u are getting too old to sell papers and you know too much." Sam, still intent upon the money to be made on that particular Saturday night, did not stop to discuss the matter with Freedom, but for a year he had been looking quietly about for something to go into and now he nodded his head as he hurried away. "It is the end of romance," shouted Telfer, who stood beside Freedom Smith before Geiger's drug store and who had heard the offer. "A boy, who has seen the secret workings of my mind, who has heard me spout Poe and Browning, will become a merchant, dealing in stinking hides. I am overcome by the thought." The next day, sitting in the garden back of his house, Telfer talked to Sam of the matter at length. "For you, my boy, I put the matter of money in the first place," he declared, leaning back in his chair, smoking a cigarette and from time to time tapping Eleanor on the shoulder with his cane. "For any boy I put money-making in the first place. It is only women and fools who despise money-making. Look at Eleanor here. The time and thought she puts into the selling of hats would be the death of me, but it has been the making of her. See how fine and purposeful she has become. Without the millinery business she would be a purposeless fool intent upon clothes and with it she is all a woman should be. It is like a child to her." Eleanor, who had turned to laugh at her husband, looked instead at the ground and a shadow crossed her face. Telfer, who had begun talking thoughtlessly, out of his excess of words, glanced from the woman to the boy. He knew that the suggestion regarding a child had touched a secret regret in Eleanor, and began trying to efface the shadow on her face by throwing himself into the subject that chanced to be on his tongue, making the words roll and tumble from his lips. "No matter what may come in the future, in our day money-making precedes many virtues that are forever on men's lips," he declared fiercely as though trying to down an opponent. "It is one of the virtues that proves man not a savage. It has lifted him up--not money-making, but the power to make money. Money makes life livable. It gives freedom and destroys fear. Having it means sanitary houses and well-made clothes. It brings into men's lives beauty and the love of beauty. It enables a man to go adventuring after the stuff of life as I have done. "Writers are fond of telling stories of the crude excesses of great wealth," he went on hurriedly, glancing again at Eleanor. "No doubt the things they tell of do happen. Money, and not the ability and the instinct to make money, is at fault. And what of the cruder excesses of poverty, the drunken men who beat and starve their families, the grim silences of the crowded, unsanitary houses of the poor, the inefficient, and the defeated? Go sit around the lounging room of the most vapid rich man's city club as I have done, and then sit among the workers of a factory at the noon hour. Virtue, you will find, is no fonder of poverty than you and I, and the man who has merely learned to be industrious, and who has not acquired that eager hunger and shrewdness that enables him to get on, may build up a strong dexterous body while his mind is diseased and decaying." Grasping his cane and beginning to be carried away by the wind of his eloquence Telfer forgot Eleanor and talked for his love of talking. "The mind that has in it the love of the beautiful, that stuff that makes our poets, artists, musicians, and actors, needs this turn for shrewd money getting or it will destroy itself," he declared. "And the really great artists have it. In books and stories the great men starve in garrets. In real life they are more likely to ride in carriages on Fifth Avenue and have country places on the Hudson. Go, see for yourself. Visit the starving genius in his garret. It is a hundred to one that you will find him not only incapable in money getting but also incapable in the very art for which he starves." After the hurried word from Freedom Smith, Sam began looking for a buyer for the paper business. The place offered appealed to him and he wanted a chance at it. In the buying of potatoes, butter, eggs, apples, and hides he thought he could make money, also, he knew that the dogged persistency with which he had kept at the putting of money in the bank had caught Freedom's imagination, and he wanted to take advantage of the fact. Within a few days the deal was made. Sam got three hundred and fifty dollars for the list of newspaper customers, the peanut and popcorn business and the transfer of the exclusive agencies he had arranged with the dailies of Des Moines and St. Louis. Two boys bought the business, backed by their fathers. A talk in the back room of the bank, with the cashier telling of Sam's record as a depositor, and the seven hundred dollars surplus clinched the deal. When it came to the deal with Freedom, Sam took him into the back room at the bank and showed his savings as he had shown them to the fathers of the two boys. Freedom was impressed. He thought the boy would make money for