regarding the matter. He
tried to get Joe to put in a stock of factory-made harness and when he was
unsuccessful was angry. "O the devil," he cried. "Can't you understand what
you're up against? The factories are bound to win. For why? Look here,
there can't any one but some old moss-back who has worked around horses all
his life tell the difference between hand- and machine-sewed harness. The
machine-made can be sold cheaper. It looks all right and the factories are
able to put on a lot of do-dads. That catches the young fellows. It's good
business. Quick sales and profits, that's the story." Jim laughed and then
said something that made the shivers run up and down Joe's back. "If I had
the money and was steady I'd start a shop in this town and show you up," he
said. "I'd pretty near run you out. The trouble with me is I wouldn't stick
to business if I had the money. I tried it once and made money; then when
I got a little ahead I shut up the shop and went on a big drunk. I was no
good for a month. When I work for some one else I'm all right. I get drunk
on Saturdays and that satisfies me. I like to work and scheme for money,
but it ain't any good to me when I get it and never will be. What I want
you to do here is to shut your eyes and give me a chance. That's all I ask.
Just shut your eyes and give me a chance."

All day Joe sat astride his harness maker's horse, and when he was not
at work, stared out through a dirty window into an alleyway and tried to
understand Jim's idea of what a harness maker's attitude should be toward
his customers, now that new times had come. He felt very old. Although Jim
was as old in years lived as himself, he seemed very young. He began to be
a little afraid of the man. He could not understand why the money, nearly
twenty-five hundred dollars he had put in the bank during the two years Jim
had been with him, seemed so unimportant and the twelve hundred dollars he
had earned slowly after twenty years of work seemed so important. As there
was much repair work always waiting to be done in the shop, he did not go
home to lunch, but every day carried a few sandwiches to the shop in his
pocket. At the noon hour, when Jim had gone to his boarding-house, he was
alone, and if no one came in, he was happy. It seemed to him the best time
of the day. Every few minutes he went to the front door to look out. The
quiet Main Street, on which his shop had faced since he was a young man
just come home from his trade adventures, and which had always been such a
sleepy place at the noon hour in the summer, was now like a battle-field
from which an army had retreated. A great gash had been cut in the street
where the new sewer was to be laid. Swarms of workingmen, most of them
strangers, had come into Main Street from the factories by the railroad
tracks. They stood in groups in lower Main Street by Wymer's tobacco store.
Some of them had gone into Ben Head's saloon for a glass of beer and came
out wiping their mustaches. The men who were digging the sewer, foreign
men, Italians he had heard, sat on the banks of dry earth in the middle of
the street. Their dinner pails were held between their legs and as they ate
they talked in a strange language. He remembered the day he had come to
Bidwell with his bride, the girl he had met on his trade journey and who
had waited for him until he had mastered his trade and had a shop of his
own. He had gone to New York State to get her and had arrived back in
Bidwell at noon on just such another summer day. There had not been many
people about, but every one had known him. On that day every one had been
his friend. Birdie Spinks rushed out of his drug store and had insisted
that he and his bride go home to dinner with him. Every one had wanted them
to come to his house for dinner. It had been a happy, joyous time.

The harness maker had always been sorry his wife had borne him no children.
He had said nothing and had always pretended he did not want them and now,
at last, he was glad they had not come. He went back to his bench and to
work, hoping Jim would be late in getting back from lunch. The shop was
very quiet after the activity of the street that had so bewildered him. It
was, he thought, like a retreat, almost like a church when you went to the
door and looked in on a week day. He had done that once and had liked the
empty silent church better than he did a church with a preacher and a lot
of people in it. He had told his wife about the matter. "It was like the
shop in the evening when I've got a job of work done and the boy has gone
home," he had said.

The harness maker looked out through the open door of his shop and saw Tom
Butterworth and Steve Hunter going along Main Street, engaged in earnest
conversation. Steve had a cigar stuck in the corner of his mouth and Tom
had on a fancy vest. He thought again of the money he had lost in the
plant-setting machine venture and was furious. The noon hour was spoiled
and he was almost glad when Jim came back from his mid-day meal.

