Doors. Songs with chords and tabs break_on.tab #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Here's the tab for the Doors "Break on Through" -- As always, any and all discussion welcome! -- Wyz (wyzard@vet.purdue.edu) ######################################################################### Artist: The Doors Album: The Doors Song: Break On Through Intro/Verse: ============ Emajor sl . . sl . e-|--------------------------------------|------------------------------------ B-|-------------------------------------.|------------------------------------ G-|--------------------------------------|------------------------------------ D-|---------------2--0-----2--2-----0---.|----------2--0-----2--2-----0--2---- A-|--------------------(2)-------2-------|---------------(2)-------2---------- E-|----12\---(0)-------------------------|-12\--(0)--------------------------- You know the day destroys the night, night divides the day {* The two ghost notes above are played at different parts of the song. *} {* By listening to the album, you can tell when to play them. *} Bridge: ======= Dmajor e-|----2-------2------------2--------2---------------------------------------- B-|----3-------3------------3--------3---------------------------------------- G-|----2-------2------------2--------2---------------------------------------- D-|----0-------0------------0--------0---------------------------------------- A-|---(0)-----(0)----------(0)------(0)--------------------------------------- E-|--------------------------------------------------------------------------- Tried to run, tried to hide Chorus: ======= Emajor __________________________________ |3 e-|----------------------------------------|---------------------------------- B-|----------------------------------------|---------------------------------- G-|----------------------0h2p0-------------|---------------------0h2p0-------- D-|---------------0-1h2----------2---0--2--|--------------0-1h2---------2----- A-|--------0h1-2---------------------------|-------0h1-2---------------------- E-|---0-3----------------------------------|--0-3----------------------------- Break on through to the other side, break on through to the other side, Break on through to the other side, yeah. {* Repeat Intro/Verse and Bridge *} We chased our pleasures here, dug our treasures there But can ya still recall the time we cried? {* Repeat Chorus *} Break on through to the other side, break on through to the other side. {* Repeat Intro/Verse during keyboard solo *} Everybody loves my baby, everybody loves my baby, She get...She get...She get...She get...high..... {* Repeat Intro/Verse and Bridge *} I found an island in your arms, country in your eyes, Arms that chain, eyes that lie. Revised Chorus: =============== Emajor __________________________________ |4 e-|----------------------------------------|---------------------------------- B-|----------------------------------------|---------------------------------- G-|----------------------0h2p0-------------|---------------------------------- D-|---------------0-1h2----------2---0-2---|-----------0h1h2------------0h1h2- A-|--------0h1-2---------------------------|-----0h1h2------------0h1h2------- E-|---0-3----------------------------------|-0-3--------------0-3------------- Break on through to the other side, break on through to the other side, Break on through, oh...oh yeah... Second Bridge: ============== E7#9 e-|-----15--15------15---15---15-----15--15----15---15---15---X---15---------- B-|-----15--15------15---15---15-----15--15----15---15---15---X---15---------- G-|-----13--13------13---13---13-----13--13----13---13---13---X---13---------- D-|--------------------------------------------------------------------------- A-|--------------------------------------------------------------------------- E-|--0-----------------0----0----0-----------0----0----0---------------------- {* Continue, using Second bridge as pattern *} Made the scene, week to week, day to day, hour to hour {* Repeat First Bridge *} Gate is straight, deep and wide Outro: ====== Emajor e-|---------------------------------------------------------------------------- B-|---------------------------------------------------------------------------- G-|-------------------0h2p0---------------------------------0h2p0-------------- D-|-------------0-1h2---------2--0-2------------------0-1h2--------2---0-2----- A-|-------0h1-2---------------------------------0h1-2-------------------------- E-|---0-3-----------------------------------0-3-------------------------------- Break on through to the other side, break on through to the other side, Emajor