him. Twice within a week Sam had seen the silent suggestive power of cash. The deal Sam made with Freedom included a fair weekly wage, enough to more than take care of all his wants, and in addition he was to have two-thirds of all he saved Freedom in the buying. Freedom on the other hand was to furnish horse, vehicle, and keep for the horse, while Sam was to take care of the horse. The prices to be paid for the things bought were to be fixed each morning by Freedom, and if Sam bought at less than the prices named two-thirds of the savings went to him. The arrangement was suggested by Sam, who thought he would make more from the saving than from the wage. Freedom Smith discussed even the most trivial matter in a loud voice, roaring and shouting in the store and on the streets. He was a great inventor of descriptive names, having a name of his own for every man, woman and child he knew and liked. "Old Maybe-Not" he called Windy McPherson and would roar at him in the grocery asking him not to shed rebel blood in the sugar barrel. He drove about the country in a low phaeton buggy that rattled and squeaked enormously and had a wide rip in the top. To Sam's knowledge neither the buggy nor Freedom were washed during his stay with the man. He had a method of his own in buying. Stopping in front of a farm house he would sit in his buggy and roar until the farmer came out of the field or the house to talk with him. And then haggling and shouting he would make his deal or drive on his way while the farmer, leaning on the fence, laughed as at a wayward child. Freedom lived in a large old brick house facing one of Caxton's best streets. His house and yard were an eyesore to his neighbours who liked him personally. He knew this and would stand on his front porch laughing and roaring about it. "Good morning, Mary," he would shout at the neat German woman across the street. "Wait and you'll see me clean up about here. I'm going at it right now. I'm going to brush the flies off the fence first." Once he ran for a county office and got practically every vote in the county. Freedom had a passion for buying up old half-worn buggies and agricultural implements, bringing them home to stand in the yard, gathering rust and decay, and swearing they were as good as new. In the lot were a half dozen buggies and a family carriage or two, a traction engine, a mowing machine, several farm wagons and other farm tools gone beyond naming. Every few days he came home bringing a new prize. They overflowed the yard and crept onto the porch. Sam never knew him to sell any of this stuff. He had at one time sixteen sets of harness all broken and unrepaired in the barn and in a shed back of the house. A great flock of chickens and two or three pigs wandered about among this junk and all the children of the neighbourhood joined Freedom's four and ran howling and shouting over and under the mass. Freedom's wife, a pale, silent woman, rarely came out of the house. She had a liking for the industrious, hard-working Sam and occasionally stood at the back door and talked with him in a low, even voice at evening as he stood unhitching his horse after a day on the road. Both she and Freedom treated him with great respect. As a buyer Sam was even more successful than at the paper selling. He was a buyer by instinct, working a wide stretch of country very systematically and within a year more than doubling the bulk of Freedom's purchases. There is a little of Windy McPherson's grotesque pretentiousness in every man and his son soon learned to look for and to take advantage of it. He let men talk until they had exaggerated or overstated the value of their goods, then called them sharply to accounts, and before they had recovered from their confusion drove home the bargain. In Sam's day, farmers did not watch the daily market reports, in fact, the markets were not systematised and regulated as they were later, and the skill of the buyer was of the first importance. Having the skill, Sam used it constantly to put money into his pockets, but in some way kept the confidence and respect of the men with whom he traded. The noisy, blustering Freedom was as proud as a father of the trading ability that developed in the boy and roared his name up and down the streets and in the stores, declaring him the smartest boy in Iowa. "Mighty little of old Maybe-Not in that boy," he would shout to the loafers in the store. Although Sam had an almost painful desire for order and system in his own affairs, he did not try to bring these influences into Freedom's affairs, but kept his own records carefully and bought potatoes and apples, butter and eggs, furs and hides, with untiring zeal, working always to swell his commissions. Freedom took the risks in the business and many times profited little, but the two liked and respected each other and it was through Freedom's efforts that Sam finally got out of Caxton and into larger affairs. One evening in the late fall Freedom came into the stable where Sam stood taking the harness off his horse. "Here is a chance for you, my boy," he