Andrew Lloyd Webber. Evita Lyrics by TIM RICE Music by ANDREW LLOYD WEBBER  * ACT ONE *  1. A CINEMA IN BUENOS AIRES, 26 JULY 1952 (An audience is watching a less than distinguished movie [in both the original London and New York productions of EVITA a clip from one of Eva Peron's own movies was used]. The soundtrack dialogue is in Spanish, the music melodramatic. Suddenly the film grinds to a halt. The people in the cinema begin to protest but are silenced by an announcement) THE VOICE OF THE SECRETARY OF THE PRESS (in Spanish) It is the sad duty of the Secretary of the Press... (in English) ...to inform the people of Argentina that Eva Peron, spiritual leader of the nation, entered immortality at 20.25 hours today. 2. REQUIEM FOR EVITA / OH WHAT A CIRCUS (EVA's funeral. CHE is the only non-participant. He moves through the mourners, apparently unseen.) CROWD Requiem aeternum dona Evita Requiem Evita Evita Evita CHE Oh what a circus! Oh what a show! Argentina has gone to town Over the death of an actress called Eva Peron We've all gone crazy Mourning all day and mourning all night Falling over ourselves to get all of the misery right Oh what an exit! That's how to go! When they're ringing your curtain down Demand to be buried like Eva Peron It's quite a sunset And good for the country in a roundabout way We've made the front page of all the world's papers today But who is this Santa Evita? Why all this howling hysterical sorrow? What kind of goddess has lived among us? How will we ever get by without her? She had her moments--she had some style The best show in town was the crowd Outside the Casa Rosada crying, "Eva Peron" But that's all gone now As soon as the smoke from the funeral clears We're all going to see how she did nothing for years! CROWD Salve regina mater misericordiae Vita dulcedo et spes nostra Salve salve regina Ad te clamamus exules filii Eva Ad te suspiramus gementes et flentes O clemens o pia CHE You let down your people Evita You were supposed to have been immortal That's all they wanted Not much to ask for But in the end you could not deliver Sing you fools! But you got it wrong Enjoy your prayers because you haven't got long Your queen is dead, your king is through She's not coming back to you Show business kept us all alive Since 17 October 1945 But the star has gone, the glamour's worn thin That's a pretty bad state for a state to be in Instead of government we had a stage Instead of ideas a prima donna's rage Instead of help we were given a crowd She didn't say much but she said it loud And who am I who dares to keep His head held high while millions weep? Why the exception to the rule? Opportunist? Traitor? Fool? Or just a man who grew and saw From seventeen to twenty-four His country bled, crucified? She's not the only one who's died! Sing you fools? But you got it wrong Enjoy your prayers because you haven't got long Your queen is dead, your king is through She's not coming back to you CROWD Salve regina mater misericordiae Vita dulcedo et spes nostra Salve salve regina Peron Ad te clamamus exules filii Eva Ad te suspiramus gementes et flentes O clemens o pia (A non-descript GIRL moves through the pageantry of the funeral. She sings as the voice of the dead Evita) GIRL Don't cry for me Argentina For I am ordinary, unimportant And undeserving of such attention Unless we all are--I think we all are Ride on my train o my people And when it's your turn to die you'll remember They fired those cannons, sang lamentations Not just for Eva, for Argentina Not just for Eva, for everybody So share my glory, so share my coffin So share my glory, so share my coffin CHE It's our funeral too 3. ON THIS NIGHT OF A THOUSAND STARS / EVA AND MAGALDI / EVA BEWARE OF THE CITY (Flashback to 1934 and to a nightclub in Junin, EVA's home town. EVA DUARTE is fifteen. The cabaret is nearly over. MAGALDI is singing with great gusto.) CHE Now Eva Peron had every disadvantage you need if you're going to succeed. No money, no class, no father, no bright lights--there was nowhere she'd been at the age of fifteen, as this tango singer found out. A tango singer! Agustin Magaldi--who has the distinction of being the first man to be of use to Eva Duarte. MAGALDI (The final song of his act) On this night of a thousand stars Let me take you to heaven's door Where the music of love's guitars Plays for evermore! In the glow of those twinkling lights We shall love through eternity On this night in a million nights Fly away with me! I never dreamed that a kiss could be as sweet as this --now I know that it can I used to wander alone without a love of my own I was a desperate man But all my grief disappeared and all the sorrow I feared Wasn't there anymore On that magical day when you first came my way Mi amor! On this night On this night On this night of a thousand stars Let me take you to heaven's door Where the music of love's guitars Plays for evermore! (MAGALDI joins EVA and her family--mother, 3 sisters, brother--at their table. CHE is loitering nearby at the bar.) EVA To think that a man, as famous as you are, could love a poor little nothing like me! MAGALDI The audience here are sitting on their hands CHE Listen chum, face the fact they don't like your act MAGALDI But this is Junin! If this were Buenos Aires--I'd have that town at my feet! I never ever meet members of the public --they'd tear me apart! CHE I understand their feelings EVA I want to be a part of B.A.