, solar panels, and heaters of the ALU's every hundred meters, then you went to Mr. Smith for the null-field generators. He handed them out free. He had every right to charge for them, of course, and nary a Heinleiner would have complained. But just so you don't think he was a goddamcommunist, I should point out that while he gave away the units, he didn't give away the science. The first thing he told you when he handed you a generator was, "You fuck with this, you go boom." Years ago somebody hadn't believed him, had tried to open one up and see what made the pretty music, and sort of fell inside the generator. There was a witness, who swore the fellow was quickly spit back out--and how he ever fell into a device no bigger than a football was a source of wonder in itself--but when he came out, he was inverted, sort of like a dirty sock. He actually lived for a little while, and they put him in the public square of Virginia City as a demonstration of the fruits of hubris. So there you have the economic, technical, and behavioral forces that shaped the little hamlet of Virginia City, as surely as rivers, harbors, railroads and climate shaped cities of Old Earth. Since no pictures of the place have yet been allowed out by the residents, since I've gathered that, to most people, "Heinlein Town" conjures thoughts of either troglodyte caverns dripping slime and infested with bats or of some superslick, super-efficient techno-wonderland, I thought I should set the record straight. To visualize the public square in Virginia City, think of a brighter, cleaner version of Robinson Park in Bedrock. On a smaller scale. There was the same curving roof, the same stingy acre of grass and trees in the center, and the same jumble of packing crates stacked higgledypiggledy around the green acre. Both of them just grew that way--Robinson Park in spite of the law, Virginia City because of the lack of it. In both places squatters appropriated discarded shipping containers, cut windows and doors, and hung their hats in them. There and in Bedrock the residents didn't give a hoot for stacking the damn thing warehouse-fashion, in neat, squared-up rows. The result was sort of like a pueblo mud dwelling, but not nearly so orderly, with long crates spanning empty space or jutting out crazily, ladders leaning everywhere. There the resemblance ended. Inside the Bedrock hovels you'd be lucky to find a burlap rug and spare pair of socks; the Heinleiner modules were gaily painted and furnished, with here a window box full of geraniums and there a rooftop pigeon pen. The lawn in Virginia City was golfgreen trim and trash free. Bedrockers tended to stack themselves twenty or thirty deep, until whole impromptu skyscrapers toppled. None of the Virginia City dwellings were more than six crates from the floor. The square was the hub of commerce in Delambre, with more shops and cottage industry than anywhere else. I usually went there first on my weekend visits because it was a good place to meet people, and because my peripatetic guides and shameless mooches, Hansel, Gretel, and Libby, were sure to pass through on a Saturday morning and see if they could hit up good ol' Hildy for a Double-fudge 'n' Rum Raisin Banana Split at Aunt Hazel's Ice Cream Emporium and While-U-Wait Surgery Shoppe. On the day in question, the day of the Big Glitch, I had parked my by-now quite considerable tuchis in one of the canvas chairs set out on the public walk at that establishment. I nursed a cup of coffee. There would be plenty of ice cream to eat when the children arrived, and I had no particular taste for it. I'd made worse sacrifices in pursuit of a story. Each of the four tables at Hazel's had a canvas umbrella sprouting from the center, very useful for keeping off the rain and the sun. I scanned the skies, looking for signs of a cloudburst. Nope, looked like another day of curved metal roofs and suspended arc-lights. You can't beat the weather inside an abandoned fuel tank. I looked out over the square. In the center was a statue, a bit larger than life-size, of a cat, sitting on a low stone plinth. I had no idea what that was all about. The only other item of civic works visible was a lot less obscure. It was a gallows, sitting off to one side of the square. I'd been told it had only been used once. I was glad to hear the event had not been wellattended. Some aspects of Heinleinism were easier to like than others. "What the hell are you doing here, Hildy?" I heard myself say. Someone at a neighboring table looked up, then back down at her sundae. So the pregnant lady was muttering to herself; so what? It's a free planet. From beneath the table I heard a familiar wet smacking sound, looked