said, putting his hand affectionately on Sam's shoulder. There was a note of tenderness in his voice. He had written to the Chicago firm to whom he sold most of the things he bought, telling of Sam and his ability, and the firm had replied making an offer that Sam thought far beyond anything he might hope for in Caxton. In his hand he held this offer. When Sam read the letter his heart jumped. He thought that it opened for him a wide new field of effort and of money making. He thought that at last he had come to the end of his boyhood and was to have his chance in the city. Only that morning old Doctor Harkness had stopped him at the door as he set out for work and, pointing over his shoulder with his thumb to where in the house his mother lay, wasted and asleep, had told him that in another week she would be gone, and Sam, heavy of heart and filled with uneasy longing, had walked through the streets to Freedom's stable wishing that he also might be gone. Now he walked across the stable floor and hung the harness he had taken from the horse upon a peg in the wall. "I will be glad to go," he said heavily. Freedom walked out of the stable door beside the young McPherson who had come to him as a boy and was now a broad-shouldered young man of eighteen. He did not want to lose Sam. He had written the Chicago company because of his affection for the boy and because he believed him capable of something more than Caxton offered. Now he walked in silence holding the lantern aloft and guiding the way among the wreckage in the yard, filled with regrets. By the back door of the house stood the pale, tired-looking wife who, putting out her hand, took the hand of the boy. There were tears in her eyes. And then saying nothing Sam turned and hurried off up the street, Freedom and his wife walked to the front gate and watched him go. From a street corner, where he stopped in the shadow of a tree, Sam could see them there, the wind swinging the lantern in Freedom's hand and the slender little old wife making a white blotch against the darkness. CHAPTER VI Sam went along the board sidewalk homeward bound, hurried by the driving March wind that had sent the lantern swinging in Freedom's hand. At the front of a white frame residence a grey-haired old man stood leaning on the gate and looking at the sky. "We shall have a rain," he said in a quavering voice, as though giving a decision in the matter, and then turned and without waiting for an answer went along a narrow path into the house. The incident brought a smile to Sam's lips followed by a kind of weariness of mind. Since the beginning of his work with Freedom he had, day after day, come upon Henry Kimball standing by his gate and looking at the sky. The man was one of Sam's old newspaper customers who stood as a kind of figure in the town. It was said of him that in his youth he had been a gambler on the Mississippi River and that he had taken part in more than one wild adventure in the old days. After the Civil War he had come to end his days in Caxton, living alone and occupying himself by keeping year after year a carefully tabulated record of weather variations. Once or twice a month during the warm season he stumbled into Wildman's and, sitting by the stove, talked boastfully of the accuracy of his records and the doings of a mangy dog that trotted at his heels. In his present mood the endless sameness and uneventfulness of the man's life seemed to Sam amusing and in some way sad. "To depend upon going to the gate and looking at the sky to give point to a day--to look forward to and depend upon that--what deadliness!" he thought, and, thrusting his hand into his pocket, felt with pleasure the letter from the Chicago company that was to open so much of the big outside world to him. In spite of the shock of unexpected sadness that had come with what he felt was almost a definite parting with Freedom, and the sadness brought on by his mother's approaching death, Sam felt a strong thrill of confidence in his own future that made his homeward walk almost cheerful. The thrill got from reading the letter handed him by Freedom was renewed by the sight of old Henry Kimball at the gate, looking at the sky. "I shall never be like that, sitting in a corner of the world watching a mangy dog chase a ball and peering day after day at a thermometer," he thought. The three years in Freedom Smith's service had taught Sam not to doubt his ability to cope with such business problems as might come in his way. He knew that he had become what he wanted to be, a good business man, one of the men who direct and control the affairs in which they are concerned because of a quality in them called Business Sense. He recalled with pleasure the fact that the men of Caxton had stopped calling him a bright boy and now spoke of him as a good business man. At the gate before his own house he stopped and stood thinking of these things and of the dying woman within. Back into his mind came the old man he had seen at the gate and with him the thought that his mother's life had been as barren as that of the