--Buenos Aires--Big Apple! EVA and FAMILY She wants to be a part of B.A.--Buenos Aires--Big Apple! CHE Just listen to that! They're onto you Magaldi! I'd get out while you can EVA It's happened at last--I'm starting to get started--I'm moving out with my man MAGALDI Now Eva don't get carried away- EVA Monotony past--suburbia departed--who could ever get kicks in the back of the sticks? MAGALDI Don't hear words that I didn't say EVA's FAMILY What's that? You'd desert the girl you love? MAGALDI The girl I love? What are you talking about? EVA's FAMILY She really brightened up your out of town engagement, she gave you all she had--she wasn't in your contract --you must be quite relieved that no-one's told the papers --so far- EVA I want to be a part of B.A.--Buenos Aires--Big Apple! Would I have done what I did if I hadn't thought, if I hadn't known, we would stay together? CHE Seems to me there's no point in resisting, she's made up her mind, you've no choice. Why don't you be the man who discovered her? You'll never be remembered for your voice. MAGALDI The city can be paradise for those who have the cash, the class and the connections--what you need to make a splash. The likes of you get swept up in the morning with the trash--if you were rich or middle class- EVA Screw the middle classes! I will never accept them! And they will never deny me anything again! My father's other family were middle class and we were kept out of sight, hidden from view, at his funeral! If these are the people of Buenos Aires I welcome the chance to shine in their city! CHE Do all your one night stands give you this trouble? MAGALDI Eva, beware of the city It's hungry and cold, can't be controlled, it is mad Those who are fools are swallowed up whole And those who are not become What they should not become Changed--in short they go bad EVA Bad is good for me--I'm bored, so clean and so ignored I've only been predictable--respectable! Birds fly out of here so why oh why oh why the hell can't I I only want variety--notoriety! I want to be a part of B.A.--Buenos Aires--Big Apple! EVA and FAMILY She wants to be a part of B.A.--Buenos Aires--Big Apple! MAGALDI Five years from now I shall come back And finally say, you have your way--come to town But you'll look at me with a foreigner's eyes The magical city a Younger girl's city, a Fantasy long since put down EVA All you've done to me--was that a young girl's fantasy? I played your city games alright--didn't I? I already know what cooks, how the dirty city feels and looks I tasted it last night, didn't I? I'm going to be a part of B.A.--Buenos Aires--Big Apple! EVA and FAMILY She's going to be a part of B.A.--Buenos Aires--Big Apple! MAGALDI Eva beware your ambition It's hungry and cold, can't be controlled, will run wild This in a man is a danger enough But you are a woman, not Even a woman, not Very much more than a child and whatever you say I'll not steal you away! 4. BUENOS AIRES (EVA and MAGALDI arrive in Buenos Aires) EVA What's new Buenos Aires? I'm new--I want to say I'm just a little stuck on you You'll be on me too! I get out here Buenos Aires Stand back--you ought to know what'cha gonna get in me Just a little touch of star quality! Fill me up with your heat, with your noise, with your dirt, overdo me Let me dance to your beat, make it loud. let it hurt, run it through me Don't hold back you are certain to impress Tell the driver this is where I'm staying Hello Buenos Aires! Get this--just look at me, dressed up somewhere to go We'll put on a show! Take me in at your flood, give me speed, give me lights, set me humming Shoot me up with your blood, wine me up with your nights, watch me coming All I want is a whole lot of excess Tell the singer this is where I'm playing Stand back Buenos Aires! Because you ought to know what'cha gonna get in me Just a little touch of star quality! And if ever I go too far It's because of the things you are Beautiful town--I love you And if I need a moment's rest Give your lover the very best Real eiderdown--and silence CHE On the 9th February 1935, in Buenos Aires--a polo match, between a team of leading Argentine players and the touring British side. The British ambassador said he had never seen a social occasion quite like it. Even by the standards of Buenos Aires society the gathering at the polo ground glittered. The Rolls' and the Daimlers, the hampers from Harrod's, the clothes, the diamonds, the crystal, the wines, the procession of nannies from England and France. The result of the match? Oh yes-- the home team won, but as the British ambassador pointed out, that did not reflect badly on British horsemanship. Three of the Argentine players were educated at Eton. EVA You're a tramp, you're a treat, you will shine to the death, you are shoddy But you're flesh, you are meat, you shall have every breath in my body Put me down for a lifetime of success Give me credit--I'll find ways of paying Rio de la Plata! Florida! Corrientes! Nueve de Julio! All I want to know! Stand back Buenos Aires! Because you oughta know what'cha gonna get in me Just a little touch of Just a little touch of Just a little touch of star quality! 