down, saw Winston had lifted one bleary eye to see if food was coming. I nudged him with my toe and he sprawled sybaritically on his back, inviting more intimacy than I had any intention of giving. When no more attention came, he went to sleep in that position. "Let's look this situation over," I said. This time neither Winston nor the lover of hot fudge looked up, but I decided to continue my monologue internally, and it went something like this: What with umpty-ump suicide attempts, Hildy, it's been what you might call a bad year. You greeted the appearance of the Silver Girl with the loud hosannas of a Lost Soul who has Seen The Light. You brought her to ground, using fine journalistic instincts honed by more years than you care to remember--helped by the fact that she wasn't exactly trying to stay hidden. And--yea verily!--she was what you'd hoped she'd be: the key to a place where people were not content to coast along, year to year, in the little puddle of light and heat known as the Solar System, evicted from our home planet, cozened by a grand Fairy Godfather of our own creation who made life easier for us than it had ever been in the history of the species, and who was capable of things few of us knew or cared about. Let me hear you say amen! Amen! So then . . . so then . . . Once you've got the story a certain postreportoral depression always sets in. You have a smoke, pull on your shoes, go home. You start looking for the next story. You don't try to live in the story. And why not? Because covering any story, whether it be the Flacks and Silvio or V.M. Smith and his merry band, just showed you more people, and I was beginning to fear that my problem was simply that I'd had it with people. I'd set out looking for a sign, and what I'd found was a story. The Angel Moroni materialized out of good old flash powder, and was held up with wires. The burning bush smelled of kerosene. Ezekiel's wheel, flashing across the sky? Look closely. Is that bits of pie crust on it, or what? How can you say that, Hildy? I protested. (And the lady with the sundae got up and moved to another table, so maybe the monologue wasn't as interior as I had hoped. Maybe it was about to get positively Shakespearean and I would stand up on my chair and commit a soliloquy. To be or not to be!) After all (I went on, more calmly), he's building a starship. Well . . . yeah. And his daughter is building pigs with wings, and maybe they'll both fly, but my money was on needing protection from falling pigshit before I held an interstellar boarding pass in my hand. Yeah, but . . . well, they're resisting in here. They don't kow-tow to the CC. Not two weeks ago you were moved almost to tears to be accepted among them. Now we'll do something about the CC, you thought. Sure. One of these days. Two things had come clear to me once the fuzzyheaded camaraderie had worn off and my cynicism reasserted itself. One was that the Heinleiners were as capable of lollygagging procrastination as anyone else. Aladdin had admitted to me that the resistance was mostly a passive thing, keeping the CC out rather than bearding him in his lair, mostly because no one had much of a clue as to how to go about the latter. So they all figured they'd take the fight to him . . . when they felt like it. Meantime, they did what we all did about insurmountable problems: they didn't think about it. The second thing I realized was that, if the CC wanted to be in Heinlein Town, he would be in Heinlein Town. I wasn't privy to all their secrets. I didn't know anything of the machinations that had brought the MacDonald-clone to Minamata, nor much of anything else about just how hard the CC was trying to penetrate the little Heinleiner enclave. But even such as me could tell it would be easy to get a spy in here. Hell, Liz had visited the previous week-end, with me, and had been admitted solely on the strength of her reputation as a person of known Heinleiner tendencies. Some sorts of checks were run, I'm sure, but I would bet anything the CC could get around them if he wanted to infiltrate a spy. No, the CC was surely curious about these people, and no doubt frustrated, but the CC was a strange being. Whatever cryogenic turmoil was currently animating his massive brain was and probably would remain a mystery to me. It was clear that things were going wrong, or he'd never have been able to over-ride his programming and do the things he'd done to me. But it was equally clear that most of his programming was still intact, or he'd simply have kicked down the front door of this place and marched everyone off for trial. Having said all that, why the disillusion, Hildy? Two reasons. Unreasonable expectations: in