man who depended for companionship upon a dog and a thermometer. "Indeed," he said to himself, pursuing the thought, "it has been worse. She has not had a fortune on which to live in peace nor has she had the remembrance of youthful days of wild adventure that must comfort the last days of the old man. Instead she has been watching me as the old man watches his thermometer and Father has been the dog in her house chasing playthings." The figure pleased him. He stood at the gate, the wind singing in the trees along the street and driving an occasional drop of rain against his cheek, and thought of it and of his life with his mother. During the last two or three years he had been trying to make things up to her. After the sale of the newspaper business and the beginning of his success with Freedom he had driven her from the washtub and since the beginning of her ill health he had spent evening after evening with her instead of going to Wildman's to sit with the four friends and hear the talk that went on among them. No more did he walk with Telfer or Mary Underwood on country roads but sat, instead, by the bedside of the sick woman or, the night falling fair, helped her to an arm chair upon the grass plot at the front of the house. The years, Sam felt, had been good years. They had brought him an understanding of his mother and had given a seriousness and purpose to the ambitious plans he continued to make for himself. Alone together, the mother and he had talked little, the habit of a lifetime making much speech impossible to her and the growing understanding of her making it unnecessary to him. Now in the darkness, before the house, he thought of the evenings he had spent with her and of the pitiful waste that had been made of her fine life. Things that had hurt him and against which he had been bitter and unforgiving became of small import, even the doings of the pretentious Windy, who in the face of Jane's illness continued to go off after pension day for long periods of drunkenness, and who only came home to weep and wail through the house, when the pension money was gone, regretting, Sam tried in fairness to think, the loss of both the washwoman and the wife. "She has been the most wonderful woman in the world," he told himself and tears of happiness came into his eyes at the thought of his friend, John Telfer, who in bygone days had praised the mother to the newsboy trotting beside him on moonlit roads. Into his mind came a picture of her long gaunt face, ghastly now against the white of the pillows. A picture of George Eliot, tacked to the wall behind a broken harness in the kitchen of Freedom Smith's house, had caught his eye some days before, and in the darkness he took it from his pocket and put it to his lips, realising that in some indescribable way it was like his mother as she had been before her illness. Freedom's wife had given him the picture and he had been carrying it, taking it out of his pocket on lonely stretches of road as he went about his work. Sam went quietly around the house and stood by an old shed, a relic of an attempt by Windy to embark in raising chickens. He wanted to continue the thoughts of his mother. He began recalling her youth and the details of a long talk they had held together on the lawn before the house. It was extraordinarily vivid in his mind. He thought that even now he could remember every word that had been said. The sick woman had talked of her youth in Ohio, and as she talked pictures had come into the boy's mind. She had told him of her days as a bound girl in the family of a thin- lipped, hard-fisted New Englander, who had come West to take a farm, and of her struggles to obtain an education, of the pennies saved to buy books, of her joy when she had passed examinations and become a school teacher, and of her marriage to Windy--then John McPherson. Into the Ohio village the young McPherson had come, to cut a figure in the town's life. Sam had smiled at the picture she drew of the young man who walked up and down the village street with girls on his arms, and who taught a Bible class in the Sunday school. When Windy proposed to the young school teacher she had accepted him eagerly, thinking it unbelievably romantic that so dashing a man should have chosen so obscure a figure among all the women of the town. "And even now I am not sorry although it has meant nothing but labour and unhappiness for me," the sick woman had told her son. After marriage to the young dandy, Jane had come with him to Caxton where he bought a store and where, within three years, he had put the store into the sheriff's hands and his wife into the position of town laundress. In the darkness a grim smile, half scorn, half amusement, had flitted across the face of the dying woman as she told of a winter when Windy and another young fellow went, from schoolhouse to schoolhouse, over the state giving a show. The ex-soldier had become a singer of comic songs and had written letter after letter to the young wife telling of the applause that greeted his efforts. Sam could picture the