thought I'd tell you--it's interesting, eh?" Joe Welling turned and went out at the door. Taking a book from his pocket, he stopped and ran a finger down one of the pages. Again he was absorbed in his duties as agent of the Standard Oil Company. "Hern's Grocery will be getting low on coal oil. I'll see them," he muttered, hurrying along the street, and bowing politely to the right and left at the people walking past. When George Willard went to work for the Winesburg Eagle he was besieged by Joe Welling. Joe envied the boy. It seemed to him that he was meant by Nature to be a reporter on a newspaper. "It is what I should be doing, there is no doubt of that," he declared, stopping George Willard on the sidewalk before Daugherty's Feed Store. His eyes began to glisten and his forefinger to tremble. "Of course I make more money with the Standard Oil Company and I'm only telling you," he added. "I've got nothing against you but I should have your place. I could do the work at odd moments. Here and there I would run finding out things you'll never see." Becoming more excited Joe Welling crowded the young reporter against the front of the feed store. He appeared to be lost in thought, rolling his eyes about and running a thin nervous hand through his hair. A smile spread over his face and his gold teeth glittered. "You get out your note book," he commanded. "You carry a little pad of paper in your pocket, don't you? I knew you did. Well, you set this down. I thought of it the other day. Let's take decay. Now what is decay? It's fire. It burns up wood and other things. You never thought of that? Of course not. This sidewalk here and this feed store, the trees down the street there--they're all on fire. They're burning up. Decay you see is always going on. It doesn't stop. Water and paint can't stop it. If a thing is iron, then what? It rusts, you see. That's fire, too. The world is on fire. Start your pieces in the paper that way. Just say in big letters 'The World Is On Fire.' That will make 'em look up. They'll say you're a smart one. I don't care. I don't envy you. I just snatched that idea out of the air. I would make a newspaper hum. You got to admit that."' Turning quickly, Joe Welling walked rapidly away. When he had taken several steps he stopped and looked back. "I'm going to stick to you," he said. "I'm going to make you a regular hummer. I should start a newspaper myself, that's what I should do. I'd be a marvel. Everybody knows that." When George Willard had been for a year on the Winesburg Eagle, four things happened to Joe Welling. His mother died, he came to live at the New Willard House, he became involved in a love affair, and he organized the Winesburg Baseball Club. Joe organized the baseball club because he wanted to be a coach and in that position he began to win the respect of his townsmen. "He is a wonder," they declared after Joe's team had whipped the team from Medina County. "He gets everybody working together. You just watch him." Upon the baseball field Joe Welling stood by first base, his whole body quivering with excitement. In spite of themselves all the players watched him closely. The opposing pitcher became confused. "Now! Now! Now! Now!" shouted the excited man. "Watch me! Watch me! Watch my fingers! Watch my hands! Watch my feet! Watch my eyes! Let's work together here! Watch me! In me you see all the movements of the game! Work with me! Work with me! Watch me! Watch me! Watch me!" With runners of the Winesburg team on bases, Joe Welling became as one inspired. Before they knew what had come over them, the base runners were watching the man, edging off the bases, advancing, retreating, held as by an invisible cord. The players of the opposing team also watched Joe. They were fascinated. For a moment they watched and then, as though to break a spell that hung over them, they began hurling the ball wildly about, and amid a series of fierce animal-like cries from the coach, the runners of the Winesburg team scampered home. Joe Welling's love affair set the town of Winesburg on edge. When it began everyone whispered and shook his head. When people tried to laugh, the laughter was forced and unnatural. Joe fell in love with Sarah King, a lean, sad-looking woman who lived with her father and brother in a brick house that stood opposite the gate leading to the Winesburg Cemetery. The two Kings, Edward the father, and Tom the son, were not popular in Winesburg. They were called proud and dangerous. They had come to Winesburg from some place in the South and ran a cider mill on the Trunion Pike. Tom King was reported to have killed a man before he came to Winesburg. He was twenty-seven years old and rode about town on a grey pony. Also he had a long yellow mustache that dropped down over his teeth, and always carried a heavy, wicked-looking walking stick in his hand. Once he killed a dog with the stick. The