spite of all good sense, I had hoped these people would be somehow better than other people. They weren't. They just had different ideas. And two, I didn't fit. They didn't need reporters in here. Gossip sufficed. Teaching was taken very seriously; no dilettantes need apply. The only other thing I was interested in was building a starship, and I'd be about as useful as a kewpie with a slide rule. "Three reasons," I said. "You're depressed, too." "Don't be," Libby said. "I'm here." I looked up and saw him sit down after first carefully placing a dish oozing with chocolate, caramel, and melting ice cream on the table in front of him. He reached down and scratched Winston's head. The dog licked his nose, sniffed, and went back to sleep, ice cream being one of the few foodstuffs he had little interest in. Libby grinned at me. "Hope I didn't keep you waiting too long," he said. "No problem. Where's H & G?" "They said they'd be along later. Liz is back, though." I saw her approaching across the village green. She had a bottle in one hand. The Heinleiners made their own booze, naturally, and Liz had professed to like it on her earlier visit. Probably that little dab of kerosene they added for flavor. "Can't stay, folks, can't stay, gotta run," she said, just as if I'd urged her to stick around. She produced a folding cup from her gunbelt and poured a shot of pure Virginia City Bonded, tossed it down. It wasn't the first of the day. That's right, I said gunbelt. Liz had taken to Heinlein Town from the first moment I brought her in, because it was the only place outside of the movie studios where she worked that she could wear a gun. But in here she could load it with real bullets. She currently sported a matched pair of Colt .45's, with pearl handles. "I was hoping we could go do some shooting," Libby said. "Not today, sweetie. I just dropped by to get a bottle, and retrieve my dog. Next weekend, I promise. But you buy the lead." "Sure." "Has he been a good dog?" Liz cooed, crouching down and scratching his back, almost toppling over in the process. She was probably talking to Winston, but I told her he'd been good, anyway. She didn't seem to hear. Libby leaned a little closer to me and looked at me with concern. "Are you really feeling depressed?" he asked. He put his hand on mine. All I really needed at that point in my life was another case of puppy love, but that's just what had happened. At the rate he was going, pretty soon he'd be humping my leg, like Winston. For pity sake, Hildy, give it a rest. "Just a little blue," I said, putting on a smile for him. "How come?" "Wondering where my life is going." He looked blankly at me. I'd seen the same expression on Brenda's face when I said something incomprehensible to one who sees nothing but endless, unlimited vistas stretching ahead. Charitably, I didn't kick him. Instead, I removed my hand from under his, patted his hand, and finally noticed the disturbance going on under the table. "Problems, Liz?" I asked. "I think he wants to stay here." She had attached a leash to his collar and was tugging on it, but he had planted his forepaws and dug in. Forget mules; if you want a metaphor for stubbornness, you need look no farther than the English Bulldog. "You could pick him up," Libby suggested. "If I had no further use for my face," she agreed. "Also arms, legs, and ass. Winston's slow to anger, but he's worth seeing when he gets there." She stood, hands on hips in frustration, and her dog rolled over on his back and went to sleep again. "Damn, Hildy, he surely must like you." I thought what he liked was hunting live prey-horses and cows, mostly, though recently a kewpie had gone missing. But I didn't mention that. Not for Libby's tender ears. "It's okay, Liz," I said. "He's not much trouble. I'll just keep him this weekend and drop him by your place on my way home." "Well, sure, but . . . I mean I'd planned to . . ." She groped around a little more, then poured herself another drink and made it vanish. "Right," she said. "See you later, Hildy." She slapped my shoulder in passing, then took off across the green. "What was that all about?" Libby asked. "You never know with Liz." "Is she really the Queen of England?" "Yep. And I am the ruler of the Queen's navee!" He got that blank look, field-tested and honed to perfection by Brenda, then shrugged and applied himself to demolishing the melting mess in front of him. I guess Gilbert and Sullivan was too much even for a Heinleiner youth. "Well . . ." he said, wiping his mouth on the back of his hand, "she sure can shoot, I've gotta say that." "I wouldn't get into a fistfight with her either, if I was you." "But she drinks too much." "Amen to that. I'd