The position in which he found himself in the shop amused Jim Gibson. He
chuckled to himself as he waited on the customers who came in, and as he
worked at the bench. One day when he came back along Main Street from
the noon meal, he decided to try an experiment. "If I lose my job what
difference does it make?" he asked himself. He stopped at a saloon and had
a drink of whisky. When he got to the shop he began to scold his employer,
to threaten him as though he were his apprentice. Swaggering suddenly in,
he walked to where Joe was at work and slapped him roughly on the back.
"Come, cheer up, old daddy," he said. "Get the gloom out of you. I'm tired
of your muttering and growling at things."

The employee stepped back and watched his employer. Had Joe ordered him out
of the shop he would not have been surprised, and as he said later when he
told Ben Head's bartender of the incident, would not have cared very much.
The fact that he did not care, no doubt saved him. Joe was frightened. For
just a moment he was so angry he could not speak, and then he remembered
that if Jim left him he would have to wait on trade and would have to
dicker with the strange teamsters regarding the repairing of the work
harness. Bending over the bench he worked for an hour in silence. Then,
instead of demanding an explanation of the rude familiarity with which Jim
had treated him, he began to explain. "Now look here, Jim," he pleaded,
"don't you pay any attention to me. You do as you please here. Don't you
pay any attention to me."

Jim said nothing, but a smile of triumph lit up his face. Late in the
afternoon he left the shop. "If any one comes in, tell them to wait. I
won't be gone very long," he said insolently. Jim went into Ben Head's
saloon and told the bartender how his experiment had come out. The story
was later told from store to store up and down the Main Street of Bidwell.
"He was like a boy who has been caught with his hand in the jam pot," Jim
explained. "I can't think what's the matter with him. Had I been in his,
shoes I would have kicked Jim Gibson out of the shop. He told me not to
pay any attention to him and to run the shop as I pleased. Now what do you
think of that? Now what do you think of that for a man who owns his own
shop and has money in the bank? I tell you, I don't know how it is, but I
don't work for Joe any more. He works for me. Some day you come in the shop
casual-like and I'll boss him around for you. I'm telling you I don't know
how it is that it come about, but I'm the boss of the shop as sure as the
devil."

All of Bidwell was looking at itself and asking itself questions. Ed Hall,
who had been a carpenter's apprentice earning but a few dollars a week with
his master, Ben Peeler, was now foreman in the corn-cutter factory and
received a salary of twenty-five dollars every Saturday night. It was
more money than he had ever dreamed of earning in a week. On pay nights
he dressed himself in his Sunday clothes and had himself shaved at Joe
Trotter's barber shop. Then he went along Main Street, fingering the money
in his pocket and half fearing he would suddenly awaken and find it all a
dream. He went into Wymer's tobacco store to get a cigar, and old Claude
Wymer came to wait on him. On the second Saturday evening after he got his
new position, the tobacconist, a rather obsequious man, called him Mr.
Hall. It was the first time such a thing had happened and it upset him a
little. He laughed and made a joke of it. "Don't get high and mighty," he
said, and turned to wink at the men loafing in the shop. Later he thought
about the matter and was sorry he had not accepted the new title without
protest. "Well, I'm foreman, and a lot of the young fellows I've always
known and fooled around with will be working under me," he told himself. "I
can't be getting thick with them."

Ed walked along the street feeling very keenly the importance of his new
place in the community. Other young fellows in the factory were getting a
dollar and a half a day. At the end of the week he got twenty-five dollars,
almost three times as much. The money was an indication of superiority.
There could be no doubt about that. Ever since he had been a boy he had
heard older men speak respectfully of men who possessed money. "Get on
in the world," they said to young men, when they talked seriously. Among
themselves they did not pretend that they did not want money. "It's money
makes the mare go," they said.

Down Main Street to the New York Central tracks Ed went, and then turned
out of the street and disappeared into the station. The evening train had
passed and the place was deserted. He went into the dimly lighted
waiting-room. An oil lamp, turned low, and fastened by a bracket to the
wall made a little circle of light in a corner. The room was like a church
in the early morning of a wintry day, cold and still. He went hurriedly
to the light, and taking the roll of money from his pocket, counted it.
Then he went out of the room and along the station platform almost to Main
Street, but was not satisfied. On an impulse he returned to the waiting
room again and, late in the evening on his way home, he stopped there for a
final counting of the money before he went to bed.