dog belonged to Win Pawsey, the shoe merchant, and stood on the sidewalk wagging its tail. Tom King killed it with one blow. He was arrested and paid a fine of ten dollars. Old Edward King was small of stature and when he passed people in the street laughed a queer unmirthful laugh. When he laughed he scratched his left elbow with his right hand. The sleeve of his coat was almost worn through from the habit. As he walked along the street, looking nervously about and laughing, he seemed more dangerous than his silent, fierce-looking son. When Sarah King began walking out in the evening with Joe Welling, people shook their heads in alarm. She was tall and pale and had dark rings under her eyes. The couple looked ridiculous together. Under the trees they walked and Joe talked. His passionate eager protestations of love, heard coming out of the darkness by the cemetery wall, or from the deep shadows of the trees on the hill that ran up to the Fair Grounds from Waterworks Pond, were repeated in the stores. Men stood by the bar in the New Willard House laughing and talking of Joe's courtship. After the laughter came the silence. The Winesburg baseball team, under his management, was winning game after game, and the town had begun to respect him. Sensing a tragedy, they waited, laughing nervously. Late on a Saturday afternoon the meeting between Joe Welling and the two Kings, the anticipation of which had set the town on edge, took place in Joe Welling's room in the New Willard House. George Willard was a witness to the meeting. It came about in this way: When the young reporter went to his room after the evening meal he saw Tom King and his father sitting in the half darkness in Joe's room. The son had the heavy walking stick in his hand and sat near the door. Old Edward King walked nervously about, scratching his left elbow with his right hand. The hallways were empty and silent. George Willard went to his own room and sat down at his desk. He tried to write but his hand trembled so that he could not hold the pen. He also walked nervously up and down. Like the rest of the town of Winesburg he was perplexed and knew not what to do. It was seven-thirty and fast growing dark when Joe Welling came along the station platform toward the New Willard House. In his arms he held a bundle of weeds and grasses. In spite of the terror that made his body shake, George Willard was amused at the sight of the small spry figure holding the grasses and half running along the platform. Shaking with fright and anxiety, the young reporter lurked in the hallway outside the door of the room in which Joe Welling talked to the two Kings. There had been an oath, the nervous giggle of old Edward King, and then silence. Now the voice of Joe Welling, sharp and clear, broke forth. George Willard began to laugh. He understood. As he had swept all men before him, so now Joe Welling was carrying the two men in the room off their feet with a tidal wave of words. The listener in the hall walked up and down, lost in amazement. Inside the room Joe Welling had paid no attention to the grumbled threat of Tom King. Absorbed in an idea he closed the door and, lighting a lamp, spread the handful of weeds and grasses upon the floor. "I've got something here," he announced solemnly. "I was going to tell George Willard about it, let him make a piece out of it for the paper. I'm glad you're here. I wish Sarah were here also. I've been going to come to your house and tell you of some of my ideas. They're interesting. Sarah wouldn't let me. She said we'd quarrel. That's foolish." Running up and down before the two perplexed men, Joe Welling began to explain. "Don't you make a mistake now," he cried. "This is something big." His voice was shrill with excitement. "You just follow me, you'll be interested. I know you will. Suppose this--suppose all of the wheat, the corn, the oats, the peas, the potatoes, were all by some miracle swept away. Now here we are, you see, in this county. There is a high fence built all around us. We'll suppose that. No one can get over the fence and all the fruits of the earth are destroyed, nothing left but these wild things, these grasses. Would we be done for? I ask you that. Would we be done for?" Again Tom King growled and for a moment there was silence in the room. Then again Joe plunged into the exposition of his idea. "Things would go hard for a time. I admit that. I've got to admit that. No getting around it. We'd be hard put to it. More than one fat stomach would cave in. But they couldn't down us. I should say not." Tom King laughed good naturedly and the shivery, nervous laugh of Edward King rang through the house. Joe Welling hurried on. "We'd begin, you see, to breed up new vegetables and fruits. Soon we'd regain all we had lost. Mind, I don't say the new things would be the same as the old. They wouldn't. Maybe they'd be better, maybe not so