hate to have to pay her liver-replacement tab." He leaned back in his chair, looking well satisfied with life. "So. You taking me back to Texas this Sunday evening?" In a weak moment I'd promised to show all three children where I lived. Hansel and Gretel seemed to have forgotten about it, but not Libby. I'd have taken him, but I was pretty sure I'd spend most of my time fighting him off, and I just wasn't up to it. "Afraid not. I've got too many test papers to grade. All this traveling to and from Delambre's gotten me far behind in my teaching duties." He tried not to show his disappointment. "Next time," I told him. "Sure," he said. "Then what do you want to do today?" "I really don't know, Libby. I've seen the stardrive, and I didn't understand it. I've seen the farm, and Minamata, and I've seen the spider people." I'd seen even more wonders than that, some of them unmentioned here because of promises I made, others for reasons of security, and most because they simply weren't that interesting. Even a community of wild-eyed genius experimenters is going to lay some eggs. "What do you think we should do?" He thought it over. "There's a baseball game over in Strangeland in about an hour." I laughed. "Sure," I said. "I haven't watched one in years." "You can watch if you want," he said. "I meant, we sort of choose up sides, you know, depending on how many people show up . . ." "A pick-up game. I thought you meant, like--" "No, we don't have--" "--the Heinleiner Tanstaafl's against the King City--" "--that many people in here." "Forgive me. I'm still a big-city girl, I guess. You need an umpire?" I smacked my bloated belly. "I brought my own pads." He grinned, opened his mouth, and said "We could everybody freeze, and nobody will get hurt." At least that's what it sounded like to me, for a split second, before the synapses sorted themselves out and I saw the last seven words had come from a tall, bulky party in an alarming but effective costume, holding a rifle in one hand and a bullhorn in the other. Once I spotted him, I quickly saw about a dozen others like him and the same number of King City police, moving across the square in a ragged skirmish line. The cops had drawn handguns, something seldom seen on Luna. The others had big projectile weapons or hand-held lasers. "What the hell are they?" Libby asked. We'd both stood up, like most of the other people I could see. "I'd guess they were soldiers," I said. "But that's crazy. Luna doesn't have an army." "Looks like we got one when we weren't looking." And quite a bunch they were, too. The KC cops were equally men and women, the "soldiers" were all male, and all large. They wore black: jumpsuits, equipment belts, huge ornate crash helmets with tinted visors, boots. The belts were hung with things that might have been hand grenades, ammunition clips, or high-tech pencil sharpeners, for all I could tell. It later turned out they were mostly props. The costumes had been rented from a film studio, since the non-existent Army of Luna had nothing to offer in the way of super-macho display. They came in our general direction. When they encountered people they pushed them to the floor and the cops started patting them down for weapons, and slipping on handcuffs. The soldiers kept on moving, swinging the muzzles of their weapons this way and that, looking quite pleased with themselves, all to the booming accompaniment of more orders from the bullhorn. "What should we do, Hildy?" Libby asked, his voice shaking. "I think it's best if we do what they say," I said, quietly, patting his shoulder to settle him down. "Don't worry, I know a good lawyer." "Are they going to arrest us?" "Looks like it." A cop and a soldier marched up to us and the soldier looked at a datapad in his hand, then at my face. "Are you Maria Cabrini, also known as Hildegarde Johnson?" "I'm Hildy Johnson." "Cuff her," he told the cop. He turned away as the policewoman started toward me, and as Libby moved to put himself between me and the cop. "You keep your hands off her," Libby said, and the soldier pivoted easily and brought up the butt of his gun and smashed it into the side of Libby's face. I could hear his jaw shatter. He fell to the ground, totally limp. As I stared down at him, Winston waddled out from under the table and sniffed his face. The cop was saying something angry to the soldier, but I was too stunned to hear what it was. "Just do it," the soldier snarled at her, and I started to kneel beside Libby but the cop grabbed my arm and pulled me up. She snapped one cuff over my left wrist, still looking at the retreating back of the soldier. "He can't get away with that," she said, more to herself than to me. She