performances, the little dimly- lighted schoolhouses with the weatherbeaten faces shining in the light of the leaky magic lantern, and the delighted Windy running here and there, talking the jargon of stageland, arraying himself in his motley and strutting upon the little stage. "And all winter he did not send me a penny," the sick woman had said, interrupting his thoughts. Aroused at last to expression, and filled with the memory of her youth, the silent woman had talked of her own people. Her father had been killed in the woods by a falling tree. Of her mother she told an anecdote, touching it briefly and with a grim humour that surprised her son. The young school teacher had gone to call upon her mother once and for an hour had sat in the parlour of an Ohio farmhouse while a fierce old woman looked at her with bold questioning eyes that made the daughter feel she had been a fool to come. At the railroad station she had heard an anecdote of her mother. The story ran, that once a burly tramp came to the farmhouse, and finding the woman alone tried to bully her, and that the tramp, and the woman, then in her prime, fought for an hour in the back yard of the house. The railroad agent, who told Jane the story, threw back his head and laughed. "She knocked him out, too," he said, "knocked him cold upon the ground and then filled him up with hard cider so that he came reeling into town declaring her the finest woman in the state." In the darkness by the broken shed Sam's mind turned from thoughts of his mother to his sister Kate and of her love affair with the young farmer. He thought with sadness of how she too had suffered because of the failings of the father, of how she had been compelled to go out of the house to wander in the dark streets to avoid the endless evenings of war talk always brought on by a guest in the McPherson household, and of the night when, getting a rig from Culvert's livery, she had driven off alone into the country to return in triumph to pack her clothes and show her wedding ring. Before him there rose a picture of a summer afternoon when he had seen a part of the love making that had preceded this. He had gone into the store to see his sister when the young farmer came in, looked awkwardly about and pushed a new gold watch across the counter to Kate. A sudden wave of respect for his sister had pervaded the boy. "What a sum it must have cost," he thought, and looked with new interest at the back of the lover and at the flushed cheek and shining eyes of his sister. When the lover, turning, had seen young McPherson standing at the counter, he laughed self-consciously and walked out at the door. Kate had been embarrassed and secretly pleased and flattered by the look in her brother's eyes, but had pretended to treat the gift lightly, twirling it carelessly back and forth on the counter and walking up and down swinging her arms. "Don't go telling," she had said. "Then don't go pretending," the boy had answered. Sam thought that his sister's indiscretion, which had brought her a babe and a husband in the same month had, after all, ended better than the indiscretion of his mother in her marriage with Windy. Rousing himself, he went into the house. A neighbour woman, employed for the purpose, had prepared the evening meal and now began complaining of his lateness, saying that the food had got cold. Sam ate in silence. While he ate the woman went out of the house and presently returned, bringing a daughter. There was in Caxton a code that would not allow a woman to be alone in a house with a man. Sam wondered if the bringing of the daughter was an attempt on the part of the woman to abide by the letter of the code, if she thought of the sick woman in the house as one already gone. The thought amused and saddened him. "You would have thought her safe," he mused. She was fifty, small, nervous and worn and wore a set of ill-fitting false teeth that rattled as she talked. When she did not talk she rattled them with her tongue because of nervousness. In at the kitchen door came Windy, far gone in drink. He stood by the door holding to the knob with his hand and trying to get control of himself. "My wife--my wife is dying. She may die any day," he wailed, tears standing in his eyes. The woman with the daughter went into the little parlour where a bed had been put for the sick woman. Sam sat at the kitchen table dumb with anger and disgust as Windy, lurching forward, fell into a chair and began sobbing loudly. In the road outside a man driving a horse stopped and Sam could hear the scraping of the wheels against the buggy body as the man turned in the narrow street. Above the scraping of the wheels rose a voice, swearing profanely. The wind continued to blow and it had begun to rain. "He has got into the wrong street," thought the boy stupidly. Windy, his head upon his hands, wept like a brokenhearted boy, his sobs echoing through the house, his breath heavy with liquor tainting the air of the room. In a corner by the stove the mother's ironing board stood against the wall and the sight of it added fuel to