good. That's interesting, eh? You can think about that. It starts your mind working, now don't it?" In the room there was silence and then again old Edward King laughed nervously. "Say, I wish Sarah was here," cried Joe Welling. "Let's go up to your house. I want to tell her of this." There was a scraping of chairs in the room. It was then that George Willard retreated to his own room. Leaning out at the window he saw Joe Welling going along the street with the two Kings. Tom King was forced to take extraordinary long strides to keep pace with the little man. As he strode along, he leaned over, listening--absorbed, fascinated. Joe Welling again talked excitedly. "Take milkweed now," he cried. "A lot might be done with milkweed, eh? It's almost unbelievable. I want you to think about it. I want you two to think about it. There would be a new vegetable kingdom you see. It's interesting, eh? It's an idea. Wait till you see Sarah, she'll get the idea. She'll be interested. Sarah is always interested in ideas. You can't be too smart for Sarah, now can you? Of course you can't. You know that." ADVENTURE ALICE HINDMAN, a woman of twenty-seven when George Willard was a mere boy, had lived in Winesburg all her life. She clerked in Winney's Dry Goods Store and lived with her mother, who had married a second husband. Alice's step-father was a carriage painter, and given to drink. His story is an odd one. It will be worth telling some day. At twenty-seven Alice was tall and somewhat slight. Her head was large and overshadowed her body. Her shoulders were a little stooped and her hair and eyes brown. She was very quiet but beneath a placid exterior a continual ferment went on. When she was a girl of sixteen and before she began to work in the store, Alice had an affair with a young man. The young man, named Ned Currie, was older than Alice. He, like George Willard, was employed on the Winesburg Eagle and for a long time he went to see Alice almost every evening. Together the two walked under the trees through the streets of the town and talked of what they would do with their lives. Alice was then a very pretty girl and Ned Currie took her into his arms and kissed her. He became excited and said things he did not intend to say and Alice, betrayed by her desire to have something beautiful come into her rather narrow life, also grew excited. She also talked. The outer crust of her life, all of her natural diffidence and reserve, was tom away and she gave herself over to the emotions of love. When, late in the fall of her sixteenth year, Ned Currie went away to Cleveland where he hoped to get a place on a city newspaper and rise in the world, she wanted to go with him. With a trembling voice she told him what was in her mind. "I will work and you can work," she said. "I do not want to harness you to a needless expense that will prevent your making progress. Don't marry me now. We will get along without that and we can be together. Even though we live in the same house no one will say anything. In the city we will be unknown and people will pay no attention to us." Ned Currie was puzzled by the determination and abandon of his sweetheart and was also deeply touched. He had wanted the girl to become his mistress but changed his mind. He wanted to protect and care for her. "You don't know what you're talking about," he said sharply; "you may be sure I'll let you do no such thing. As soon as I get a good job I'll come back. For the present you'll have to stay here. It's the only thing we can do." On the evening before he left Winesburg to take up his new life in the city, Ned Currie went to call on Alice. They walked about through the streets for an hour and then got a rig from Wesley Moyer's livery and went for a drive in the country. The moon came up and they found themselves unable to talk. In his sadness the young man forgot the resolutions he had made regarding his conduct with the girl. They got out of the buggy at a place where a long meadow ran down to the bank of Wine Creek and there in the dim light became lovers. When at midnight they returned to town they were both glad. It did not seem to them that anything that could happen in the future could blot out the wonder and beauty of the thing that had happened. "Now we will have to stick to each other, whatever happens we will have to do that," Ned Currie said as he left the girl at her father's door. The young newspaper man did not succeed in getting a place on a Cleveland paper and went west to Chicago. For a time he was lonely and wrote to Alice almost every day. Then he was caught up by the life of the city; he began to make friends and found new interests in life. In Chicago he boarded at a house where there were several women. One of them attracted his attention and he forgot Alice in Winesburg. At the end of a year he had stopped writing letters, and only once in a long time, when he