Peter Fry was a blacksmith and had a son who was clerk in the Bidwell
Hotel. He was a tall young fellow with curly yellow hair and watery blue
eyes and smoked cigarettes, a habit that was an offense to the nostrils of
the men of his times. His name was Jacob, but he was called in derision
Fizzy Fry. The young man's mother was dead and he got his meals at the
hotel and at night slept on a cot in the hotel office. He had a passion for
gayly colored neckties and waistcoats and was forever trying unsuccessfully
to attract the attention of the town girls. When he and his father met on
the street, they did not speak to each other. Sometimes the father stopped
and stared at his son. "How did I happen to be the father of a thing like
that?" he muttered aloud.

The blacksmith was a square-shouldered, heavily built man with a bushy
black beard and a tremendous voice. When he was a young man he sang in the
Methodist choir, but after his wife died he stopped going to church and
began putting his voice to other uses. He smoked a short clay pipe that had
become black with age and that at night could not be seen against his black
curly beard. Smoke rolled out of his mouth in clouds and appeared to come
up out of his belly. He was like a volcanic mountain and was called, by the
men who loafed in Birdie Spinks' drug store, Smoky Pete.

Smoky Pete was in more ways than one like a mountain given to eruptions. He
did not get drunk, but after his wife died he got into the habit of having
two or three drinks of whisky every evening. The whisky inflamed his mind
and he strode up and down Main Street, ready to quarrel with any one his
eye lighted upon. He got into the habit of roaring at his fellow citizens
and making ribald jokes at their expense. Every one was a little afraid
of him and he became in an odd way the guardian of the town morals. Sandy
Ferris, a house painter, became a drunkard and did not support his family.
Smoky Pete abused him in the public streets and in the sight of all men.
"You cheap thing, warming your belly with whisky while jour children
freeze, why don't you try being a man?" he shouted at the house painter,
who staggered into a side street and went to sleep off his intoxication in
a stall in Clyde Neighbors' livery barn. The blacksmith kept at the painter
until the whole town took up his cry and the saloons became ashamed to
accept his custom. He was forced to reform.

The blacksmith did not, however, discriminate in the choice of victims. His
was not the spirit of the reformer. A merchant of Bidwell, who had always
been highly respected and who was an elder in his church, went one evening
to the county seat and there got into the company of a notorious woman
known throughout the county as Nell Hunter. The two went into a little room
at the back of a saloon and were seen by two Bidwell young men who had
gone to the county seat for an evening of adventure. When the merchant,
named Pen Beck, realized he had been seen, he was afraid the tale of his
indiscretion would be carried to his home town, and left the woman to join
the young men. He was not a drinking man, but began at once to buy drinks
for his companions. The three got very drunk and drove home together late
at night in a rig the young men had hired for the occasion from Clyde
Neighbors. On the way the merchant kept trying to explain his presence in
the company of the woman. "Don't say anything about it," he urged. "It
would be misunderstood. I have a friend whose son has been taken in by the
woman. I was trying to get her to let him alone."

The two young men were delighted that they had caught the merchant off his
guard. "It's all right," they assured him. "Be a good fellow and we won't
tell your wife or the minister of your church." When they had all the
drinks they could carry, they got the merchant into the buggy and began to
whip the horse. They had driven half way to Bidwell and all of them had
fallen into a drunken sleep, when the horse became frightened at something
in the road and ran away. The buggy was overturned and they were all thrown
into the road. One of the young men had an arm broken and Pen Beck's coat
was almost torn in two. He paid the young man's doctor's bill and settled
with Clyde Neighbors for the damage to the buggy.

For a long time the story of the merchant's adventure did not leak out, and
when it did, but a few intimate friends of the young men knew it. Then it
reached the ears of Smoky Pete. On the day he heard it he could hardly bear
to wait until evening came. He hurried to Ben Head's saloon, had two drinks
of whisky and then went to stand with the loafers before Birdie Spinks'
drug store. At half past seven Pen Beck turned into Main Street from Cherry
Street, where he lived. When he was more than three blocks away from the
crowd of men before the drug store, Smoky Pete's roaring voice began to
question him. "Well, Penny, my lad, so you went for a night among the
ladies?" he shouted. "You've been fooling around with my girl, Nell Hunter,
over at the county seat. I'd like to know what you mean. You'll have to
make an explanation to me."