reached for my other hand and it finally sunk in that this was more than a normal arrest situation, that things were out of joint, and that maybe I ought to resist, because if a big ape could just club a young boy senseless something was going on here that I didn't understand. So I yanked my right hand away and started to run but she was way ahead of me, twisting my left hand hard until I ended up bent over the table with her behind me, pressing my face into the remains of Libby's sundae. I kept fighting to keep my right hand free and she jerked me upright by my hair, and she screamed, and let go of me. They tell me Winston came off the ground like a squat rocket, that great vise of a jaw open wide, and clamped it shut on her forearm, breaking her grip on me and knocking her to the ground. I fell over myself, and landed on my butt, from which position I watched in horrified fascination as Winston made every effort to tear the limb from its socket. I hope I never see anything like that again. Winston couldn't have massed a seventh as much as the policewoman, but he jerked her around like a rag doll. His jaws opened only enough to get a better grip in a different place. Even over the sound of her screams I could hear the bones crunching. Now the soldier was coming back, raising his rifle as he came, and now a shot rang out and blood sprayed from the front of his chest, and again, and once more, and he fell on his face, hard, and didn't move. Then everybody was firing at once and I crawled under the metal table as lead slugs screamed all around me. The fire was concentrated at first on a window high in the stack of apartment crates surrounding the square. Part of the wall vanished in plastic splinters, then a red line thrust into the wreckage and something bloomed orange flame. I saw more gun barrels sticking out of more windows, saw another soldier go down with the lower part of his leg blown off, saw him turn as he fell and start firing at another window. In seconds it seemed I was the only person there who didn't have a weapon. I saw a Heinleiner crouched behind the gallows, snapping off shots with a handgun. His null-suit was turned on, coating him in silver. I saw him hit by a half a clip from an automatic rifle. He froze. I don't mean he stood still; he froze, like a chromium statue, toppled with bullets still whanging off of him, rolled over on his back, still in the same attitude. Then his null-suit switched off and he tried to get up, but was hit by three more bullets. His skin had turned lobster-red. I didn't understand that, and I didn't have time to think about it. People were still running for cover, so I did, too, past overturned tables and chairs and the dead body of a King City policeman, into Aunt Hazel's shop. I scurried around and crouched behind the counter, intending to stay there until someone came to explain what the hell was going on. But the itch is buried deep, and makes you do stupid things when you least expect it. If you've never been a reporter, you wouldn't understand. I raised my head and looked over the counter. I can replay the tape from my holocam and say exactly what happened, in what order, who did what to whom, but you don't live it that way. You retain some very vivid impressions, in no particular order, with gaps between when you don't have any idea what happened. I saw people running. I saw people cut almost in half by lasers, ripped by bullets. I heard screams and shouts and explosions, and I smelled gunpowder and burning plastic. I suppose every battlefield has looked and sounded and smelled pretty much the same. I couldn't see Libby, didn't know if he was dead or alive. He wasn't where he had fallen. I did see more cops and soldiers arriving from some of the feeder tunnels. Something crashed through the windows in front, something large, and tumbled over the ice cream freezers there, turning one of them over. I crouched down, and when I looked up again there was the policewoman, Winston still attached to her arm, which was in danger of coming off. It was a scene from hell. Crazed by pain, the woman was swinging her arm wildly, trying to get the dog to let go. Winston was having none of it. Bleeding from many cuts, he ignored everything but his inexorable grip. He'd been bred to grab a bull by the nose and never let go; a K.C. policewoman wasn't about to get free. But now she was scrabbling for her holster, forgotten in her fear and panic. She got her gun out and aimed it toward the dog. Her first shot went wild, killing nothing but an ice cream freezer. The second shot hit Winston in the left hind leg, where it was thickest, and still the beast didn't let go. If anything, he fought all the harder. Her