was lonely or when he went into one of the city parks and saw the moon shining on the grass as it had shone that night on the meadow by Wine Creek, did he think of her at all. In Winesburg the girl who had been loved grew to be a woman. When she was twenty-two years old her father, who owned a harness repair shop, died suddenly. The harness maker was an old soldier, and after a few months his wife received a widow's pension. She used the first money she got to buy a loom and became a weaver of carpets, and Alice got a place in Winney's store. For a number of years nothing could have induced her to believe that Ned Currie would not in the end return to her. She was glad to be employed because the daily round of toil in the store made the time of waiting seem less long and uninteresting. She began to save money, thinking that when she had saved two or three hundred dollars she would follow her lover to the city and try if her presence would not win back his affections. Alice did not blame Ned Currie for what had happened in the moonlight in the field, but felt that she could never marry another man. To her the thought of giving to another what she still felt could belong only to Ned seemed monstrous. When other young men tried to attract her attention she would have nothing to do with them. "I am his wife and shall remain his wife whether he comes back or not," she whispered to herself, and for all of her willingness to support herself could not have understood the growing modern idea of a woman's owning herself and giving and taking for her own ends in life. Alice worked in the dry goods store from eight in the morning until six at night and on three evenings a week went back to the store to stay from seven until nine. As time passed and she became more and more lonely she began to practice the devices common to lonely people. When at night she went upstairs into her own room she knelt on the floor to pray and in her prayers whispered things she wanted to say to her lover. She became attached to inanimate objects, and because it was her own, could not bare to have anyone touch the furniture of her room. The trick of saving money, begun for a purpose, was carried on after the scheme of going to the city to find Ned Currie had been given up. It became a fixed habit, and when she needed new clothes she did not get them. Sometimes on rainy afternoons in the store she got out her bank book and, letting it lie open before her, spent hours dreaming impossible dreams of saving money enough so that the interest would support both herself and her future husband. "Ned always liked to travel about," she thought. "I'll give him the chance. Some day when we are married and I can save both his money and my own, we will be rich. Then we can travel together all over the world." In the dry goods store weeks ran into months and months into years as Alice waited and dreamed of her lover's return. Her employer, a grey old man with false teeth and a thin grey mustache that drooped down over his mouth, was not given to conversation, and sometimes, on rainy days and in the winter when a storm raged in Main Street, long hours passed when no customers came in. Alice arranged and rearranged the stock. She stood near the front window where she could look down the deserted street and thought of the evenings when she had walked with Ned Currie and of what he had said. "We will have to stick to each other now." The words echoed and re-echoed through the mind of the maturing woman. Tears came into her eyes. Sometimes when her employer had gone out and she was alone in the store she put her head on the counter and wept. "Oh, Ned, I am waiting," she whispered over and over, and all the time the creeping fear that he would never come back grew stronger within her. In the spring when the rains have passed and before the long hot days of summer have come, the country about Winesburg is delightful. The town lies in the midst of open fields, but beyond the fields are pleasant patches of woodlands. In the wooded places are many little cloistered nooks, quiet places where lovers go to sit on Sunday afternoons. Through the trees they look out across the fields and see farmers at work about the barns or people driving up and down on the roads. In the town bells ring and occasionally a train passes, looking like a toy thing in the distance. For several years after Ned Currie went away Alice did not go into the wood with the other young people on Sunday, but one day after he had been gone for two or three years and when her loneliness seemed unbearable, she put on her best dress and set out. Finding a little sheltered place from which she could see the town and a long stretch of the fields, she sat down. Fear of age and ineffectuality took possession of her. She could not sit still, and arose. As she stood looking out over the land something, perhaps the thought of never