5. GOODNIGHT AND THANK YOU CHE (To MAGALDI) Goodnight and thank you Magaldi You've completed your task, what more could we ask Of you now? Please sign the book on your way out the door That will be all If we need you we'll call But I don't think that's likely somehow EVA Oh but it's sad when a love affair dies The parting, the closing of doors But we must be honest, stop fooling ourselves CHE Which means--up yours! CHE and MAGALDI There is no-one, no-one at all Never has been and never will be a lover Male or female Who hasn't an eye on In fact they rely on Tricks they can try on Their partner They're hoping their lover will help them or keep them Support them, promote them Don't blame them You're the same CHE (To EVA's FIRST LOVER) Goodnight and thank you whoever She's in every magazine, been photographed, seen She is known We don't like to rush but your case has been packed If we've missed anything You could give us a ring But we don't always answer the phone EVA Oh but it's sad when a love affair dies But when we were hot we were hot I know you'll look back on the good times we've shared CHE But Eva will not! CHE, EVA, MAGALDI, EVA's FIRST LOVER There is no-one, no-one at all Never has been and never will be a lover Male or female Who hasn't an eye on In fact they rely on Tricks they can try on Their partner They're hoping their lover will help them or keep them Support them, promote them Don't blame them, you're the same CHE (To EVA's SECOND LOVER) Goodnight and thank you whoever We are grateful you found her a spot on the sound radio We'll think of you every time she's on the air We'd love you to stay But you'd be in the way So do up your trousers and go EVA Of but it's sad when a love affair dies The decline into silence and doubt Our passion was just too intense to survive CHE For God's sake get out! (By now a fairly long line of EVA's rejected LOVERS has formed) LOVERS Oh but this line's an embarrassing sight Someone has made us look fools Argentine men call the sexual shots Someone has altered the rules CHE Fame on the wireless as far as it goes Is all very well, but every girl knows She needs a man she can monopolize With fingers in dozens of different pies- LOVERS Oh but it's sad when a love affair dies 6. THE ART OF THE POSSIBLE (Five members of the G.O.U., a right-wing grouping of officers within the military government that seized power in Argentina in 1943, including Colonel Juan PERON, are seen moving slowly back and forth in rocking chairs. During this sequence, every time the music stops, the officers rise and one chair is removed. By the end of the scene there is just on chair left, occupied by PERON.) OFFICERS One has no rules Is not precise One rarely acts The same way twice One spurns no device Practicing the art of the possible One always picks The easy fight One praises fools One smothers light one shifts left to right It's part of the art of the possible (While the officers continue their game of political musical chairs, EVA appears, script in hand, at a microphone.) EVA (on the air) I'm only a radio star with just one weekly show But speaking as one of the people I want you to know We are tired of the decline of Argentina with no sign of A government able to give us the things we deserve OFFICERS One always claims Mistakes were planned When risk is slight One takes one's stand With much sleight of hand Politics--the art of the possible One has no rules Is not precise One rarely acts The same way twice One spurns no device Politics--the art of the possible VOICES Peron! Peron! Peron! 7. CHARITY CONCERT / I'D BE SURPRISINGLY GOOD FOR YOU (Backstage at the Luna Park Stadium. EVA by now a successful actress, and PERON, by now one of the most powerful men in the military government, are both present. EVA's old friend MAGALDI is finishing his act on stage. MAGALDI On this night... CHE Luna Park Stadium, Buenos Aires, January 22, 1944 MAGALDI On this night... CHE A concert in aid of the victims of an earthquake that devastated the town of San Juan, Argentina MAGALDI On this night of a thousand stars Let me take you to heaven's door Where the music of love's guitars Plays for evermore! CHE Ladies and gentlemen! Agustin Magaldi! Any minute now --the man of the hour! (MAGALDI comes off stage and runs into EVA) EVA You're act hasn't changed