e-|--------------------------------------------------------------------------- B-|--------------------------------------------------------------------------- G-|--------------------------------------------------------------------------- D-|--------------0-2---------------0-2---------------0-2---------------------- A-|-------0h1h2-------------0h1h2-------------0h1h2--------------------------- E-|---0-3---------------0-3---------------0-3--------------------------------- Break on through, break on through, break on through e-|---------------------0-----0---0-0--0-0--0-0--0-0--0-0--0-0--0-0--0-0--0-0- B-|-----------2h3h5----b3----b3----b3---b3---b3---b3---b3---b3---b3---b3---b3- G-|---0h2h3h4----------------------------------------------------------------- D-|--------------------------------------------------------------------------- A-|--------------------------------------------------------------------------- E-|--------------------------------------------------------------------------- Break on through, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah! Legend: ======= h = hammer-on \ = Slide down . = Staccato note p = pull-off / = Slide up () = Ghost note b = bend up note one whole step -- -- Wyz (wyzard@vet.purdue.edu) Date: Sat, 13 Dec 1997 15:18:51 -0800 From: "Paul S. R. Edwards" Subject: TAB: "Break On Through" Organ Solo (The Doors) THE ORGAN SOLO TO "BREAK ON THROUGH" words and music by The Doors The guitarist in my old band worked this out with me one jam session when we were trying to cover it. It is one of the easier solos of Ray Manzarek to transfer to guitar because it is played on the regular organ. Just add a bit of reverberation and chorus. It also sounds ok on acoustic guitars. --0--0--0-0--0-0--0--0-0--0-3-3--3-3--0-3-0-- REPEAT THIS ONCE --0--0--0-0--0-0--0--0-0--0-3-3--3-3--0-3-0-- ---------------------------------------------------- ---------------------------------------------------- ---------------------------------------------------- ---------------------------------------------------- --0-0-0--7-7-7-5----- REPEAT THREE TIMES ---------------------7- ------------------------ ------------------------ ------------------------ ------------------------ --12b13--12b13--12b13--12b13--10h12-- REPEAT THREE TIMES ----------------------------------------------- ----------------------------------------------- ----------------------------------------------- ----------------------------------------------- ----------------------------------------------- --12-12--10-10--12-12-12--10-10-- REPEAT THREE TIMES ---------------------------------------- ---------------------------------------- ---------------------------------------- ---------------------------------------- ---------------------------------------- Then you fall back into the verse tab: ------------------------------ ------------------------------ ------------------------------ ---------2-0----2-2----0---- --------------2------2----2-- --7s0------------------------ Have fun. The Joker crystal_.crd #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Date: Mon, 17 Jul 1995 10:11:23 -0400 (EDT) From: Douglas French The Crystal Ship Words and music by The Doors Before you Fm Cm slip into unconsiousness I'd Bb Db Like to have another kiss, an- F Bb7 oth - er flashing C Bb F Eb F Eb chance at bliss, another kiss, another F Db Ab Eb kiss. C7 C7 The days are bright and filled with pain, en- close me in your gentle rain. The time you ran was too insane, we'll meet again, we'll meet a- gain. [piano solo] Fm Eb Fm Eb Fm Db Ab Eb C7 C7 Oh, tell me where your freedom lies, the streets are fields that never die. De- liver me from reasons why you'd rather cry, I'd rather fly. The crystal ship is being filled, a thousand girls, a thousand thrills. A million ways to spend your time; when we get back, I'll drop a line. ==================== Douglas French dfrench@site.gmu.edu ==================== end_of_t.crd #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## # song:END OF THE NIGHT by:the Doors from the album:"THE DOORS" 1967 TRASCRIBED BY:LUIGI DE TROIA Em Take the highway to the end of the night D D#m Em D D#m Em End of the night, end of the night Take a journey to the bright midnight D D#m Em D D#m Em End of the night, end of the night Am Em Realms of bliss, realms of light Am Em Some are born to sweet delight Am Em Some are born to sweet delight F#7 B7 Em Some are born to the endless night D D#m Em D D#m Em End of the night, end of the night D D#m Em D D#m Em End of the night, end of the night (STRUM.) Am Em Am Em Am Em F#7 B7 Em D D#m Em D D#m Em Realms of bliss, realms of light Some are born to sweet delight Some are born to sweet delight Some