ceasing life as it expresses itself in the flow of the seasons, fixed her mind on the passing years. With a shiver of dread, she realized that for her the beauty and freshness of youth had passed. For the first time she felt that she had been cheated. She did not blame Ned Currie and did not know what to blame. Sadness swept over her. Dropping to her knees, she tried to pray, but instead of prayers words of protest came to her lips. "It is not going to come to me. I will never find happiness. Why do I tell myself lies?" she cried, and an odd sense of relief came with this, her first bold attempt to face the fear that had become a part of her everyday life. In the year when Alice Hindman became twentyfive two things happened to disturb the dull uneventfulness of her days. Her mother married Bush Milton, the carriage painter of Winesburg, and she herself became a member of the Winesburg Methodist Church. Alice joined the church because she had become frightened by the loneliness of her position in life. Her mother's second marriage had emphasized her isolation. "I am becoming old and queer. If Ned comes he will not want me. In the city where he is living men are perpetually young. There is so much going on that they do not have time to grow old," she told herself with a grim little smile, and went resolutely about the business of becoming acquainted with people. Every Thursday evening when the store had closed she went to a prayer meeting in the basement of the church and on Sunday evening attended a meeting of an organization called The Epworth League. When Will Hurley, a middle-aged man who clerked in a drug store and who also belonged to the church, offered to walk home with her she did not protest. "Of course I will not let him make a practice of being with me, but if he comes to see me once in a long time there can be no harm in that," she told herself, still determined in her loyalty to Ned Currie. Without realizing what was happening, Alice was trying feebly at first, but with growing determination, to get a new hold upon life. Beside the drug clerk she walked in silence, but sometimes in the darkness as they went stolidly along she put out her hand and touched softly the folds of his coat. When he left her at the gate before her mother's house she did not go indoors, but stood for a moment by the door. She wanted to call to the drug clerk, to ask him to sit with her in the darkness on the porch before the house, but was afraid he would not understand. "It is not him that I want," she told herself; "I want to avoid being so much alone. If I am not careful I will grow unaccustomed to being with people." During the early fall of her twenty-seventh year a passionate restlessness took possession of Alice. She could not bear to be in the company of the drug clerk, and when, in the evening, he came to walk with her she sent him away. Her mind became intensely active and when, weary from the long hours of standing behind the counter in the store, she went home and crawled into bed, she could not sleep. With staring eyes she looked into the darkness. Her imagination, like a child awakened from long sleep, played about the room. Deep within her there was something that would not be cheated by phantasies and that demanded some definite answer from life. Alice took a pillow into her arms and held it tightly against her breasts. Getting out of bed, she arranged a blanket so that in the darkness it looked like a form lying between the sheets and, kneeling beside the bed, she caressed it, whispering words over and over, like a refrain. "Why doesn't something happen? Why am I left here alone?" she muttered. Although she sometimes thought of Ned Currie, she no longer depended on him. Her desire had grown vague. She did not want Ned Currie or any other man. She wanted to be loved, to have something answer the call that was growing louder and louder within her. And then one night when it rained Alice had an adventure. It frightened and confused her. She had come home from the store at nine and found the house empty. Bush Milton had gone off to town and her mother to the house of a neighbor. Alice went upstairs to her room and undressed in the darkness. For a moment she stood by the window hearing the rain beat against the glass and then a strange desire took possession of her. Without stopping to think of what she intended to do, she ran downstairs through the dark house and out into the rain. As she stood on the little grass plot before the house and felt the cold rain on her body a mad desire to run naked through the streets took possession of her. She thought that the rain would have some creative and wonderful effect on her body. Not for years had she felt so full of youth and courage. She wanted to leap and run, to cry out, to find some other lonely human and embrace him. On the brick sidewalk before the house a man stumbled homeward. Alice