The merchant stopped and stood on the sidewalk, unable to decide whether to
face his tormentor or flee. It was just at the quiet time of the evening
when the housewives of the town had finished their evening's work and stood
resting by the kitchen doors. It seemed to Pen Beck that Smoky Pete's voice
could be heard for a mile. He decided to face it out and if necessary to
fight the blacksmith. As he came hurriedly toward the group before the
drug store, Smoky Pete's voice took up the story of the merchant's wild
night. He stepped out from the men in front of the store and seemed to be
addressing himself to the whole street. Clerks, merchants, and customers
rushed out of the stores. "Well," he cried, "so you made a night of it with
my girl Nell Hunter. When you sat with her in the back room of the saloon
you didn't know I was there. I was hidden under a table. If you'd done
anything more than bite her on the neck I'd have come out and called you to
time."

Smoky Pete broke into a roaring laugh and waved his arms to the people
gathered in the street and wondering what it was all about. It was for him
one of the really delicious spots of his life. He tried to explain to the
people what he was talking about. "He was with Nell Hunter in the back room
of a saloon over at the county seat," he shouted. "Edgar Duncan and Dave
Oldham saw him there. He came home with them and the horse ran away. He
didn't commit adultery. I don't want you to think that happened. All that
happened was he bit my best girl, Nell Hunter, on the neck. That's what
makes me so mad. I don't like to have her bitten by him. She is my girl and
belongs to me."

The blacksmith, forerunner of the modern city newspaper reporter in his
love of taking the center of the stage in order to drag into public sight
the misfortunes of his fellows, did not finish his tirade. The merchant,
white with anger, rushed up and struck him a blow on the chest with his
small and rather fat fist. The blacksmith knocked him into the gutter and
later, when he was arrested, went proudly off to the office of the town
mayor and paid his fine.

It was said by the enemies of Smoky Pete that he had not taken a bath for
years. He lived alone in a small frame house at the edge of town. Behind
his house was a large field. The house itself was unspeakably dirty. When
the factories came to town, Tom Butterworth and Steve Hunter bought the
field intending to cut it into building lots. They wanted to buy the
blacksmith's house and finally did secure it by paying a high price. He
agreed to move out within a year but after the money was paid repented and
wished he had not sold. A rumor began to run about town connecting the name
of Tom Butterworth with that of Fanny Twist, the town milliner. It was
said the rich farmer had been seen coming out of her shop late at night.
The blacksmith also heard another story whispered in the streets. Louise
Trucker, the farmer's daughter who had at one time been seen creeping
through a side street in the company of young Steve Hunter, had gone to
Cleveland and it was said she had become the proprietor of a prosperous
house of ill fame. Steve's money, it was declared, had been used to set her
up in business. The two stories offered unlimited opportunity for expansion
in the blacksmith's mind, but while he was preparing himself to do what
he called bringing the two men down in the sight and hearing of the whole
town, a thing happened that upset his plans. His son Fizzy Fry left his
place as clerk in the hotel and went to work in the corn-cutting machine
factory. One day his father saw him coming from the factory at noon with a
dozen other workmen. The young man had on overalls and smoked a pipe. When
he saw his father he stopped, and when the other men had gone on, explained
his sudden transformation. "I'm in the shop now, but I won't be there
long," he said proudly. "You know Tom Butterworth stays at the hotel? Well,
he's given me a chance. I got to stay in the shop for a while to learn
about things. After that I'm to have a chance as shipping clerk. Then I'll
be a traveler on the road." He looked at his father and his voice broke.
"You haven't thought very much of me, but I'm not so bad," he said. "I
don't want to be a sissy, but I'm not very strong. I worked at the hotel
because there wasn't anything else I thought I could do."

Peter Fry went home to his house but could not eat the food he had cooked
for himself on the tiny stove in the kitchen. He went outdoors and stood
for a long time, looking out across the cow-pasture Tom Butterworth and
Steve Hunter had bought and that they proposed should become a part of the
rapidly growing city. He had himself taken no part in the new impulses that
had come upon the town, except that he had taken advantage of the failure
of the town's first industrial effort to roar insults at those of his
townsmen who had lost their money. One evening he and Ed Hall had got
into a fight about the matter on Main Street, and the blacksmith had been
compelled to pay another fine. Now he wondered what was the matter with
him. He had evidently made a mistake about his son. Had he made a mistake
about Tom Butterworth and Steve Hunter?