much MAGALDI Neither has yours (MAGALDI leaves. The crowd begins to call for PERON. PERON pushes his way onto the stage.) PERON Tonight I'm proud to be the people's spokesman! You've given help to those who've lost their homes, but more than that conclusively shown that the people should run their affairs on their own! Make sure your leaders understand their people! CROWD Peron! Peron! Peron! (PERON leaves the stage and finds himself face to face with EVA) EVA Colonel Peron? PERON Eva Duarte? EVA and PERON I've heard so much about you! I'm amazed for I'm only an actress (a soldier) Nothing to shout about (One of the thousands) Only a girl on the boards (Defending the country he loves) EVA But when you act, the things you do affect us all PERON But when you act, you take us away from the squalor of the real world--Are you here on your own? EVA Yes PERON So am I--what a fortunate coincidence. Maybe you're my reward for my efforts here tonight EVA It seems crazy but you must believe There's nothing calculated, nothing planned Please forgive me if I seem naive I would never want to force your hand But please understand I'd be good for you I don't always rush in like this Twenty seconds after saying hello Telling strangers I'm too good to miss If I'm wrong I hope you'll tell me so But you really should know I'd be good for you I'd be surprisingly good for you I won't go on if I'm boring you But do you understand my point of view Do you like what you hear, what you see, and would you be Good for me too? I'm not talking of a hurried night A frantic tumble then a shy goodbye Creeping home before it gets too light That's not the reason that I caught your eye Which has to imply I'd be good for you I'd be surprisingly good for you PERON Please go on--you enthrall me! I can understand you perfectly And I like what I hear, what I see, and knowing me I would be good for you too EVA I'm not talking of a hurried night A frantic tumble then a shy goodbye Creeping home before it gets too light That's not the reason that I caught your eye Which has to imply I'd be good for you I'd be surprisingly good for you EVA and PERON (neither seems aware that the other is singing) There is no-one, no-one at all Never has been and never will be a lover Male or female Who hasn't an eye on In fact they rely on Tricks they can try on Their partner They're hoping their lover will help them or keep them Support them, promote them Don't blame them, you're the same 8. ANOTHER SUITCASE IN ANOTHER HALL (EVA and PERON arrive at PERON's apartment. PERON's 16 year-old MISTRESS is in bed.) EVA Hello and goodbye! I've just unemployed you You can go back to school--you had a good run I'm sure he enjoyed you Don't act sad or surprised, let's be friends, civilized Come on little one! Don't sit there like a dummy! The day you knew would arrive is here--you'll survive So move, funny face! I like your conversation--you've a catchy turn of phrase (EVA turns PERON's MISTRESS out into the hall.) MISTRESS I don't expect my love affairs to last for long Never fool myself that my dreams will come true Being used to trouble I anticipate it But all the same I hate it--wouldn't you? So what happens now? CHE Another suitcase in another hall MISTRESS So what happens now? CHE Take your picture off another wall MISTRESS Where am I going to? CHE You'll get by, you always have before MISTRESS Where am I going to? Time and time again I've said that I don't care That I'm immune to gloom, that I'm hard through and through But every time it matters all my words desert me So anyone can hurt me--and they do So what happens now? CHE Another suitcase in another hall MISTRESS So what happens now? CHE Take your picture off another wall MISTRESS Where am I going to? CHE You'll get by you always have before MISTRESS Where am I going go? Call in three months time and I'll be fine I know Well maybe not that fine, but I'll survive anyhow I won't recall the names and places of this sad occasion But that's no consolation--here and now So what happens now? CHE Another suitcase in another hall MISTRESS So what happens now? CHE Take your picture off another wall MISTRESS Where am I going to? CHE You'll get by, you always have before MISTRESS Where am I going to? CHE Don't ask anymore 9. PERON'S LATEST FLAME CHE At the watering-holes of the well-to-do I detect a resistance to... ARISTOCRATS Precisely! CHE ...our heroine's style ARISTOCRATS We're glad you noticed CHE The shooting sticks of the upper class ARISTOCRATS Give her an inch... CHE Aren't supporting a single ass That would rise for the girl ARISTOCRATS ...she'll take a mile Such a shame she wandered into our enclosure How unfortunate this person has forced us to be blunt No, we wouldn't mind seeing her in Harrod's But behind the jewelry counter--not in front CHE Could there be in our fighting corps A lack of enthusiasm for... ARMY Exactly! CHE ...Peron's latest flame? ARMY You said it brother CHE Should you wish to cause great