started to run. A wild, desperate mood took possession of her. "What do I care who it is. He is alone, and I will go to him," she thought; and then without stopping to consider the possible result of her madness, called softly. "Wait!" she cried. "Don't go away. Whoever you are, you must wait." The man on the sidewalk stopped and stood listening. He was an old man and somewhat deaf. Putting his hand to his mouth, he shouted. "What? What say?" he called. Alice dropped to the ground and lay trembling. She was so frightened at the thought of what she had done that when the man had gone on his way she did not dare get to her feet, but crawled on hands and knees through the grass to the house. When she got to her own room she bolted the door and drew her dressing table across the doorway. Her body shook as with a chill and her hands trembled so that she had difficulty getting into her nightdress. When she got into bed she buried her face in the pillow and wept brokenheartedly. "What is the matter with me? I will do something dreadful if I am not careful," she thought, and turning her face to the wall, began trying to force herself to face bravely the fact that many people must live and die alone, even in Winesburg. RESPECTABILITY IF YOU HAVE lived in cities and have walked in the park on a summer afternoon, you have perhaps seen, blinking in a corner of his iron cage, a huge, grotesque kind of monkey, a creature with ugly, sagging, hairless skin below his eyes and a bright purple underbody. This monkey is a true monster. In the completeness of his ugliness he achieved a kind of perverted beauty. Children stopping before the cage are fascinated, men turn away with an air of disgust, and women linger for a moment, trying perhaps to remember which one of their male acquaintances the thing in some faint way resembles. Had you been in the earlier years of your life a citizen of the village of Winesburg, Ohio, there would have been for you no mystery in regard to the beast in his cage. "It is like Wash Williams," you would have said. "As he sits in the corner there, the beast is exactly like old Wash sitting on the grass in the station yard on a summer evening after he has closed his office for the night." Wash Williams, the telegraph operator of Winesburg, was the ugliest thing in town. His girth was immense, his neck thin, his legs feeble. He was dirty. Everything about him was unclean. Even the whites of his eyes looked soiled. I go too fast. Not everything about Wash was unclean. He took care of his hands. His fingers were fat, but there was something sensitive and shapely in the hand that lay on the table by the instrument in the telegraph office. In his youth Wash Williams had been called the best telegraph operator in the state, and in spite of his degradement to the obscure office at Winesburg, he was still proud of his ability. Wash Williams did not associate with the men of the town in which he lived. "I'll have nothing to do with them," he said, looking with bleary eyes at the men who walked along the station platform past the telegraph office. Up along Main Street he went in the evening to Ed Griffith's saloon, and after drinking unbelievable quantities of beer staggered off to his room in the New Willard House and to his bed for the night. Wash Williams was a man of courage. A thing had happened to him that made him hate life, and he hated it wholeheartedly, with the abandon of a poet. First of all, he hated women. "Bitches," he called them. His feeling toward men was somewhat different. He pitied them. "Does not every man let his life be managed for him by some bitch or another?" he asked. In Winesburg no attention was paid to Wash Williams and his hatred of his fellows. Once Mrs. White, the banker's wife, complained to the telegraph company, saying that the office in Winesburg was dirty and smelled abominably, but nothing came of her complaint. Here and there a man respected the operator. Instinctively the man felt in him a glowing resentment of something he had not the courage to resent. When Wash walked through the streets such a one had an instinct to pay him homage, to raise his hat or to bow before him. The superintendent who had supervision over the telegraph operators on the railroad that went through Winesburg felt that way. He had put Wash into the obscure office at Winesburg to avoid discharging him, and he meant to keep him there. When he received the letter of complaint from the banker's wife, he tore it up and laughed unpleasantly. For some reason he thought of his own wife as he tore up the letter. Wash Williams once had a wife. When he was still a young man he married a woman at Dayton, Ohio. The woman was tall and slender and had blue eyes and yellow hair. Wash was himself a comely youth. He loved the woman with a love as absorbing as the hatred he later felt for all women. In all of Winesburg there was but