the anger smouldering in Sam's heart. He remembered the day when he had stood in the store doorway with his mother and had seen the dismal and amusing failure of his father with the bugle, and of the months before Kate's wedding, when Windy had gone blustering about town threatening to kill her lover and the mother and boy had stayed with the girl, out of sight in the house, sick with humiliation. The drunken man, laying his head upon the table, fell asleep, his snores replacing the sobs that had stirred the boy's anger. Sam began thinking again of his mother's life. The effort he had made to repay her for the hardness of her life now seemed utterly fruitless. "I would like to repay him," he thought, shaken with a sudden spasm of hatred as he looked at the man before him. The cheerless little kitchen, the cold, half-baked potatoes and sausages on the table, and the drunken man asleep, seemed to him a kind of symbol of the life that had been lived in that house, and with a shudder he turned his face and stared at the wall. He thought of a dinner he had once eaten at Freedom Smith's house. Freedom had brought the invitation into the stables on that night just as to-night he had brought the letter from the Chicago company, and just as Sam was shaking his head in refusal of the invitation in at the stable door had come the children. Led by the eldest, a great tomboy girl of fourteen with the strength of a man and an inclination to burst out of her clothes at unexpected places, they had come charging into the stables to carry Sam off to the dinner, Freedom laughingly urging them on, his voice roaring in the stable so that the horses jumped about in their stalls. Into the house they had dragged him, the baby, a boy of four, sitting astride his back and beating on his head with a woollen cap, and Freedom swinging a lantern and giving an occasional helpful push with his hand. A picture of the long table covered with the white cloth at the end of the big dining room in Freedom's house came back into the mind of the boy now sitting in the barren little kitchen before the untasted, badly-cooked food. Upon it lay a profusion of bread and meat and great dishes heaped with steaming potatoes. At his own house there had always been just enough food for the single meal. The thing was nicely calculated, when you had finished the table was bare. How he had enjoyed that dinner after the long day on the road. With a flourish and a roar at the children Freedom heaped high the plates and passed them about, the wife or the tomboy girl bringing unending fresh supplies from the kitchen. The joy of the evening with its talk of the children in school, its sudden revelation of the womanliness of the tomboy girl, and its air of plenty and good living haunted the mind of the boy. "My mother never knew anything like that," he thought. The drunken man who had been sleeping aroused himself and began talking loudly--some old forgotten grievance coming back to his mind, he talked of the cost of school books. "They change the books in the school too often," he declared in a loud voice, turning and facing the kitchen stove, as though addressing an audience. "It is a scheme to graft on old soldiers who have children. I will not stand it." Sam, enraged beyond speech, tore a leaf from a notebook and scrawled a message upon it. "Be silent," he wrote. "If you say another word or make another sound to disturb mother I will choke you and throw you like a dead dog into the street." Reaching across the table and touching his father on the hand with a fork taken from among the dishes, he laid the note upon the table under the lamp before his eyes. He was fighting with himself to control a desire to spring across the room and kill the man who he believed had brought his mother to her death and who now sat bellowing and talking at her very death bed. The desire distorted his mind so that he stared about the kitchen like one seized with an insane nightmare. Windy, taking the note in his hand, read it slowly and then, not understanding its import and but half getting its sense, put it in his pocket. "A dog is dead, eh?" he shouted. "Well you're getting too big and smart, lad. What do I care for a dead dog?" Sam did not answer. Rising cautiously, he crept around the table and put his hand upon the throat of the babbling old man. "I must not kill," he kept telling himself aloud, as though talking to a stranger. "I must choke until he is silent, but I must not kill." In the kitchen the two men struggled silently. Windy, unable to rise, struck out wildly and helplessly with his feet. Sam, looking down at him and studying the eyes and the colour in the cheeks, realised with a start that he had not for years seen the face of his father. How vividly it stamped itself upon his mind now, and how coarse and sodden it had become. "I could repay all of the years mother has spent over the dreary washtub by just one long, hard grip at this lean throat. I could kill him with so little extra pressure," he thought. The eyes began to stare at him and the tongue to protrude. Across