are born to the endless night End of the night, end of the night End of the night, end of the night ____________________ | Luigi De Troia | | San Damiano (AT) | | italy | -------------------- email: luigidt@mbox.vol.it "life is very short, and there's no time for fussing and fighting my friend" (Lennon & McCartney) five_to_.tab #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# # Date: Thu, 25 Dec 1997 20:15:55 -0500 (EST) From: MMitch9682 5 to 1 The Doors riff 1 \---------------/ \---------------/ \---------------/ \---------------/ \---------------/ \-3--5--5--5--5-/ five to one baby, one in five no one here gets out alive, now you get yours baby i'll get mine gonna make it baby if we try riff 2 (ad lib) \-------------/ \-------------/ \-9--7--5~7~5-/ \-------------/ \-------------/ \-------------/ the old get old the young get stronger may take a week, may take longer they got the guns, but we got the numbers gonna win, yeah, we're taking over COME ON! solo this solo really kicks. the opening riff was borrowed by pearl jam and can also be seenin the "alive" solo. Mike Mccready just moved the riff down on the fretboard (to start on E). it is in an Am pentatonic the start is \-20^-17---------------------------------------------------------- \----------20^-17------------------------------------------------- \-------------------17-19-------17----17--19--19^-19^-19^-17-19-17 \-------------------------17-19----19----------------------------- \----------------------------------------------------------------- \----------------------------------------------------------------- the rest is just playing around with that scale then back to riff 1 your ballroom days are over baby night is crawling near shadows of the evening crawl across the year you walk across the floor with a flower in your hand trying to tell me no one understand trading your dollars for a hand full of dimes gonna make it baby, in our prime get together 1 more time with another solo tabbed by matt mitchell hello_i_.crd #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Date: Tue, 17 Oct 1995 15:46:10 -0500 (CDT) From: THINGS UNKNOWN <0211170@ACAD.NWMISSOURI.EDU> Hello I Love You The Doors Joe Holloway 0211170@acad.nwmissouri.edu Hello I Love You For the 'Hello I love you...' parts, strike the bass note twice prior to strumming the chords on A and G. For A it would be the 5th string, for G it would be the sixth string third fret. Here's what it would look like tabbed: A G -------0- -------3- -------2- -------0- -------2- -------0- -------2- -------0- --0-0--0- -------2- --------- --3-3--3- Intro: A G A D 2x A G A D Hello I Love You won't you tell me your name? Hello I love you let me jump in your game. Hello I love you won't you tell me your name? Hello I love you let me jump in your game. A G A G She's Walking down the street, Blind to every eye she meets. Do you think you'll be the guy, To make the queen of the angels sigh? A G A D Hello I Love you won't you tell me your name? Hello I love you let me jump in your game. Hello I love you won't you tell me your name? Hello I love you let me jump in your game. A G A G She holds her head so hi--gh. Like a statue in the sky--ie. Her arms are wicked and her legs are long. When she moves my brain screams out this song. Bb Ab Bb Ab She's walking down the street. Like a dog that begs for something sweet. Do you hope to make her see you fool? Do you hope to pluck this dusky jewel? Hello Hello Hello (Out) comments questions to 0211170@acad.nwmissouri.edu INTUNE guitar mailing list (for more info mail above) hello_i_.tab #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4) with SMTP id ; Mon, 6 Sep 1993 20:58:32 -0700 Received: from wraith.cs.uow.edu.au by animal-farm.nevada.edu id ; Mon, 6 Sep 1993 20:58:22 -0700 Received: by wraith.cs.uow.edu.au (5.65c/IDA-1.4.4); id AA11843; Tue, 7 Sep 1993 13:57:40 +1000 (from u9150315@cs.uow.edu.au for jamesb@nevada.edu) From: Mathew Alexander Berry Message-Id: <199309070357.AA11843@wraith.cs.uow.edu.au> Subject: /doors/Hello I Love You.TAB To: jamesb@animal-farm.nevada.edu Date: Tue, 7 Sep 1993 13:57:39 +1000 (EST) Mime-Version: 1.0 Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit Content-Length: 5035 Hello, I Love You Words & Music by The Doors Riff A end of riffA |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------7--7--------5--5--------------------------------------| |-----------------------------7---5----2h3p2p0-----------------| |---5--5-------3--3--------5-------------------2---------------| intro Play riff A twice Verse 1 riff A x5 Hello I love you, won't your tell me your name? Hello I love you, let me jump in your