The perplexed man went back to his shop and all the afternoon worked in
silence. His heart had been set on the creation of a dramatic scene on Main
Street, when he openly attacked the two most prominent men of the town,
and he even pictured himself as likely to be put in the town jail where
he would have an opportunity to roar things through the iron bars at the
citizens gathered in the street. In anticipation of such an event, he had
prepared himself to attack the reputation of other people. He had never
attacked women but, if he were locked up, he intended to do so. John May
had once told him that Tom Butterworth's daughter, who had been away to
college for a year, had been sent away because she was in the family way.
John May had claimed he was responsible for her condition. Several of Tom's
farm hands he said had been on intimate terms with the girl. The blacksmith
had told himself that if he got into trouble for publicly attacking the
father he would be justified in telling what he knew about the daughter.

The blacksmith did not come into Main Street that evening. As he went home
from work he saw Tom Butterworth standing with Steve Hunter before the
post-office. For several weeks Tom had been spending most of his time away
from town, had only appeared in town for a few hours at a time, and had not
been seen on the streets in the evening. The blacksmith had been waiting
to catch both men on the street at one time. Now that this opportunity had
come, he began to be afraid he would not dare take it. "What right have I
to spoil my boy's chances?" he asked himself, as he went rather heavily
along the street toward his own house.

It rained on that evening and for the first time in years Smoky Pete did
not go into Main Street. He told himself that the rain kept him at home,
but the thought did not satisfy him. All evening he moved restlessly about
the house and at half past eight went to bed. He did not, however, sleep,
but lay with his trousers on and with his pipe in his mouth, trying to
think. Every few minutes he took the pipe from his mouth, blew out a cloud
of smoke and swore viciously. At ten o'clock the farmer, who had owned the
cow-pasture back of his house and who still kept his cows there, saw his
neighbor tramping about in the rain in the field and saying things he had
planned to say on Main Street in the hearing of the entire town.

The farmer also had gone to bed early, but at ten o'clock he decided that,
as the rain continued to fall and as it was growing somewhat cold, he had
better get up and let his cows into the barn. He did not dress, but threw a
blanket about his shoulders and went out without a light. He let down the
bars separating the field from the barnyard and then saw and heard Smoky
Pete in the field. The blacksmith walked back and forth in the darkness,
and as the farmer stood by the fence, began to talk in a loud voice. "Well,
Tom Butterworth, you're fooling around with Fanny Twist," he cried into the
silence and emptiness of the night. "You're sneaking into her shop late at
night, eh? Steve Hunter has set Louise Trucker up in business in a house in
Cleveland. Are you and Fanny Twist going to open a house here? Is that the
next industrial enterprise we're to have here in this town?"

The amazed farmer stood in the rain in the darkness, listening to the words
of his neighbor. The cows came through the gate and went into the barn. His
bare legs were cold and he drew them alternately up under the blanket. For
ten minutes Peter Fry tramped up and down in the field. Once he came quite
near the farmer, who drew himself down beside the fence and listened,
filled with amazement and fright. He could dimly see the tall, old man
striding along and waving his arms about. When he had said many bitter,
hateful things regarding the two most prominent men of Bidwell, he began
to abuse Tom Butterworth's daughter, calling her a bitch and the daughter
of a dog. The farmer waited until Smoky Pete had gone back to his house
and, when he saw a light in the kitchen, and fancied he could also see his
neighbor cooking food at a stove, he went again into his own house. He had
himself never quarreled with Smoky Pete and was glad. He was glad also that
the field at the back of his house had been sold. He intended to sell the
rest of his farm and move west to Illinois. "The man's crazy," he told
himself. "Who but a crazy man would talk that way in the darkness? I
suppose I ought to report him and get him locked up, but I guess I'll
forget what I heard. A man who would talk like that about nice respectable
people would do anything. He might set fire to my house some night or
something like that. I guess I'll just forget what I heard."




