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Wystan Hugh Auden
Translated by Mikhail Feldman (Erosmart@aol.com), Brooklyn, NY
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The archaeologist's spade
delves into dwellings
vacancied long ago,
unearthing evidence
of life-ways no one
would dream of leading now,
concerning which he has not much
to say that he can prove:
the lucky man!
Knowledge may have its purposes,
but guessing is always
more fun than knowing.
We do know that Man,
from fear or affection,
has always graved His dead.
What disastered a city,
volcanic effusion,
fluvial outrage,
or a human horde,
agog for slaves and glory,
is visually patent,
and we're pretty sure that,
as soon as palaces were built,
their rulers
though gluttoned on sex
and blanded by flattery,
must often have yawned.
But do grain-pits signify
a year of famine?
Where a coin-series
peters out, should we infer
some major catastrophe?
Maybe. Maybe.
From murals and statues
we get a glimpse of what
the Old Ones bowed down to,
but cannot conceit
in what situations they blushed
or shrugged their shoulders.
Poets have learned us their myths,
but just how did They take them?
That's a stumper.
When Norsemen heard thunder,
did they seriously believe
Thor was hammering?
No, I'd say: I'd swear
that men have always lounged in myths
as Tall Stories,
that their real earnest
has been to grant excuses
for ritual actions.
Only in rites
can we renounce our oddities
and be truly entired.
Not that all rites
should be equally fonded:
some are abominable.
There's nothing the Crucified
would like less
than butchery to appease Him.
CODA:
From Archaeology
one moral, at least, may be
drawn,
to wit, that all
our school text-books lie.
What they call History
is nothing to vaunt of,
being made, as it is,
by the criminal in us:
goodness is timeless.
August 1973
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1973
The Ogre does what ogres can,
Deeds quite impossible for Man,
But one prize is beyond his reach,
The Ogre cannot master Speech:
About a subjugated plain,
Among its desperate and slain,
The Ogre stalks with hands on hips,
While drivel gushes from his lips.
September 1968
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1968
(d. January 1939)
He disappeared in the dead of winter:
The brooks were frozen, the air-ports almost deserted?
And snow disfigured the public statues;
The mercury sank in the mouth of the dying day.
O all the instruments agree
The day of his death was a dark cold day.
Far from his illness
The wolves ran on through the evergreen forests,
The peasant river was untempted by the fashionable quays;
By mourning tongues
The death of the poet was kept from his poems.
But for him it was last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs,
The current of his feeling failed: he became his admirers.
Now he is scattered among a hundred cities
And wholly given over to unfamiliar affections;
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.
But in the importance and noise of to-morrow
When the brokers are roaring like beasts on the floor of the Bourse,
And the poor have the sufferings to which they are fairly accustomed,
And each in the cell of himself is almost convinced of his freedom;
A few thousand will think of this day
As one thinks of a day when one did something slightly unusual.
O all the instruments agree
The day of his death was a dark cold day.
You were silly like us: your gift survived it all;
The parich of rich women, physical decay,
Yourself; mad Ireland hurt you into poetry.
Now Ireland has her madness and her weather still,
For poetry makes nothing happen: it survives
In the valley of its saying where executives
Would never want to tamper; it flows south
From ranches of isolation and the busy griefs,
Raw towns that we believe and die in; it survives,
A way of happening, a mouth.
Earth, receive an honoured guest;
William Yeats is laid to rest:
Let the Irish vessel lie
Emptied of its poetry.
Time that is intolerant,
Of the brave and innocent,
And indifferent in a week
To a beautiful physique,
Worships language and forgives
Everyone by whome it lives;
Pardons cowardice, conceit,
Lays its honours at their feet.
Time that with this strange excuse
Pardoned Kipling and his views,
And will pardon Paul Claudel,
Pardons him for writing well.
In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;
Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.
Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;
With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;
In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.
February 1939
( 1939 )
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1939
Over the heather the wet wind blows,
I've lice in my tunic and a cold in my nose.
The rain comes pattering out of the sky,
I'm a Wall soldier, I don't know why.