game. Hello I love you, won't your tell me your name? Hello I love you, let me jump in your game. She's |---------------|---------------|-----------------|---------------| |---------------|---------------|-----------------|---------------| |---------------|---------------|-----------------|---------------| |---------------|---------------|-----------------|---------------| |---------------|---------------|-----------------|---------------| |5--5-3-5---7--5|5/7-7/8-8-7-8-8|8/10-10\8-8\7-7\5|2h3-3-2-2-3-3/5| walking down the street Blind to every eye she meets.Do you |---------------|------------------|---------------|--------------| |---------------|------------------|---------------|--------------| |---------------|------------------|---------------|--------------| |---------------|------------------|---------------|--------------| |---------------|------------------|---------------|--------------| |5/7-7\5-5/7-7/8|-5/7-7/8-8/10-10\8|5/7-7\5-2/3-3-5|5---7-7--5---5| think you'll be the guy to make the queen of angles sigh?Hello with riffA x4 I love you, won't your tell me your name? Hello I love you, let me jump in your game. Hello I love you, won't your tell me your name? Hello I love you, let me jump in your game. She |-----------|------------------|--------------------|-----------------------| |-----------|------------------|--------------------|-----------------------| |-----------|------------------|--------------------|-----------------------| |-----------|------------------|--------------------|-----------------------| |-----------|------------------|--------------------|-----------------------| |5-5/3-5-5/7|-5--5/7--7/8-8\7--|7/8-8/10-10/12-12\10|10/12-12/14-14\12-12\10| holds her head so high like a statue in the sky. Her |----------------|--------------|--------------|------------------| |----------------|--------------|--------------|------------------| |----------------|--------------|--------------|------------------| |----------------|--------------|--------------|------------------| |----------------|--------------|--------------|------------------| |7/9-9\7-10\8-8\7|5--5\3-3/5-5/7|-8-8/7-7\5-5\3|-5-5\3-3-3-3/4-/5-| arms are wicked and her legs are long. When she moves my brain screams out this song. |---------|-----|---------------|---------------------------------| |---------|-----|---------------|---------------------------------| |---------|-----|---------------|---------------------------------| |---------|-----|---------------|---------------------------------| |---------|-----|1---1/3--3-3/5-|5-----5/8---8-------8\6----------| |---------|-----|---------------|---------------------------------| Side-walk crouches at her feet, like a |----------------|--------------------|----------------------| |----------------|--------------------|----------------------| |----------------|--------------------|----------------------| |----------------|--------------------|----------------------| |8--8/10-10\8-8\6|8------8----8---8\6-|8/10-10/11-11/13-13\11| |----------------|--------------------|----------------------| dog that begs for somthing sweet. Do you hope to make her |------------------|------------------|-------------|-------------| |------------------|------------------|-------------|-------------| |------------------|------------------|-------------|-------------| |------------------|------------------|-------------|-------------| |11\10-10/8-8\6-6/8|8\6-6\5-----------|-------------|-------------| |------------------|--------8----8\6--|6---6-4-4-4-4|6-----4------| see you fool?Do you hope to pluck this dusky jewel?Hello! Hello |-----------|---------------|--------|-------------------------------| |-----------|---------------|--------|-------------------------------| |-----------|---------------|--------|7---7-7-5-5---5-5--------------| |---%-x3----|---------------|--%-x3--|6---6-6-4-4---4-4--------------| |-----------|--5------------|--------|8---8-8-6-6---6-6--------------| |-----------|6---6-5-4-1-4-5|--------|6---6-6-4-4---4-4--------------| Hello! Hello! ad lib. Repeat last bar and vocals until fade. -------------------------------------------------------------------------- Notes: / -slide up \ -slide down % -repeat last bar -------------------------------------------------------------------------- Mathew Berry u9150315@cs.uow.edu.au Wollongong Uni. hyacinth.crd #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## # #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# Chords for "Hyacinth House" By The Doors Album LA Woman. Em/D e 0 B 0 G 0 D 0 A x E x e-------------------- 2 -- 2 - 2 -- 2 - 2 - 0 -2 -0- 2 B-------------------- 3 -- 3 - 3 -- 3 - 3 - 0 -3 -0- 3 