last shot hit him in the belly. He went limp--everything but his jaw. Even in death he wasn't going to let go. She took aim at his head, and then slumped over, passed out at last. It was probably for the best, because I think she would have blown her own arm off, the way she had the gun pointed. Later, I felt sorry for her. At the time I was simply too confused to feel much of anything but fear. I mourned Winston later, too. He'd been trying to protect me, though I recall thinking at the time that he'd over-reacted. She'd only been trying to handcuff me, hadn't she? And what about the soldiers? It had looked to me as if the Heinleiners had fired the first shot. All sane reasoning would lead me to think that, if that first soldier hadn't been hit, this could all have ended peacefully at the jailhouse with a lot of lawyers arguing, charges brought, countersuits filed. I'd have been out on bail within a few hours. Which was still what I'd have liked to have done, and would have, but any fool could see things had gone too far for that. If I stepped out waving a white flag I was pretty sure I'd be killed, apologies sent to the next of kin. So Hildy, I told myself, your first priority is to get out of here without getting shot. Let the lawyers sort it out later, when the bullets aren't flying. With that end in mind, I started crawling toward the door. My intent was to stick my head out, low, and see what stood between me and the nearest exit. Which turned out to be a black boot planted solidly in the doorway, almost under my nose by the time I got there. I looked up the black-clad leg and into the menacing face of a soldier. He was pointing a weapon at me, some great bulky thing I thought might be a machine gun, whose muzzle looked wide enough to spit baseballs. "I'm unarmed," I said. "That's the way I like 'em," he said, and flipped up his visor with his thumb. There was something in his eyes I didn't like. I mean, beyond everything else I didn't like about the situation. Just a little touch of madness, I think. He was a big man with a broad face entirely innocent of any evidence of thought. But now a thought did flicker behind those eyes, and his brow wrinkled. "What's your name?" "H . . . Helga Smith." "Nah," he said, and dug into a pocket for a datapad, which he scanned with a thumb control until my lovely phiz smiled back at us. He returned the smile, but I didn't, because his smile was the worst news I'd had so far in a day filled with bad news. "You're Hildy Johnson," he said, "and you're on the death list so it don't matter what happens here, see?" And he started working on his belt, one-handed, the other hand keeping the gun pointed at my forehead. I found myself getting detached from events. Maybe it was a reflex action, something to distance oneself from an abomination about to happen. Or maybe it was just too many things that couldn't be happening. This can't be happening. I'd silently shrieked it one too many times and now a mental numbness was setting in. I ought to be thinking of something to do. I ought to be talking to him, asking questions. Anything. Instead, I just sat there, squatting on my heels, and felt as if I'd like to go to sleep. But my senses were heightened. They must have been, because with all the shooting going on outside (how could he do this in the middle of a war?), and over the scream of a dying compressor motor in the overturned freezer I was able to hear a voice from the grave. A growl. The soldier didn't hear it, or maybe he was too busy. He had his pants down around his heels and he knelt in front of me and that's when I saw Winston, dragging his hind leg, bleeding from his gut, eyes filled with murder. The man lowered himself over me. I wanted Winston to bite him . . . well, you know where I wanted Winston to bite him. I got second best. The bulldog fastened on the soft flesh of the soldier's inner thigh. The man's leg jerked in pain, and he was flying over me. I grabbed the strap of his rifle as he went by. He had strength and mass on his side, but there was the little matter of Winston. The dog had cut an artery. The soldier tried to wrestle his rifle away from me with one hand and pry Winston loose with the other and ended up doing both things badly. Blood was spraying everywhere. I was screaming. Not the big full scream you hear at the movies, and not a scream of rage, but a highpitched scary thing I was powerless to stop. Then I got one hand on the barrel of the rifle, and one hand on the stock, and fumbled for the trigger as he realized what was happening and gave up his struggle with Winston, concentrating on me. He got his hand over the barrel. Sadly for him, it was over the end of the barrel, and