The mist creeps over the hard grey stone,
My girl's in Tungria; I sleep alone.
Aulus goes hanging around her place,
I don't like his manners, I don't like his face.
Piso's a Christian, he worships a fish;
There'd be no kissing if he had his wish.
She gave me a ring but I diced it away;
I want my girl and I want my pay.
When I'm a veteran with only one eye
I shall do nothing but look at the sky.
October 1937
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1937
Perfection, of a kind, was what he was after,
And the poetry he invented was easy to understand;
He knew human folly like the back of his hand,
And was greatly interested in armies and fleets;
When he laughed, respectable senators burst with laughter,
And when he cried the little children died in the streets.
January 1939
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1939
Say this city has ten million souls,
Some are living in mansions, some are living in holes:
Yet there's no place for us, my dear, yet there's no place for us.
Once we had a country and we thought it fair,
Look in the atlas and you'll find it there:
We cannot go there now, my dear, we cannot go there now.
In the village churchyard there grows an old yew,
Every spring it blossoms anew:
Old passports can't do that, my dear, old passports can't do that.
The consul banged the table and said,
"If you've got no passport you're officially dead":
But we are still alive, my dear, but we are still alive.
Went to a committee; they offered me a chair;
Asked me politely to return next year:
But where shall we go to-day, my dear, but where shall we go to-day?
Came to a public meeting; the speaker got up and said;
"If we let them in, they will steal our daily bread":
He was talking of you and me, my dear, he was talking of you and me.
Thought I heard the thunder rumbling in the sky;
It was Hitler over Europe, saying, "They must die":
O we were in his mind, my dear, O we were in his mind.
Saw a poodle in a jacket fastened with a pin,
Saw a door opened and a cat let in:
But they weren't German Jews, my dear, but they weren't German Jews.
Went down the harbour and stood upon the quay,
Saw the fish swimming as if they were free:
Only ten feet away, my dear, only ten feet away.
Walked through a wood, saw the birds in the trees;
They had no politicians and sang at their ease:
They weren't the human race, my dear, they weren't the human race.
Dreamed I saw a building with a thousand floors,
A thousand windows and a thousand doors:
Not one of them was ours, my dear, not one of them was ours.
Stood on a great plain in the falling snow;
Ten thousand soldiers marched to and fro:
Looking for you and me, my dear, looking for you and me.
March 1939
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1939
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.
September 1957?
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1957?
Perfectly happy now, he looked at his estate.
An exile making watches glanced up as he passed
And went on working; where a hospital was rising fast,
A joiner touched his cap; an agent came to tell
Some of the trees he'd planted were progressing well.
The white alps glittered. It was summer. He was very great.
Far off in Paris where his enemies
Whispered that he was wicked, in an upright chair
A blind old woman longed for death and letters. He would write,
"Nothing is better than life". But was it? Yes, the fight
Against the false and the unfair
Was always worth it. So was gardening. Civilize.
Cajoling, scolding, scheming, cleverest of them all,
He'd had the other children in a holy war
Against the unfamous grown-ups; and like a child, been sly
And humble, when there was occasion for
The two-faced answer or the plain protective lie,
But, patient like a peasant, waited for their fall.
And never doubted, like D'Alembert, he would win:
Only Pascal was a great enemy, the rest
Were rats already poisoned; there was much, though, to be done,
And only himself to count upon.
Dear Diderot was dull but did his best;
Rousseau, he'd always known, would blubber and give in.
Night fell and made him think of women: Lust
Was one of the great teachers; Pascal was a fool,
How Emilie had loved astronomy and bed;
Pimpette had loved him too, like scandal; he was glad.
He'd done his share of weeping for Jerusalem: As a rule,
It was the pleasure-haters who became unjust.
Yet, like a sentinel, he could not sleep. The night was full of wrong,
Earthquakes and executions: Soon he would be dead,
And still all over Europe stood the horrible nurses
Itching to boil their children. Only his verses
Perhaps could stop them: He must go on working: Overhead,
The uncomplaining stars composed their lucid song.
February 1939
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1939
Last-modified: Mon, 08 Nov 1999 10:28:50 GMT