G-------------------- 2 -- 2 - 2 -- 2 - 2 - 0 -2 -0- 2 Repeat this D--------- 0h2- 0---- 0 -- 0 - 0 -- 0 - 0 - 0 -0 -0- 0 through 1st A---- 0h2 -------------------------------------------- verse E----------------------------------------------------- D Em/D D Em/D D What are they doing in the hy a cinth house D Em/D D Em/D D Am What are they doing in the hy a cinth house to please the lions, G D D Em/D D D Em/D D D Em/D yeah, this day D Em/D D Em/D D D D Em/D I need a brand new friend who doesn't bother me D Em/D D Em/D D D D Em/D I need a brand new friend who doesn't trouble me D Am G D D Em/D D D Em/D D D Em/D I need someone, yeah Who doesn't need me G I see the Bathroom is clear. G I think that someone is near. G A G A I'm sure that someone is following me Oh yeah. Verse 2 D Em/D D Em/D D D D Em/D Why did you throw the Jack of Hearts away? D Em/D D Em/D D D D Em/D Why did you throw the Jack of Hearts away? D Am G It was the only card in the deck that I had, D D Em/D D D Em/D D D Em/D left to play. Organ Solo: D Em/D, Am G D Em/D Am G D D Em/D D And I'll say it again. I need a brand new friend. Am G D D Em/D D And I'll say it again. I need a brand new friend. Am G D G Am And I'll say it again. I need a brand new friend G D the end. By Mike Henderson and Joshua Jimenez i_look_a.crd #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## # song:I LOOKED AT YOU by:the Doors from the album:"THE DOORS" 1967 TRASCRIBED BY:LUIGI DE TROIA C I looked at you Bb C you looked me I smiled at you Bb C You smiled at me NC G7 And we're on our way C No we can't turn back, babe G7 Yeah, we're on our way C And we can't turn back Cm 'Cause it's too late Bb Ab Too late, too late Gb G7 Too late, too late G7 And we're on our way C No we can't turn back, babe G7 Yeah, we're on our way C And we can't turn back, yeah (STRUM.) F7 C7 F C Ab C F/G C! I walked with you You walked with me I talked to you You talked to me And we're on our way No we can't turn back, yeah Yeah, we're on our way And we can't turn back, yeah 'Cause it's too late Too late, too late Too late, too late And we're on our way No we can't turn back Yeah, we're on our way And we can't turn back 'Cause it's too late Too late, too late Too late, too late ____________________ | Luigi De Troia | | San Damiano (AT) | | italy | -------------------- email: luigidt@mbox.vol.it "life is very short, and there's no time for fussing and fighting my friend" (Lennon & McCartney) l_a_woma.tab #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Received: from animal-farm.nevada.edu by redrock.nevada.edu (5.65c/M1.4) with SMTP id ; Mon, 28 Jun 1993 18:31:08 -0700 Received: from post2.INRE.ASU.EDU by animal-farm.nevada.edu id ; Mon, 28 Jun 1993 18:31:06 -0700 Received: from ASUVM.INRE.ASU.EDU (MAILER@ASUACAD) by asu.edu (PMDF V4.2-12 #2382) id <01GZX6P6BJOG8ZDVLN@asu.edu>; Mon, 28 Jun 1993 18:31:00 MST Received: from ASUACAD (AUDSM) by ASUVM.INRE.ASU.EDU (Mailer R2.10 ptf000) with BSMTP id 4095; Mon, 28 Jun 93 18:32:33 MST Date: Mon, 28 Jun 1993 18:27:10 -0700 (MST) From: Paul Zimmerman Subject: TAB: L.A. Woman - Doors To: jamesb@animal-farm.nevada.edu Message-Id: <01GZX6P6BTBM8ZDVLN@asu.edu> Content-Transfer-Encoding: 7BIT LA WOMAN The Doors Intro: E --9---------|--7---------|--5---------5\3| B ------------|------------|---------------| G ------------|------------|---------------| D ------------|------------|---------------| A ------------|------------|---------------| E ------------|------------|---------------| E -2h3----2--3--2---0h2-|------------------------| B ----------------------|-2h3----2--3--2--0--2~~-| G ----------------------|------------------------| D ----------------------|------------------------| A ----------------------|------------------------| E ----------------------|------------------------| E -------------------|------------------------| B -------------------|------------------------| G -6h7p6--7p6-----6--|--6p7--6--7--6----------| D -------------7-----|-----------------7---7--| A -------------------|------------------------| E -------------------|------------------------| E -------------------|------------------------| B -------------------|------------------------| G -6h7p6--7p6-----6--|--6h7p6--7--6-----------| D -------------7-----|---------------7--7-----| A -------------------|------------------------| E -------------------|------------------------| E ---------------|----------------| B ---------------|----------------| G -6h7p6---------|--6h7p6---------| D --------7--7---|---------7--7---| A ---------------|----------------| E ---------------|----------------| Verse 1: This is all done by singing aline a then doing a guitar phrase, so