distress In the tidiest officer's mess Just mention her name ARMY That isn't funny! Peron is a fool, breaking every taboo Installing the girl in the army H.Q. And she's an actress! The last straw Her only good parts are between her thighs She should stare at the ceiling, not reach for the skies Or she could be his last whore The evidence suggests She has other interests If it's her who's using him He's exceptionally dim Bitch! Dangerous Jade! ARISTOCRATS We have allowed ourselves to slip We have completely lost our grip We have declined to an all-time low Tarts have become the set to know ARMY It's no crime for officers to do as they please As long as they're discreet and keep clear of disease We ignore, we disregard But once they allow a bit on the side To move to the center where she's not qualified We should all be on our guard She should get into her head She should not get out of bed She should know that she's not paid To be loud but to be laid Slut! Dangerous Jade! (EVA, the glamorous movie star, enters, flanked by HEAVIES.) CHE (in the guise of a reporter) This has really been your year Miss Duarte Tell us where you go from here Miss Duarte Which are the roles that you yearn to play Whom did you sleep--dine with yesterday? EVA Is that the extent of your interest in me? It shows how futile acting must be CHE Can we assume then that you'll quit? Is this because of your association with Colonel Peron? HEAVIES Goodnight and thank you (They push CHE aside and EVA out) ARMY She won't be kept happy by her nights on the tiles She says it's his body but she's after his files So get back onto the street! She should get into her head She should not get out of bed She should know that she's not paid To be loud but to be laid The evidence suggests She has other interests If it's her who's using him He's exceptionally dim ARISTOCRATS Things have reached a pretty pass When someone pretty lower class Graceless and vulgar, uninspired Can be accepted and admired 10. A NEW ARGENTINA PERON Dice are rolling, the knives are out Would be presidents are all around I don't say they mean harm, but they'd each give an arm To see us six feet under ground EVA It doesn't matter what those morons say Our nation's leaders are a feeble crew There's only twenty of them anyway What is twenty next to millions who Are looking to you? All you have to do is sit and wait Keeping out of everybody's way We'll--you'll be handed power on a plate When the ones who matter have their say And with chaos installed You can reluctantly agree to be called PERON There again we could be foolish Not to quit while we're ahead For distance lends enchantment And that is why All exiles are distinguished More important they're not dead I could find job satisfaction In Paraguay EVA This is crazy defeatist talk Why commit political suicide? There's no risk, there's no call For any action at all When you have unions on your side WORKERS' VOICES Peron! Peron! CHE A new Argentina! The chains of the masses untied! A new Argentina! The voice of the people cannot be denied! EVA There is only one man who can lead any workers' regime He lives for your problems, he shares your ideals and your dreams He supports you for he loves you, understands you, is one of you If not--how could he love me? MOB A new Argentina! The workers' battle song! A new Argentina! The voice of the people rings out loud and long! EVA Now I am a worker I've suffered the way that you do I've been unemployed and I've starved and I hated it too But I found my salvation in Peron--may the nation Let him save them as he saved me CHE A new Argentina! A new age about to begin! CHE and SECRET POLICE A new Argentina! We face the world together and no dissent within (The SECRET POLICE lay into CHE) INDIVIDUAL WORKERS Nationalization of the industries that the foreigners control Participation in the profits that we make Shorter hours Higher wages Votes for women Larger dole More public spending A bigger slice of every cake PERON It's annoying that we have to fight elections for our cause The inconvenience--having to get a majority If normal methods of persuasion fail to win us applause There are other ways of establishing authority SECRET POLICE We have ways of making you vote for us, or at least of making you abstain EVA Peron has resigned from the army and this we avow The descamisados are those he is marching with now! He supports you for he loves you, understands you, is one of you If not--how could he love me? ALL A new Argentina! The chains of the masses untied! A new Argentina! The voice of the people cannot be, and will not be, and must not be, denied! PERON There again we could be foolish Not to quit while we're ahead I can see me many miles away Inactive Sipping cocktails on a terrace Taking breakfast in bed Sleeping easy, doing crosswords It's attractive EVA Don't think I don't think like you, I often get those nightmares too They always take some swallowing Sometimes it's very difficult to keep