BOOK FOUR




CHAPTER XII


After the success of his corn cutting machine and the apparatus for
unloading coal cars that brought him a hundred thousand dollars in cash,
Hugh could not remain the isolated figure he had been all through the first
several years of his life in the Ohio community. From all sides men reached
out their hands to him: and more than one woman thought she would like to
be his wife. All men lead their lives behind a wall of misunderstanding
they themselves have built, and most: men die in silence and unnoticed
behind the walls. Now and then a man, cut off from his fellows by the
peculiarities of his nature, becomes absorbed in doing something that is
impersonal, useful, and beautiful. Word of his activities is carried over
the walls. His name is shouted and is carried by the wind into the tiny
inclosure in which other men live and in which they are for the most part
absorbed in doing some petty task for the furtherance of their own comfort.
Men and women stop their complaining about the unfairness and inequality of
life and wonder about the man whose name they have heard.

From Bidwell, Ohio, to farms all over the Middle West, Hugh McVey's name
had been carried. His machine for cutting corn was called the McVey
Corn-Cutter. The name was printed in white letters against a background of
red on the side of the machine. Farmer boys in the States of Indiana,
Illinois, Iowa, Kansas, Nebraska, and all the great corn-growing States saw
it and in idle moments wondered what kind of man had invented the machine
they operated. A Cleveland newspaper man came to Bidwell and went to
Pickleville to see Hugh. He wrote a story telling of Hugh's early poverty
and his efforts to become an inventor. When the reporter talked to Hugh
he found the inventor so embarrassed and uncommunicative that he gave up
trying to get a story. Then he went to Steve Hunter who talked to him for
an hour. The story made Hugh a strikingly romantic figure. His people, the
story said, came out of the mountains of Tennessee, but they were not poor
whites. It was suggested that they were of the best English stock. There
was a tale of Hugh's having in his boyhood contrived some kind of an engine
that carried water from a valley to a mountain community; another of his
having seen a clock in a store in a Missouri town and of his having later
made a clock of wood for his parents; and a tale of his having gone into
the forest with his father's gun, shot a wild hog and carried it down the
mountain side on his shoulder in order to get money to buy school books.
After the tale was printed the advertising manager of the corn-cutter
factory got Hugh to go with him one day to Tom Butterworth's farm. Many
bushels of corn were brought out of the corn cribs and a great mountain of
corn was built on the ground at the edge of a field. Back of the mountain
of corn was a corn field just coming into tassel. Hugh was told to climb
up on the mountain and sit there. Then his picture was taken. It was sent
to newspapers all over the West with copies of the biography cut from the
Cleveland paper. Later both the picture and the biography were used in the
catalogue that described the McVey Corn-Cutter.

The cutting of corn and putting it in shocks against the time of the
husking is heavy work. In recent times it has come about that much of the
corn grown on mid-American prairie lands is not cut. The corn is left
standing in the fields, and men go through it in the late fall to pick the
yellow ears. The workers throw the corn over their shoulders into a wagon
driven by a boy, who follows them in their slow progress, and it is then
hauled away to the cribs. When a field has been picked, the cattle are
turned in and all winter they nibble at the dry corn blades and tramp the
stalks into the ground. All day long on the wide western prairies when the
gray fall days have come, you may see the men and the horses working their
way slowly through the fields. Like tiny insects they crawl across the
immense landscapes. After them in the late fall and in the winter when the
prairies are covered with snow, come the cattle. They are brought from the
far West in cattle cars and after they have nibbled the corn blades all
day, are taken to barns and stuffed to bursting with corn. When they are
fat they are sent to the great killing-pens in Chicago, the giant city of
the prairies. In the still fall nights, as you stand on prairie roads or in
the barnyard back of one of the farm houses, you may hear the rustling of
the dry corn blades and then the crash of the heavy bodies of the beasts
going forward as they nibble and trample the corn.

In earlier days the method of corn harvesting was different. There was
poetry in the operation then as there is now, but it was set to another
rhythm. When the corn was ripe men went into the fields with heavy corn
knives and cut the stalks of corn close to the ground. The stalks were cut
with the right hand swinging the corn knife and carried on the left arm.
All day a man carried a heavy load of the stalks from which yellow ears
hung down. When the load became unbearably heavy it was carried to the
shock, and when all the corn was cut in a certain area, the shock was made
secure by binding it with tarred rope or with a tough stalk twisted to take
the place of the rope. When the cutting was done the long rows of stalks
stood up in the fields like sentinels, and the men crawled off to the
farmhouses and to bed, utterly weary.