if I put the Well I just got into town about an hour ago. E --------------------------------------| B -8---7----5--7------------------------| G -----------------5b-------------------| D ----------------------7--5------------| A ----------------------------7--6--5---| E --------------------------------------| Took a look around see which way the wind blows. E --------------------------------------| B -8---7----5--7------------------------| G -----------------5b-------------------| D ----------------------7--5------------| A ----------------------------7--6--5---| E --------------------------------------| With a little girl in a Hollywood bungalow. E -----------------------------------------| B -----------------------------------------| G ----------------------------------5~~----| D -7--5--7--5--7--5--7--5--7--5--7---------| A -----------------------------------------| E -----------------------------------------| Are you a lucky little lady in the city of light? E -----------------------------------------| B ----------------------------------5~~----| G -7--6--7--6--7--6--7--6--7--6--7---------| D -----------------------------------------| A -----------------------------------------| E -----------------------------------------| G (For these Or just another lost angel, City of night strike the and let A G A City at night, City of night, City of night, Whoa come on Solo: may not be exact but you can change it around and it sounds good. E ----------------------------------------------| B ----------------------------------------------| G -------------------0-2-4-4b----4--2-----2~~~--| D -------------0-2-4------------------4---------| A -------0-2-4----------------------------------| E -0-2-4----------------------------------------| E ---------------------------------------------------------------| B ---------------------------------------------------------------| G -------0-2-4--4b--2-----2--4b--4--2-----4b---2-----2-----2--4--| D -0-2-4---------------4---------------4----------4-----4--------| A ---------------------------------------------------------------| E ---------------------------------------------------------------| E -0--5---5---5--7--5--7--7b--5-----5--7--5---7--7--7---| B -------------------------------7----------------------| G ------------------------------------------------------| D ------------------------------------------------------| A ------------------------------------------------------| E ------------------------------------------------------| E -9--9--9---10--10--10---9--9--9-----9\7---7--7--7~~---| B ------------------------------------------------------| G ------------------------------------------------------| D ------------------------------------------------------| A ------------------------------------------------------| E ------------------------------------------------------| E -7\5---5--5--5~~----5\3---| B --------------------------| G --------------------------| D --------------------------| A --------------------------| E --------------------------| E --------------------|-------------------|---------------| B --------------------|-------------------|---------------| G -6h7p6--7--6--7~~~--|-7p6--------6~~~---|-7--6----------| D --------------------|--------7----------|--------7---7--| A --------------------|-------------------|---------------| E --------------------|-------------------|---------------| E --------------------| B --------------------| G -6h7p6--7--6--------| D --------------7--7--| A --------------------| E --------------------| Then we go back to echoing a voice phrase with the guitar. LA Woman E ---------------------| B ---------------------| G -7b----5--7--7b~~~---| D ---------------------| A ---------------------| E ---------------------| LA Woman E ---------------------| B -8br-----------------| G --------5~~~~--------| D ---------------------| A ---------------------| E ---------------------| LA Woman Sunday afternoon E -------------------------------------------| B -------------------------------------------| G ----------------------------------5~~~-----| D -7--5--7--5--7--5--7--5--7--5--7-----------| A -------------------------------------------| E -------------------------------------------| LA Woman Sunday Afternoon E --------------------------------| B -7br----------------------------| G -7br---5-------5----------------| D ----------7-------7-------------| A ---------------------7--7~~~~---| E --------------------------------| LA woman sunday afternoon drive through you suburbs G A into your blues. into your blues. G A into your blue, blue, blue, into your blues Oh yeah (Piano Break) Now the guitar plays this part under these