momentum if It's you that you are following Don't close doors Keep an escape clause Because we might lose The Big Apple But--would I have done, what I did If I hadn't thought, if I hadn't known We would take the country? ALL A new Argentina! The chains of the masses untied! A new Argentina! The voice of the people cannot be, and will not be, and must not be, denied! END OF ACT ONE  * ACT TWO *  11. ON THE BALCONY OF THE CASA ROSADA / DON'T CRY FOR ME ARGENTINA (PERON has just won a sweeping victory in the 1946 Presidential Election. This is the first public appearance by PERON and EVA since that triumph. Action takes place both inside and outside on the balcony of the Casa Rosada - the pink Presidential Palace in Buenos Aires.) CHE People of Argentina! Your newly elected President-- Juan Peron! (The CROWD begins to chant "Peron! Peron!") PERON Argentinos! Argentinos! We are all shirtless now! Fighting against our common enemies-- Poverty, social injustice, foreign domination of our industries! Reaching for our common goals-- Our independence, our dignity, our pride! Let the world know that our great nation is awakening and that its heart beats in the humble bodies of Juan Peron--and his wife, the first lady of Argentina, Eva Duarte de Peron! CHE As a mere observer of this tasteless phenomenon, one has to admire the stage management-- (HEAVIES move in on Che) There again--perhaps I'm more than a mere observer - listen to my enthusiasm, gentleman! Peron! Peron! Peron!--Look, if I take off my shirt, will you- (HEAVIES bundle CHE away) (The CROWD by now are beginning to chant "Evita! Evita!") EVA It won't be easy, you'll think it strange When I try to explain how I feel That I still need your love after all that I've done You won't believe me All you will see is a girl you once knew Although she's dressed up to the nines At sixes and sevens with you I had to let it happen, I had to change Couldn't stay all my life down at heel Looking out of the window, staying out of the sun So I chose freedom Running around trying everything new But nothing impressed me at all I never expected it to Don't cry for me Argentina The truth is I never left you All through my wild days My mad existence I kept my promise Don't keep your distance And as for fortune, and as for fame I never invited them in Though it seemed to the world they were all I desired They are illusions They are not the solutions they promised to be The answer was here all the time I love you and hope you love me Don't cry for me Argentina... (EVA breaks down; the CROWD takes up her tune) EVA Don't cry for me Argentina The truth is I never left you All through my wild days My mad existence I kept my promise Don't keep your distance Have I said too much? There's nothing more I can think of to say to you But all you have to do is look at me to know that every word is true (The CROWD is ecstatically enthusiastic; EVA goes inside from the balcony) Just listen to that! The voice of Argentina! We are adored! We are loved! OFFICER Statesmanship is more than entertaining peasants EVA We shall see, little man CROWD Evita Peron! La Santa Peronista! (EVA goes back onto the balcony) EVA I am only a simple woman who lives to serve Peron in his noble crusade to rescue his people! I was once as you are now! I have taken these riches from the oligarchs only for you--for all of you! One day you will inherit these treasures! Descamisados! When they fire those cannons, when the crowds sing of glory, it is not just for Peron, but for all of us! All of us! AN ARISTOCRAT (mocking applause) Things have reached a pretty pass When someone pretty lower class Can be accepted and admired- EVA But your despicable class is dead! Look who they are calling for now! 12. HIGH FLYING, ADORED CHE High flying, adored, so young, the instant queen, a Rich beautiful thing of all the talents, a cross between a Fantasy of the bedroom and a saint And you were just a backstreet girl Hustling and fighting Scratching and biting High flying, adored, did you believe in your wildest moments All this would be yours, that you'd become the lady of them all? Were there stars in your eyes when you crawled in at night From the bars, from the sidewalks From the gutter theatrical? Don't look down, it's a long long way to fall High flying, adored, what happens now, where do you go from here? For someone on top of the world, the view's not exactly clear A shame you did it all at twenty-six There are no mysteries now Nothing can thrill you No-one fulfill you High flying, adored, I hope you come to terms with boredom So famous, so easily, so soon, is not the wisest thing to be You won't care if they love you, it's been done before You'll despair if they hate you You'll be drained of all energy All the young who've made it would agree EVA High flying, adored, I've been called names but they're the strangest My story's quite usual, local girl makes good, weds famous man I was slap in the right place at the perfect time