one person who knew the story of the thing that had made ugly the person and the character of Wash Williams. He once told the story to George Willard and the telling of the tale came about in this way: George Willard went one evening to walk with Belle Carpenter, a trimmer of women's hats who worked in a millinery shop kept by Mrs. Kate McHugh. The young man was not in love with the woman, who, in fact, had a suitor who worked as bartender in Ed Griffith's saloon, but as they walked about under the trees they occasionally embraced. The night and their own thoughts had aroused something in them. As they were returning to Main Street they passed the little lawn beside the railroad station and saw Wash Williams apparently asleep on the grass beneath a tree. On the next evening the operator and George Willard walked out together. Down the railroad they went and sat on a pile of decaying railroad ties beside the tracks. It was then that the operator told the young reporter his story of hate. Perhaps a dozen times George Willard and the strange, shapeless man who lived at his father's hotel had been on the point of talking. The young man looked at the hideous, leering face staring about the hotel dining room and was consumed with curiosity. Something he saw lurking in the staring eyes told him that the man who had nothing to say to others had nevertheless something to say to him. On the pile of railroad ties on the summer evening, he waited expectantly. When the operator remained silent and seemed to have changed his mind about talking, he tried to make conversation. "Were you ever married, Mr. Williams?" he began. "I suppose you were and your wife is dead, is that it?" Wash Williams spat forth a succession of vile oaths. "Yes, she is dead," he agreed. "She is dead as all women are dead. She is a living-dead thing, walking in the sight of men and making the earth foul by her presence." Staring into the boy's eyes, the man became purple with rage. "Don't have fool notions in your head," he commanded. "My wife, she is dead; yes, surely. I tell you, all women are dead, my mother, your mother, that tall dark woman who works in the millinery store and with whom I saw you walking about yesterday--all of them, they are all dead. I tell you there is something rotten about them. I was married, sure. My wife was dead before she married me, she was a foul thing come out a woman more foul. She was a thing sent to make life unbearable to me. I was a fool, do you see, as you are now, and so I married this woman. I would like to see men a little begin to understand women. They are sent to prevent men making the world worth while. It is a trick in Nature. Ugh! They are creeping, crawling, squirming things, they with their soft hands and their blue eyes. The sight of a woman sickens me. Why I don't kill every woman I see I don't know." Half frightened and yet fascinated by the light burning in the eyes of the hideous old man, George Willard listened, afire with curiosity. Darkness came on and he leaned forward trying to see the face of the man who talked. When, in the gathering darkness, he could no longer see the purple, bloated face and the burning eyes, a curious fancy came to him. Wash Williams talked in low even tones that made his words seem the more terrible. In the darkness the young reporter found himself imagining that he sat on the railroad ties beside a comely young man with black hair and black shining eyes. There was something almost beautiful in the voice of Wash Williams, the hideous, telling his story of hate. The telegraph operator of Winesburg, sitting in the darkness on the railroad ties, had become a poet. Hatred had raised him to that elevation. "It is because I saw you kissing the lips of that Belle Carpenter that I tell you my story," he said. "What happened to me may next happen to you. I want to put you on your guard. Already you may be having dreams in your head. I want to destroy them." Wash Williams began telling the story of his married life with the tall blonde girl with the blue eyes whom he had met when he was a young operator at Dayton, Ohio. Here and there his story was touched with moments of beauty intermingled with strings of vile curses. The operator had married the daughter of a dentist who was the youngest of three sisters. On his marriage day, because of his ability, he was promoted to a position as dispatcher at an increased salary and sent to an office at Columbus, Ohio. There he settled down with his young wife and began buying a house on the installment plan. The young telegraph operator was madly in love. With a kind of religious fervor he had managed to go through the pitfalls of his youth and to remain virginal until after his marriage. He made for George Willard a picture of his life in the house at Columbus, Ohio, with the young wife. "in the garden back of our house we planted vegetables," he said, "you