words. A G A G E ------------------------|-----------------------| B -------2--0-------------|-------2--0-------------| G ----2----------0-----0--|----2----------0-----0--| D -2----------------0-----|-2----------------0-----| A ------------------------|------------------------| E ------------------------|------------------------| A G A G A G I See your hair is burning A G A G A G Hills are filled with fire. A G A G A G If they say I never loved you A G A G A G You know they are a liar. A G A G A G (Switch back to chords) Drivin down your freeway A G A G A G Midnight alleys roam. A Cops in cars the topless bars, never saw a woman G A So alone, so alone Back to guitar echoing the voice. Motel money murder madness E --------------------------------| B -5--7br-------------------------| G ---------5--7---7---5-----5--7--| D -----------------------7--------| A --------------------------------| E --------------------------------| Lets change the mood from glad to sadness. E ------------------------------------------| B ------5--8b---5---------------------------| G -7b--------------7br--5-------------------| D -------------------------7--5-------------| A --------------------------------7--6--5---| E ------------------------------------------| Now is where the whole song slows down and keep repeating Mr. Mojo Risin. I don't know anymore of the song, but I think Robby just improvises in the A blu I have seen this song asked for many times, so now that I had time I put it up, It's really a great song to play around with, It's realtively easy Thanks to the original poster. Peace, Paul Z light_my.crd #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: glen.word@equinox.org (Glen Word) Subject: CRD:Light My Fire (Doors) Light My Fire The Doors INTRO: G D F A# C# G# A <-----------------------Eb G#(Ab) A VERSE: Am F#m Am F#m <------ Am7 F#m7 Am F#m Am F#m <------ " " CHORUS: G A D Dsus4 D <------ Dsus4 ? (not in song but sounds good G A D B G D E E7 <------ E7 not in Doors' version ENDING: F C D Try to set the night on fire Lead Portion Am Bm (over and over) e---5--h7h8-5--5--5-h7h7-5-5----0-h2h3---0------5-h7h8-5------------------- b-8----------8------------8------------3----5h8---------8-5-h7h8----------- g---------------------------------------------------------------7-5-h7h8--- d-----------------------------------------------------------------------7-- a-------------------------------------------------------------------------- e-------------------------------------------------------------------------- And so on...... Later Glen ___ Blue Wave/QWK v2.12 From: ae878@yfn.ysu.edu (Jason Todd Carter) Subject: CRD: Light My Fire (Doors) I didn't want to post a request without making a contribution, so here's Light My Fire by the Doors: INTRO: G D F A# C# G# A VERSE: Am F#m Am F#m Am F#m Am F#m CHORUS: G A D Dsus4 D G A D B G D E E7 This is how I form the chords: EADGBE ------ 3x0033 G xx0232 D 133211 F x13331 A# x46664 C# 466544 G# x02220 A x02210 Am 244222 F#m xx0233 Dsus4 x24442 B 022100 E 020100 E7 -- J.T. Carter ae878@yfn.ysu.edu "Women...you can't live without 'em, and they can't pee standing up." love_me_.tab #----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From rec.music.makers.guitar.tablature Thu Oct 21 11:37:30 1993 Path: news.tcd.ie!tcdcs!ieunet!mcsun!julienas!sophia!armelle.cma.fr!lm From: lm@armelle.cma.fr (Lionel Menard) Newsgroups: rec.music.makers.guitar.tablature Subject: Re: REQUEST: Doors "Love Me Two Times" Message-ID: <59171@sophia.inria.fr> Date: 20 Oct 93 15:47:07 GMT References: Sender: news@sophia.inria.fr Reply-To: lm@armelle.cma.fr (Lionel Menard) Lines: 88 I get it in this group few month ago. Hpoe this help. LOVE ME 2 TIMES (DOORS) Well, the main riff is -------------------------------------- -------------------------------------- ----------------------0~1-------0~1--- ----0---2---0-2----------------------- --2---2---0--------------------------- -----------------0-0--------0-0-----0- E7 Love me two times baby Love me twice today A7 Love me two times girl E7 I'm goin' away D7 Love me two times girl C7 One for tomorrow, one just for today G D C7 B7 E7* Love me two times I'm goin' away Love me one time Could not speak Love me one time Yeah, my knees got weak Love me two times girl Last me all through the week Love me two times I'm goin' away *at the end - where this chord is accented - play E79 (0 7 6 7 8 x) -- ___________________________________________________________ | Lionel MENARD | | Centre d'Energetique | | Ecole des Mines de Paris | | BP 207 06904 Sophia Antipolis Cedex | | France | | e-mail: lm@armelle.cma.fr | | tel: (33) 93 95 74 23 | | fax: (33) 93 95 75 35