Filled a gap--I was lucky But one thing I'll say for me No-one else can fill it like I can 13. RAINBOW HIGH EVA I don't really think I need The reasons why I won't succeed I haven't started! Let's get this show on the road Let's make it obvious Peron is off and rolling EVA's DRESSERS Eyes! Hair! Mouth! Figure! Dress! Voice! Style! Movement! Hands! Magic! Rings! Glamour! Face! Diamonds! Excitement! Image! EVA I came from the people They need to adore me So Christian Dior me From my head to my toes I need to be dazzling I want to be Rainbow High! They must have excitement And so must I EVA's DRESSERS Eyes! Hair! Mouth! Figure! Dress! Voice! Style! Movement! EVA I'm their product It's vital you sell me So Machiavell-me Make an Argentine Rose! I need to be thrilling I shall be Rainbow High! They need their escape And so do I EVA's DRESSERS Eyes! Hair! Mouth! Figure! Dress! Voice! Style! Movement! Hands! Magic! Rings! Glamour! Face! Diamonds! Excitement! Image! EVA All my descamisados expect me to outshine the enemy-- the aristocracy I won't disappoint them! I'm their savior! That's what they call me So Lauren Bacall me Anything goes To make me fantastic I have to be Rainbow High In magical colors-- You're not decorating a girl for a night on the town! And I'm not a second-rate queen getting kicks with a crown! Next stop will be Europe! The Rainbow's gonna tour Dressed up, somewhere to go We'll put on a show! Look out, mighty Europe! Because you oughta know what'cha gonna get in me Just a little touch of Just a little touch of Argentina's brand of Star quality! 14. RAINBOW TOUR (PERON and some of his OFFICERS reflect on EVA's European progress. CHE takes over many of the OFFICERS' lines during this sequence and also adds various comments of his own.) PERON People of Europe! I send you the Rainbow of Argentina! CHE Spain has fallen to the charms of Evita She can do what she likes--it doesn't matter much She's the New World Madonna with the golden touch She filled a bull-ring--forty-five thousand seater But if you're prettier than General Franco That's not hard Franco's reign in Spain should see out the forties So you've just acquired an ally who Looks as secure in his job as you More important, current political thought is Your wife's a phenomenal asset Your trump card PERON and OFFICERS Let's hear it for the Rainbow Tour It's been an incredible success We weren't quite sure, we had a few doubts CHE Would Evita win through? PERON and OFFICERS But the answer is yes! EVA (in Spain) There you are, I told you so Makes no difference where we go The whole world over--just the same You should have heard them call our name And who would underestimate the actress now? PERON I'm not underestimating you--just do the same thing in Italy please CHE Now I don't like to spoil a wonderful story But the news from Rome is not so good She hasn't gone down like we thought she would Italy's unconvinced by Argentine glory They equate Peron with Mussolini Can't think why EVA (in Italy) Did you here that? They called me a whore! They actually called me a whore! AN ITALIAN ADMIRAL (CHE) But Signora Peron-- It's an easy mistake I'm still called an admiral yet I gave up the sea long ago CHE / OFFICERS Things aren't all that bad she met with the Pope She got a Papal decoration and a kindly word So even if the crowds gave our lady the bird The Argentine/Italy axis does have some hope She still made a fabulous impact Caught the eye PERON and OFFICERS Let's here it for the Rainbow Tour It's been an incredible success We weren't quite sure, we had a few doubts CHE Would Evita win through? PERON and OFFICERS But the answer is-- CHE A qualified-- PERON and OFFICERS Yes! CHE Eva started well, no question, in France Shining like the sun through the post-war haze A beautiful reminder of the carefree days She nearly captured the French, she sure had the chance But she suddenly seemed to lose interest She looked tired PERON and OFFICERS Tired? Eva tired? CHE Face the facts, the Rainbow's starting to fade I don't think she'll make it to England now PERON It wasn't on the schedule anyhow CHE You'd better get out the flags and fix a parade Some kind of coming home triumph Is required PERON and OFFICERS Let's here it for the Rainbow Tour It's been an incredible success We weren't quite sure, we had a few doubts Would Evita win through? CHE And the answer is-- PERON and OFFICERS Yes CHE And no PERON and OFFICERS And yes CHE And no PERON and OFFICERS And yes... and no Let's here it for the Rainbow Tour It's been an incredible success... EVA (back from Europe) Who the hell does the King of England think he is? Tea at some tinpot castle of his--what kind of invitation is that? Argentina's First Lady deserves Buckingham Palace! If England can do without me Then Argentina can do without England! 