the forehead ran a streak of mud picked up somewhere in the long afternoon of drunken carousing. "If I were to press hard now and kill him I would see his face as it looks now all the days of my life," thought the boy. In the silence of the house he heard the voice of the neighbour woman speaking sharply to her daughter. The familiar, dry, tired cough of the sick woman followed. Sam took the unconscious old man in his arms and went carefully and silently out at the kitchen door. The rain beat down upon him and, as he went around the house with his burden, the wind, shaking loose a dead branch from a small apple tree in the yard, blew it against his face, leaving a long smarting scratch. At the fence before the house he stopped and threw his burden down a short grassy bank into the road. Then turning he went, bareheaded, through the gate and up the street. "I will go for Mary Underwood," he thought, his mind returning to the friend who years before had walked with him on country roads and whose friendship he had dropped because of John Telfer's tirades against all women. He stumbled along the sidewalk, the rain beating down upon his bare head. "We need a woman in our house," he kept saying over and over to himself. "We need a woman in our house." CHAPTER VII Leaning against the wall under the veranda of Mary Underwood's house, Sam tried to get in his mind a remembrance of what had brought him there. He had walked bareheaded through Main Street and out along a country road. Twice he had fallen, covering his clothes with mud. He had forgotten the purpose of his walk and had tramped on and on. The unexpected and terrible hatred of his father that had come upon him in the tense silence of the kitchen had so paralysed his brain that he now felt light-headed and wonderfully happy and carefree. "I have been doing something," he thought; "I wonder what it is." The house faced a grove of pine trees and was reached by climbing a little rise and following a winding road out beyond the graveyard and the last of the village lights. The wild spring rain pounded and rattled on the tin roof overhead, and Sam, his back closely pressed against the front of the house, fought to regain control of his mind. For an hour he stood there staring into the darkness and watched with delight the progress of the storm. He had--an inheritance from his mother --a love of thunderstorms. He remembered a night when he was a boy and his mother had got out of bed and gone here and there through the house singing. She had sung softly so that the sleeping father did not hear, and in his bed upstairs Sam had lain awake listening to the noises--the rain on the roof, the occasional crash of thunder, the snoring of Windy, and the unusual and, he thought, beautiful sound of the mother singing in the storm. Now, lifting up his head, he looked about with delight. Trees in the grove in front of him bent and tossed in the wind. The inky blackness of the night was relieved by the flickering oil lamp in the road beyond the graveyard and, in the distance, by the lights streaming out at the windows of the houses. The light coming out of the house against which he stood made a little cylinder of brightness among the pine trees through which the raindrops fell gleaming and sparkling. An occasional flash of lightning lit up the trees and the winding road, and the cannonry of the skies rolled and echoed overhead. A kind of wild song sang in Sam's heart. "I wish it would last all night," he thought, his mind fixed on the singing of his mother in the dark house when he was a boy. The door opened and a woman stepped out upon the veranda and stood before him facing the storm, the wind tossing the soft kimono in which she was clad and the rain wetting her face. Under the tin roof, the air was filled with the rattling reverberation of the rain. The woman lifted her head and, with the rain beating down upon her, began singing, her fine contralto voice rising above the rattle of the rain on the roof and going on uninterrupted by the crash of the thunder. She sang of a lover riding through the storm to his mistress. One refrain persisted in the song-- "He rode and he thought of her red, red lips," sang the woman, putting her hand upon the railing of the little porch and leaning forward into the storm. Sam was amazed. The woman standing before him was Mary Underwood, who had been his friend when he was a boy in school and toward whom his mind had turned after the tragedy in the kitchen. The figure of the woman standing singing before him became a part of his thoughts of his mother singing on the stormy night in the house and his mind wandered on, seeing pictures as he used to see them when a boy walking under the stars and listening to the talk of John Telfer. He saw a broad-shouldered man shouting defiance to the storm as he rode down a mountain path. "And he laughed at the rain on his wet, wet cloak," went on the voice of the singer. Mary Underwood's singing there in the rain made her seem near and likeable as she had seemed to him when he was a barefoot boy. "John