when I squeezed the trigger his hand wasn't there anymore. It wasn't anywhere anymore, but the air was full of a red mist. The soldier never did stop fighting. I guess that's why they're soldiers. With Winston hanging from his leg, his pants around his ankles, missing a hand, he still came at me and I swung the rifle up and held the trigger down and didn't really see what happened next because on full auto-fire the weapon packed such a kick that I was knocked on my ass again, and when I opened my eyes he was mostly on the walls, except for bits here and there on the floor, and the one big piece still in Winston's mouth. I could say I paused and reflected on the enormity of taking a human life, or how nauseated I was at the sight of his dismembered body. I did think of those things, and many others. But later. Much later. At that time my mind had collapsed on itself and was only large enough to hold a few thoughts, and only one of those at a time. First, I was going to get out of there. Second, anybody between me and getting out of there was going to have a Hildy-sized hole drilled right through his or her stinking carcass. I had killed, and by god I meant to keep on killing if that's what I had to do to get to safety. "Winston. Here, boy." I got up on one knee and talked to him. I didn't know what to expect. Would he recognize me? Was he too far gone in bloodlust? But after a final shake of the soldier's leg, he let go and came to me. He was dragging his hind leg and he was gut-shot, but still walking. I will admit I don't know why I took him. I mean, I really don't. My holocam recorded the scene, but it doesn't tape thoughts. Mine weren't very organized just then. I remember thinking I sure as hell owed him. It also crossed my mind that I was probably safer with him than without him; he was one hell of a weapon. I prefer to think I thought those things in that order. I won't swear to it. I scooped him up in one arm, holding the rifle in the other, and stuck my head around the corner. Nobody blew it off. Nobody seemed to be moving at all. The square was a lot smokier and there was still a lot of gunfire, but everyone seemed to have taken cover. I could do that, too, and wait for somebody to find me, or I could use the smoke to hide in, knowing I could easily stumble on someone else who was doing the same thing, and was a better shot than I was. I don't know how you make a decision like that. I mean, I made it, but I don't recall weighing the pro's and con's. I just looked around the corner, didn't see anybody, and then I was running. Actually, running is a very generous word for what I did, with a dying dog tucked under one arm and a heavy weapon dangling from the other. And don't forget a belly the size of Phobos. Thank god holocams record only what you see, and not what you look like. That couldn't have been an image I'd like preserved for posterity. My goal was the entrance to a corridor that led back toward the Heinlein, and I was about halfway there when someone behind me yelled "Halt!" in a firm and not-at-all-friendly voice, and things happened very fast . . . and I did everything right, even with all the things that went wrong. I turned and kept back-pedaling, slowly, and I dropped Winston (who uttered the only yelp of pain he made through his entire heroic ordeal--and I'm sorry, Winston, wherever you are). I saw it was a King City cop, and he was young, and he looked as scared as I was, and he carried a huge drilling laser, which was pointed at me. "Drop your weapon," he said, and I said Sorry, chum, this isn't personal, only not out loud, and I pulled the trigger. Nothing happened, and it was then I noticed the blinking red light on this curved metal thingy that must have been the ammo clip, and which must have been saying feed me!, or words to that effect in gun-language, and understood why what I'd thought was a short burst had had such a cataclysmic effect on my would-be rapist. So I dropped the gun and I held up my hands, and I saw Winston making his last dash, hobbling across the ten meters or so that separated us, and I put my hands out, palms up, and I shouted No!, and I will swear in any court in the world that I saw the man's finger tightening on the trigger from ten meters away, with the muzzle wavering between me and Winston as if he couldn't decide which to shoot first. And I know this is flatly impossible, but I even thought I saw the light start to come out the end of the weapon in the same fraction of a second that I grabbed my null-suit control and twisted it hard. I was dazzled by green light. For a few moments I was blind. When vision returned the world was full of multi-colored incandescent balloons that