Hugh's machine took all of the heavier part of the work away. It cut the
corn near the ground and bound it into bundles that fell upon a platform.
Two men followed the machine, one to drive the horses and the other to
place the bundles of stalks against the shocks and to bind the completed
shocks. The men went along smoking their pipes and talking. The horses
stopped and the driver stared out over the prairies. His arms did not ache
with weariness and he had time to think. The wonder and mystery of the wide
open places got a little into his blood. At night when the work was done
and the cattle fed and made comfortable in the barns, he did not go at once
to bed but sometimes went out of his house and stood for a moment under the
stars.

This thing the brain of the son of a mountain man, the poor white of the
river town, had done for the people of the plains. The dreams he had tried
so hard to put away from him and that the New England woman Sarah Shepard
had told him would lead to his destruction had come to something. The
car-dumping apparatus, that had sold for two hundred thousand dollars, had
given Steve Hunter money to buy the plant-setting machine factory, and with
Tom Butterworth to start manufacturing the corn-cutters, had affected the
lives of fewer people, but it had carried the Missourian's name into other
places and had also made a new kind of poetry in railroad yards and along
rivers at the back of cities where ships are loaded. On city nights as you
lie in your houses you may hear suddenly a long reverberating roar. It is a
giant that has cleared his throat of a carload of coal. Hugh McVey helped
to free the giant. He is still doing it. In Bidwell, Ohio, he is still at
it, making new inventions, cutting the bands that have bound the giant. He
is one man who had not been swept aside from his purpose by the complexity
of life.

That, however, came near happening. After the coming of his success, a
thousand little voices began calling to him. The soft hands of women
reached out of the masses of people about him, out of the old dwellers and
new dwellers in the city that was growing up about the factories where
his machines were being made in ever increasing numbers. New houses were
constantly being built along Turner's Pike that led down to his workshop at
Pickleville. Beside Allie Mulberry a dozen mechanics were now employed in
his experimental shop. They helped Hugh with a new invention, a hay-loading
apparatus on which he was at work, and also made special tools for use in
the corn-cutter factory and the new bicycle factory. A dozen new houses
had been built in Pickleville itself. The wives of the mechanics lived in
the houses and occasionally one of them came to see her husband at Hugh's
shop. He found it less and less difficult to talk to people. The workmen,
themselves not given to the use of many words, did not think his habitual
silence peculiar. They were more skilled than Hugh in the use of tools and
thought it rather an accident that he had done what they had not done. As
he had grown rich by that road they also tried their hand at inventions.
One of them made a patent door hinge that Steve sold for ten thousand
dollars, keeping half the money for his services, as he had done in the
case of Hugh's car-dumping apparatus. At the noon hour the men hurried to
their houses to eat and then came back to loaf before the factory and
smoke their noonday pipes. They talked of money-making, of the price of
food stuffs, of the advisability of a man's buying a house on the partial
payment plan. Sometimes they talked of women and of their adventures with
women. Hugh sat by himself inside the door of the shop and listened. At
night after he had gone to bed he thought of what they had said. He lived
in a house belonging to a Mrs. McCoy, the widow of a railroad section hand
killed in a railroad accident, who had a daughter. The daughter, Rose
McCoy, taught a country school and most of the year was away from home from
Monday morning until late on Friday afternoon. Hugh lay in bed thinking of
what his workmen had said of women and heard the old housekeeper moving
about down stairs. Sometimes he got out of bed to sit by an open window.
Because she was the woman whose life touched his most closely, he thought
often of the school teacher. The McCoy house, a small frame affair with a
picket fence separating it from Turner's Pike, stood with its back door
facing the Wheeling Railroad. The section hands on the railroad remembered
their former fellow workman, Mike McCoy, and wanted to be good to his
widow. They sometimes dumped half decayed railroad ties over the fence into
a potato patch back of the house. At night, when heavily loaded coal trains
rumbled past, the brakemen heaved large chunks of coal over the fence. The
widow awoke whenever a train passed. When one of the brakemen threw a chunk
of coal he shouted and his voice could be heard above the rumble of the
coal cars. "That's for Mike," he cried. Sometimes one of the chunks knocked
a picket out of the fence and the next day Hugh put it back again. When the
train had passed the widow got out of bed and brought the coal into the
house. "I don't want to give the boys away by leaving it lying around
in the daylight," she explained to Hugh. On Sunday mornings Hugh took a
crosscut saw and cut the railroad ties into lengths that would go into the
kitchen stove. Slowly his place in the McCoy household had become fixed,
and when he received the hundred thousand dollars and everybody, even the
mother and daughter, expected him to move, he did not do so. He tried
unsuccessfully to get the widow to take more money for his board and when
that effort failed, life in the McCoy household went as it had when he was
a telegraph operator receiving forty dollars a month.