Telfer was wrong about her," he thought. She turned and faced him. Tiny streams of water ran from her hair down across her cheeks. A flash of lightning cut the darkness, illuminating the spot where Sam, now a broad-shouldered man, stood with the mud upon his clothes and the bewildered look upon his face. A sharp exclamation of surprise broke from her lips: "Hello, Sam! What are you doing here? You had better get in out of the rain." "I like it here," replied Sam, lifting his head and looking past her at the storm. Walking to the door and standing with her hand upon the knob, Mary looked into the darkness. "You have been a long time coming to see me," she said, "come in." Within the house, with the door closed, the rattle of the rain on the veranda roof sank to a subdued, quiet drumming. Piles of books lay upon a table in the centre of the room and there were other books on the shelves along the walls. On a table burned a student's lamp and in the corners of the room lay heavy shadows. Sam stood by the wall near the door looking about with half-seeing eyes. Mary, who had gone to another part of the house and who now returned clad in a long cloak, looked at him with quick curiosity, and began moving about the room picking up odds and ends of woman's clothing scattered on the chairs. Kneeling, she lighted a fire under some sticks piled in an open grate at the side of the room. "It was the storm made me want to sing," she said self-consciously, and then briskly, "we shall have to be drying you out; you have fallen in the road and got yourself covered with mud." From being morose and silent Sam became talkative. An idea had come into his mind. "I have come here courting," he thought; "I have come to ask Mary Underwood to be my wife and live in my house." The woman, kneeling by the blazing sticks, made a picture that aroused something that had been sleeping in him. The heavy cloak she wore, falling away, showed the round little shoulders imperfectly covered by the kimono, wet and clinging to them. The slender, youthful figure, the soft grey hair and the serious little face, lit by the burning sticks caused a jumping of his heart. "We are needing a woman in our house," he said heavily, repeating the words that had been on his lips as he stumbled through the storm-swept streets and along the mud-covered roads. "We are needing a woman in our house, and I have come to take you there. "I intend to marry you," he added, lurching across the room and grasping her roughly by the shoulders. "Why not? I am needing a woman." Mary Underwood was dismayed and frightened by the face looking down at her, and by the strong hands clenched upon her shoulders. In his youth she had conceived a kind of maternal passion for the newsboy and had planned a future for him. Her plans if followed would have made him a scholar, a man living his life among books and ideas. Instead, he had chosen to live his life among men, to be a money-maker, to drive about the country like Freedom Smith, making deals with farmers. She had seen him driving at evening through the street to Freedom's house, going in and out of Wildman's, and walking through the streets with men. In a dim way she knew that an influence had been at work upon him to win him from the things of which she had dreamed and she had secretly blamed John Telfer, the talking, laughing idler. Now, out of the storm, the boy had come back to her, his hands and his clothes covered with the mud of the road, and talked to her, a woman old enough to be his mother, of marriage and of coming to live with him in his house. She stood, chilled, looking into the eager, strong face and the eyes with the pained, dazed look in them. Under her gaze, something of the old feeling of the boy came back to Sam, and he began vaguely trying to tell her of it. "It was not the talk of Telfer drove me from you," he began, "it was because you talked so much of the schools and of books. I was tired of them. I could not go on year after year sitting in a stuffy little schoolroom when there was so much money to be made in the world. I grew tired of the school teachers, drumming with their fingers on the desks and looking out at the windows at men passing in the street. I wanted to get out of there and into the streets myself." Dropping his hands from her shoulders, he sat down in a chair and stared into the fire, now blazing steadily. Steam began to rise from his trousers legs. His mind, still working beyond his control, began to reconstruct an old boyhood fancy, half his own, half John Telfer's, that had years before come into his mind. It concerned a picture he and Telfer had made of the ideal scholar. The picture had, as its central figure, a stoop-shouldered, feeble old man stumbling along the street, muttering to himself and poking in a gutter with a stick. The picture was a caricature of puttering old Frank Huntley, superintendent of the Caxton schools. Sitting before the fire in Mary Underwood's house, become, for the moment, a boy, facing a boy's problems, Sam did not want to be such a man. He wanted only that in sch