15. THE ACTRESS HASN'T LEARNED (THE LINES YOU'D LIKE TO HEAR) ARISTOCRACY Thus all fairy stories end Only an actress would pretend Affairs of state are her latest play Eight shows a week two matinees My how the worm begins to turn When will the chorus girl ever learn? My how the worm begins to turn When will the chorus girl ever learn? EVA The chorus girl hasn't learned the lines you'd like to hear She won't be scrambling over the backs of the poor to be accepted By making donations--just large enough--to the correct charity She won't be president of your wonderful society of philanthropy Even if you asked her to be As you should have asked her to be The actress hasn't learned the lines you'd like to hear She won't join your clubs, she won't dance in your halls She won't help the hungry once a month at your tombolas She'll simply take control as you disappear CHE Forgive my intrusion but fine as those sentiments sound Little has changed for us peasants down here on the ground I hate to seem churlish, ungrateful, I don't like to moan But do you now represent anyone's cause but your own? EVA Everything done will justified by my Foundation 16. AND THE MONEY KEPT ROLLING IN (AND OUT) CHE (and WORKERS on choruses) And the money kept rolling in from every side Eva's pretty hands reached out and they reached wide Now you may feel it should have been a voluntary cause But that's not the point my friends When the money keeps rolling in you don't ask how Think of all the people guaranteed a good time now Eva's called the hungry to her--open up the doors! Never been a fund like the Foundation Eva Peron! Rolling rolling rolling Rolling on in Would you like to try a college education? Own your landlord's house, take the family on vacation? Eva and her blessed Fund can make your dreams come true Here's all you have to do my friends Write your name and your dream on a card or a pad or a ticket Throw it high in the air and should our lady pick it She will change your way of life for a week or even two Name me anyone who cares as much as Eva Peron! Rolling rolling rolling Rolling on out And the money kept rolling out in all directions To the poor to the weak to the destitute of all complexions Now cynics claim a little of the cash has gone astray But that's not the point my friends When the money keeps rolling out you don't keep books You can tell you've done well by the happy grateful looks Accountants only slow things down, figures get in the way Never been a lady loved as much as Eva Peron! Rolling rolling rolling Rolling on out If the money keeps rolling in what's a girl to do? Cream a little off the top for expenses--wouldn't you? But where on Earth can people hide their little piece of Heaven? Thank God for Switzerland Where a girl and a guy with a little petty cash between them Can be sure when they deposit no-one's seen them Oh what bliss to sign your checks as three-o-one-two-seven Never been accounts in the name of Eva Peron! Rolling rolling rolling Rolling on in 17. SANTA EVITA CHILDREN Please, gentle Eva, will you bless a little child? For I love you--tell Heaven I'm doing my best I'm praying for you, even though you're already blessed Please, mother Eva, will you look upon me as your own? Make me special, be my angel, be my everything wonderful perfect and true And I'll try to be exactly like you Please, holy Eva, will you feed a hungry child? For I love you--tell Heaven I'm doing my best... CHE Get them while they're young, Evita, get them while they're young! CHILDREN ...I'm praying for you, even though you're already blessed WORKERS Santa Santa Evita Madre de todos los ninos De los tiranizados De los descamisados De los trabajadores De la Argentina CHE Why try to govern a country when you can become a saint? 18. WALTZ FOR EVA AND CHE CHE Tell me before I waltz out of your life Before turning my back on the past Forgive my impertinent behavior But how long do you think this pantomime can last? Tell me before I ride off in the sunset There's one thing I never got clear How can you claim you're our savior When those who oppose you Are stepped on, or cut up, or simply disappear? EVA Tell me before you get onto your bus Before joining the forgotten brigade How can one person like me, say, Alter the time-honored way the game is played? Tell me before you get onto your high horse Just what you expect me to do I don't care what the bourgeoisie say I'm not in business for them but to give all my descamisados A magical moment or two CHE and EVA There is evil, ever around, fundamental System of government quite incidental EVA So what are my chances Of honest advances? I'd say low Better to win By admitting my sin Than to lose with a halo CHE Tell me before seek worthier pastures And thereby restore self-esteem How can you be so short-sighted To look never further than this week or next week To have no impossible dream? EVA Allow me to help you slink off to the sidelines I'll pay your fare, give three cheers But first tell me who'd be delighted To witness me tackle The world's greatest problems From war to pollution? No hope of solution Even if I lived for one hundred year