drifted here and there, obscuring the world, popping like cartoon soap bubbles. I was sweating horribly inside my suit-field. It could have been worse. Outside the field, most everything seemed to be on fire. About the only way you can go wrong with a laser is to shoot it at a mirror. You couldn't blame the cop for that. I hadn't been a mirror when he pulled the trigger; it was that close. But he really should have let go a lot sooner. Everywhere the beam hit me, it was reflected back, but because the human body is much a complex shape the reflected beam went all over the place. The resulting scorch line hit the walls in many places, melting plastic panels and starting fires behind them. It hit the cop at least three times. I think any of them would have been fatal without quick treatment. He was lying still, with flames engulfing his clothing in three deep, black slashes. Somewhere in its wild gyrations the beam had hit Winston. His fur was on fire and he wasn't moving, either. I was trying to think of what to do when a high wind rose. It briefly whipped the flames into a white-hot frenzy, but then it snuffed them out. All the smoke cleared in an instant and the scene took on that crisp clarity you find only in vacuum. I turned, and ran for cover. =*= =*= =*= =*= CHAPTER TWENTY-FOUR I crouched in a pile of chrome-plated pipes not twenty meters from two patrolling figures in spacesuits, trying to pretend I was just another piece of bent pipe. I wasn't quite sure how to go about this. Don't move, and think tubular thoughts, I finally decided, and it had worked so far. I was keeping one eye on the clock, one eye on the soldiers, and one eye on the blinking red light in my head-up display. Since this adds up to three eyes, you can imagine how busy I was. I was the busiest motionless person you ever saw. Or didn't see. As if that weren't enough, I was calling every telephone number in my vast mental card file. Forget those trivial inventions like fire, the wheel, the bow and arrow, the plow. Man didn't become truly civilized until Alex Bell uttered those immortal words, "Shit, Watson, I spilled acid all over my balls." Hiding there with my oxygen running out, my only hope of staying alive lay in getting some help over the telephone, and if it worked I resolved to light a candle every year on Mr. Bell's birthday. My situation was dire, but it could have been worse. I could have been a member of the King City police dragooned (I later learned) into the first wave of the assault on Virginia City. In addition to the hazards of an armed populace, not to mention the meanest, gamest dog who ever lived, they had the added problem of not having pressure suits when the second wave, which attacked from the surface, began cutting the cables which brought power from the solar panels topside, which powered the null-fields which kept the air in. That's what had happened just after I was lasered by the last cop. It was the air rushing out of the public square that had first fanned, then extinguished the flames on Winston's corpse. It wasn't a blow-out like the one at Nirvana, or I wouldn't be here to tell you about it. What we're used to in a blow-out is a lot of air rushing through a relatively small hole. You get picked up and battered, then you get squeezed, and even in a null-suit your chances of survival are slim. But when a null-field goes, it goes all at once, and the air just expands. You get a gentle wind, then poof! Like a soap bubble. And then you get a lot of cops and soldiers grabbing their throats, spitting blood, and falling quietly to the ground. I saw two people die like this. I guess it's a fairly quick, peaceful way to go, but I still get nauseous just thinking about it. At the time I thought the Heinleiners had done it. It was a logical tactic. It was the way they customarily fought fires, and god knows there were plenty of fires by the time the air went. And it just didn't make sense that their own people would cut the power, knowing the first group didn't have suits. Well, it was their own people who did it, and it wasn't the only thing about the assault that didn't make sense. But I learned about that much later. Hiding there in the pipes all I knew is that a lot of people had tried to kill me, and a lot more were still trying. It had been a game of cat and mouse for about three hours since the nullfield power went down. The power loss had immediately turned the corridor I meant to travel to the Heinlein from a silvery cylinder into a borehole through eons of trash, just like the one I had traveled to lo those many weeks ago to enter this crazy funhouse in the first place. That was a damn good thing, because not long after the blowout