In the spring or fall, as he sat by his window at night, and when the moon
came up and the dust in Turner's Pike was silvery white, Hugh thought of
Rose McCoy, sleeping in some farmer's house. It did not occur to him that
she might also be awake and thinking. He imagined her lying very still in
bed. The section hand's daughter was a slender woman of thirty with tired
blue eyes and red hair. Her skin had been heavily freckled in her youth and
her nose was still freckled. Although Hugh did not know it, she had once
been in love with George Pike, the Wheeling station agent, and a day had
been set for the marriage. Then a difficulty arose in regard to religious
beliefs and George Pike married another woman. It was then she became a
school teacher. She was a woman of few words and she and Hugh had never
been alone together, but as Hugh sat by the window on fall evenings, she
lay awake in a room in the farmer's house, where she was boarding during
the school season, and thought of him. She thought that had Hugh remained a
telegraph operator at forty dollars a month something might have happened
between them. Then she had other thoughts, or rather, sensations that had
little to do with thoughts. The room in which she lay was very still and
a streak of moonlight came in through the window. In the barn back of the
farmhouse she could hear the cattle stirring about. A pig grunted and in
the stillness that followed she could hear the farmer, who lay in the
next room with his wife, snoring gently. Rose was not very strong and the
physical did not rule in her nature, but she was very lonely and thought
that, like the farmer's wife, she would like to have a man to lie with her.
Warmth crept over her body and her lips became dry so that she moistened
them with her tongue. Had you been able to creep unobserved into the room,
you might have thought her much like a kitten lying by a stove. She closed
her eyes and gave herself over to dreams. In her conscious mind she dreamed
of being the wife of the bachelor Hugh McVey, but deep within her there was
another dream, a dream having its basis in the memory of her one physical
contact with a man. When they were engaged to be married George had often
kissed her. On one evening in the spring they had gone to sit together on
the grassy bank beside the creek in the shadow of the pickle factory, then
deserted and silent, and had come near to going beyond kissing. Why nothing
else had happened Rose did not exactly know. She had protested, but her
protest had been feeble and had not expressed what she felt. George Pike
had desisted in his effort to press love upon her because they were to be
married, and he did not think it right to do what he thought of as taking
advantage of a girl.

At any rate he did desist and long afterward, as she lay in the farmhouse
consciously thinking of her mother's bachelor boarder, her thoughts became
less and less distinct and when she had slipped off into sleep, George Pike
came back to her. She stirred uneasily in bed and muttered words. Rough but
gentle hands touched her cheeks and played in her hair. As the night wore
on and the position of the moon shifted, the streak of moonlight lighted
her face. One of her hands reached up and seemed to be caressing the
moonbeams. The weariness had all gone out of her face. "Yes, George, I love
you, I belong to you," she whispered.

Had Hugh been able to creep like the moonbeam into the presence of the
sleeping school teacher, he must inevitably have loved her. Also he would
perhaps have understood that it is best to approach human beings directly
and boldly as he had approached the mechanical problems by which his days
were filled. Instead he sat by his window in the presence of the moonlit
night and thought of women as beings utterly unlike himself. Words dropped
by Sarah Shepard to the awakening boy came creeping back to his mind. He
thought women were for other men but not for him, and told himself he did
not want a woman.

And then in Turner's Pike something happened. A farmer boy, who had been
to town and who had the daughter of a neighbor in his buggy, stopped in
front of the house. A long freight train, grinding its way slowly past the
station, barred the passage along the road. He held the reins in one hand
and put the other about