know, peas and corn and such things. We went to Columbus in early March and as soon as the days became warm I went to work in the garden. With a spade I turned up the black ground while she ran about laughing and pretending to be afraid of the worms I uncovered. Late in April came the planting. In the little paths among the seed beds she stood holding a paper bag in her hand. The bag was filled with seeds. A few at a time she handed me the seeds that I might thrust them into the warm, soft ground." For a moment there was a catch in the voice of the man talking in the darkness. "I loved her," he said. "I don't claim not to be a fool. I love her yet. There in the dusk in the spring evening I crawled along the black ground to her feet and groveled before her. I kissed her shoes and the ankles above her shoes. When the hem of her garment touched my face I trembled. When after two years of that life I found she had managed to acquire three other lovers who came regularly to our house when I was away at work, I didn't want to touch them or her. I just sent her home to her mother and said nothing. There was nothing to say. I had four hundred dollars in the bank and I gave her that. I didn't ask her reasons. I didn't say anything. When she had gone I cried like a silly boy. Pretty soon I had a chance to sell the house and I sent that money to her." Wash Williams and George Willard arose from the pile of railroad ties and walked along the tracks toward town. The operator finished his tale quickly, breathlessly. "Her mother sent for me," he said. "She wrote me a letter and asked me to come to their house at Dayton. When I got there it was evening about this time." Wash Williams' voice rose to a half scream. "I sat in the parlor of that house two hours. Her mother took me in there and left me. Their house was stylish. They were what is called respectable people. There were plush chairs and a couch in the room. I was trembling all over. I hated the men I thought had wronged her. I was sick of living alone and wanted her back. The longer I waited the more raw and tender I became. I thought that if she came in and just touched me with her hand I would perhaps faint away. I ached to forgive and forget." Wash Williams stopped and stood staring at George Willard. The boy's body shook as from a chill. Again the man's voice became soft and low. "She came into the room naked," he went on. "Her mother did that. While I sat there she was taking the girl's clothes off, perhaps coaxing her to do it. First I heard voices at the door that led into a little hallway and then it opened softly. The girl was ashamed and stood perfectly still staring at the floor. The mother didn't come into the room. When she had pushed the girl in through the door she stood in the hallway waiting, hoping we would--well, you see-- waiting." George Willard and the telegraph operator came into the main street of Winesburg. The lights from the store windows lay bright and shining on the sidewalks. People moved about laughing and talking. The young reporter felt ill and weak. In imagination, he also became old and shapeless. "I didn't get the mother killed," said Wash Williams, staring up and down the street. "I struck her once with a chair and then the neighbors came in and took it away. She screamed so loud you see. I won't ever have a chance to kill her now. She died of a fever a month after that happened." THE THINKER THE HOUSE in which Seth Richmond of Winesburg lived with his mother had been at one time the show place of the town, but when young Seth lived there its glory had become somewhat dimmed. The huge brick house which Banker White had built on Buckeye Street had overshadowed it. The Richmond place was in a little valley far out at the end of Main Street. Farmers coming into town by a dusty road from the south passed by a grove of walnut trees, skirted the Fair Ground with its high board fence covered with advertisements, and trotted their horses down through the valley past the Richmond place into town. As much of the country north and south of Winesburg was devoted to fruit and berry raising, Seth saw wagon-loads of berry pickers--boys, girls, and women--going to the fields in the morning and returning covered with dust in the evening. The chattering crowd, with their rude jokes cried out from wagon to wagon, sometimes irritated him sharply. He regretted that he also could not laugh boisterously, shout meaningless jokes and make of himself a figure in the endless stream of moving, giggling activity that went up and down the road. The Richmond house was built of limestone, and, although it was said in the village to have become run down, had in reality grown more beautiful with every passing year. Already time had begun a little to color the stone, lending a golden richness to its surface and in the evening or on dark days touching the shaded places beneath the